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Author: Igor Golomshtok
Publisher: Harper San Francisco
ISBN:
Category : Art
Languages : en
Pages : 454
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Book Description
In this study of the art of Stalinist Russia, Nazi Germany and Fascist Italy, the author describes the way the avant-garde and modernistic movements of the early 20th century, which sought to create new artistic forms of mass appeal, were quickly expropriated by dictatorial regimes.
Author: Igor Golomshtok
Publisher: Harper San Francisco
ISBN:
Category : Art
Languages : en
Pages : 454
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Book Description
In this study of the art of Stalinist Russia, Nazi Germany and Fascist Italy, the author describes the way the avant-garde and modernistic movements of the early 20th century, which sought to create new artistic forms of mass appeal, were quickly expropriated by dictatorial regimes.
Author: Igor Golomstock
Publisher: Harry N. Abrams
ISBN: 9781590206706
Category : Art
Languages : en
Pages : 0
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Book Description
In the Soviet Union, and later in Maoist China, theories of mass artistic appeal were used to promote the Revolution both at home and abroad. In Nazi Germany and Fascist Italy they asserted the putative grandeur of the epoch. All too often, art that served the Revolution became "total realism," and always it became a slave to the state and the cult of personality, and ultimately one more weapon in the arsenal of oppression. Igor Golomstock gives a detailed appraisal of the forms that define totalitarian art and illustrates his text with more than two hundred examples of its paintings, posters, sculpture, and architecture, and includes a powerful comparative visual essay which demonstrates the eerie similarity of the official art of these very different regimes.
Author: Igor Golomshtok
Publisher: HarperCollins Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 456
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Book Description
Author: Igor Golomshtok
Publisher: Harvill Press
ISBN: 9780002721691
Category : Art
Languages : en
Pages : 432
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Book Description
Author: Bruce F. Pauley
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
Like its predecessor, one of the most popular volumes in the 'European History Series', this second edition provides a unique interpretative comparison of the economics, propaganda, culture, and education and healthcare systems of all three forms of European totalitarianism. Punctuated by vivid portraits of the dictators' youths, early careers, personal relationships, management styles, and cults of personality, the second edition of this fascinating book features a greatly expanded photographic essay as well as a consideration of the very latest scholarship. This succinct and adept description of probably the most frightening phenomenon of the twentieth century remains ideal for use in courses on German, European, and World History. Its broad interdisciplinary scope also makes it an excellent choice of supplementary reading for courses in Government, International Relations, economics, sociology, women's studies, and ethics.
Author: Mikkel Bolt Rasmussen
Publisher: Aarhus Universitetsforlag
ISBN: 9788779345607
Category : Art
Languages : en
Pages : 359
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Book Description
In spite of the steadily expanding concept of art in the Western world, art made in twentieth-century totalitarian regimes û notably Nazi Germany, fascist Italy and the communist East Bloc countries û is still to a surprising degree excluded from main stream art history and the exhibits of art museums. In contrast to earlier art made to promote princely or ecclesiastical power, this kind of visual culture seems to somehow not fulfill the category of 'true' art, instead being marginalised as propaganda for politically suspect regimes. Totalitarian Art and Modernity wants to modify this displacement, comparing totalitarian art with modernist and avant-garde movements; confronting their cultural and political embeddings; anti writing forth their common genealogies. Its eleven articles include topics as varied as: the concept of totalitarianism and totalitarian art, totalitarian exhibitions, monuments and architecture, forerunners of totalitarian art in romanticism and heroic realism, and diverse receptions of totalitarian art In democratic cultures.
Author: Matthew Cullerne Bown
Publisher: Manchester University Press
ISBN: 9780719037351
Category : Art
Languages : en
Pages : 250
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Book Description
This work considers aspects of the art and architecture of the Soviet Union during the turbulent period of 1917 to 1922, covering a broad range of art, some modernist, some anti-modernist, but all to some degree guided by (and sometimes coerced by) the apparatus of the over-arching state.
Author: Jonathan Petropoulos
Publisher: UNC Press Books
ISBN: 9780807848098
Category : History
Languages : en
Pages : 468
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Book Description
The political elite of Nazi Germany perceived itself as a cultural elite as well. In Art as Politics in the Third Reich, Jonathan Petropoulos explores the elite's cultural aspirations by examining both the formulation of a national aesthetic policy
Author: Natalie Adamson
Publisher: Cambridge Scholars Publishing
ISBN: 1527554732
Category : Art
Languages : en
Pages : 255
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Book Description
Academics, Pompiers, Official Artists and the Arrière-garde: Defining Modern and Traditional in France, 1900-1960 is a collection of eight essays and a scholarly introduction by established and emerging scholars that challenges the continuing modernist slant of twentieth-century art history. The intention is not to perpetuate the vulgar opposition between avant-garde and reactionary art that characterized early-twentieth-century discourse and has marked much subsequent historical writing, but rather to investigate the complex relationship that both innovative and conservative artists had to the concept of tradition. How did artists and art critics conceive of tradition in relation to modernity? What was the role of an artist’s institutional positioning in determining expectations for his or her art? What light is thrown on the structure of the French art world by considering artists from abroad who worked in Paris? How did the war alter modernist and avant-garde paradigms and force crucial changes upon art production in the postwar period to 1960? Particular attention is paid to the terms academic, pompier, official, and arrière-garde, originally used to situate the more conservative artists and works as second-rate or as the negative foil to the assumed radicalism of the avant-garde. By re-evaluating the work of artists pushed to the historical margins by such polemical descriptors, and by proposing alternative understandings of the aesthetic, economic, institutional and political factors that drive our ideas of avant-gardism and the modernist narrative in France, this collection of essays offers new routes to explore the terrain of twentieth-century art in France.
Author: Annika A. Culver
Publisher: UBC Press
ISBN: 0774824387
Category : Political Science
Languages : en
Pages : 285
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Book Description
In the 1930s and ’40s, Japanese rulers in Manchukuo enlisted writers and artists to promote imperial Japan’s modernization program. Ironically, the cultural producers chosen to spread the imperialist message were previously left-wing politically. In Glorify the Empire, Annika A. Culver explores how these once anti-imperialist intellectuals produced avant-garde works celebrating the modernity of a fascist state and reflecting a complicated picture of complicity with, and ambivalence toward, Japan’s utopian project. A groundbreaking work, Glorify the Empire magnifies the intersection between politics and art in a rarely examined period of Japanese history.
