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Author: Igor Golomshtok
Publisher: Harper San Francisco
ISBN:
Category : Art
Languages : en
Pages : 454
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Book Description
In this study of the art of Stalinist Russia, Nazi Germany and Fascist Italy, the author describes the way the avant-garde and modernistic movements of the early 20th century, which sought to create new artistic forms of mass appeal, were quickly expropriated by dictatorial regimes.
Author: Igor Golomshtok
Publisher: Harper San Francisco
ISBN:
Category : Art
Languages : en
Pages : 454
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Book Description
In this study of the art of Stalinist Russia, Nazi Germany and Fascist Italy, the author describes the way the avant-garde and modernistic movements of the early 20th century, which sought to create new artistic forms of mass appeal, were quickly expropriated by dictatorial regimes.
Author: Mikkel Bolt Rasmussen
Publisher: Aarhus Universitetsforlag
ISBN: 9788779345607
Category : Art
Languages : en
Pages : 359
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Book Description
In spite of the steadily expanding concept of art in the Western world, art made in twentieth-century totalitarian regimes û notably Nazi Germany, fascist Italy and the communist East Bloc countries û is still to a surprising degree excluded from main stream art history and the exhibits of art museums. In contrast to earlier art made to promote princely or ecclesiastical power, this kind of visual culture seems to somehow not fulfill the category of 'true' art, instead being marginalised as propaganda for politically suspect regimes. Totalitarian Art and Modernity wants to modify this displacement, comparing totalitarian art with modernist and avant-garde movements; confronting their cultural and political embeddings; anti writing forth their common genealogies. Its eleven articles include topics as varied as: the concept of totalitarianism and totalitarian art, totalitarian exhibitions, monuments and architecture, forerunners of totalitarian art in romanticism and heroic realism, and diverse receptions of totalitarian art In democratic cultures.
Author: Igor Golomstock
Publisher: Harry N. Abrams
ISBN: 9781590206706
Category : Art
Languages : en
Pages : 0
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Book Description
In the Soviet Union, and later in Maoist China, theories of mass artistic appeal were used to promote the Revolution both at home and abroad. In Nazi Germany and Fascist Italy they asserted the putative grandeur of the epoch. All too often, art that served the Revolution became "total realism," and always it became a slave to the state and the cult of personality, and ultimately one more weapon in the arsenal of oppression. Igor Golomstock gives a detailed appraisal of the forms that define totalitarian art and illustrates his text with more than two hundred examples of its paintings, posters, sculpture, and architecture, and includes a powerful comparative visual essay which demonstrates the eerie similarity of the official art of these very different regimes.
Author: Mark Epstein
Publisher: Cambridge Scholars Publishing
ISBN: 1443879541
Category : Political Science
Languages : en
Pages : 470
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Book Description
This collection represents a tool to broaden and deepen our geographical, institutional, and historical understanding of the term totalitarianism. Is totalitarianism only found in ‘other’ societies? How come, then, it emerged historically in ‘ours’ first? How come it developed in so many countries either in Western Europe (Italy, Germany, Portugal, and Spain) or under implicit Western forms of coercion (Latin America)? How do relations between individual(s), mass and the visual arts relate to totalitarian trends? These are among the questions this book asks about totalitarianism. The volume does not impose a ‘one size fits all’ interpretation, but opens new spaces for debate on the connection between the visual arts and mass-culture in totalitarian societies. From the Mediterranean to Scandinavia, from Western Europe to Latin America, from the fascism of the early 20th century to contemporary forms of totalitarian control, and from cinema to architecture, the chapters included in TotArt bring expertise, historical sensibility and political awareness to bear on this varied range of phenomena. This collection offers international contributions on visual, performing and plastic arts. The chapters range from examination of comics to study of YouTube videos and American newsreels, from Italian, Spanish, Portuguese, and Uruguayan cinemas to more contemporary American films and TV series, from painters and sculptors to the study of urban spaces.
Author: Carl Eric Scott
Publisher: University Press of Kentucky
ISBN: 081314499X
Category : Political Science
Languages : en
Pages : 275
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Book Description
From its creation in 1950, to the fall of the Berlin Wall in 1989, the German Democratic Republic’s Ministry for State Security closely monitored its nation’s citizens. Known as the Staatssicherheit or Stasi, this organization was regarded as one of the most repressive intelligence agencies in the world. Florian Henckel von Donnersmarck’s 2006 film The Lives of Others (Das Leben der Anderen) has received international acclaim—including an Academy Award, an Independent Spirit Award, and multiple German Film Awards—for its moving portrayal of East German life under the pervasive surveillance of the Stasi. In Totalitarianism on Screen, political theorists Carl Eric Scott and F. Flagg Taylor IV assemble top scholars to analyze the film from philosophical and political perspectives. Their essays confront the nature and legacy of East Germany’s totalitarian government and outline the reasons why such regimes endure. Other than magazine and newspaper reviews, little has been written about The Lives of Others. This volume brings German scholarship on the topic to an English-speaking audience for the first time and explores the issue of government surveillance at a time when the subject is often front-page news. Featuring contributions from German president Joachim Gauck, prominent singer-songwriter Wolf Biermann, journalists Paul Hockenos and Lauren Weiner, and noted scholars Paul Cantor and James Pontuso, Totalitarianism on Screen contributes to the growing scholarship on totalitarianism and will interest historians, political theorists, philosophers, and fans of the film.
Author: Boris Groys
Publisher: Verso Books
ISBN: 1844678091
Category : Art
Languages : en
Pages : 145
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Book Description
From the ruins of communism, Boris Groys emerges to provoke our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists’ goal of producing world-transformative art. In this new edition, Groys revisits the debate that the book has stimulated since its first publication.
Author: Monica Cioli
Publisher: Campus Verlag
ISBN: 3593510308
Category :
Languages : en
Pages : 223
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Book Description
Traces of Modernism surveys the competing social and political visions that marked the transition from the nineteenth century to the twentieth, and the complex relationships and connections between these visions. A host of international contributors consider an extensive range of philosophical and artistic ideologies--from Bauhaus and Italian futurism to plans for totalitarian state-building--that bloomed in the wake of the World War One and the ensuing worldwide revolutions. These ideologies developed amid the uneasy backdrop of new kinds of international cooperation that were periodically punctuated by sharp bursts of fervid nationalism. At the center of each essay in Traces of Modernism stands the image of the machine, a metaphor for technological innovation and new systems of order that stood unfortunately ready for corruption by forces of authoritarianism.
Author: Igor Golomshtok
Publisher: Harvill Press
ISBN: 9780002721691
Category : Art
Languages : en
Pages : 432
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Book Description
Author: David Roberts
Publisher: Cornell University Press
ISBN: 0801461456
Category : Art
Languages : en
Pages : 305
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Book Description
In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution. The total work of art is usually understood as the intention to reunite the arts into the one integrated whole, but it is also tied from the beginning to the desire to recover and renew the public function of art. The synthesis of the arts in the service of social and cultural regeneration was a particularly German dream, which made Wagner and Nietzsche the other center of aesthetic modernism alongside Baudelaire and Mallarmé. The history and theory of the total work of art pose a whole series of questions not only to aesthetic modernism and its utopias but also to the whole epoch from the French Revolution to the totalitarian revolutions of the twentieth century. The total work of art indicates the need to revisit key assumptions of modernism, such as the foregrounding of the autonomy and separation of the arts at the expense of the countertendencies to the reunion of the arts, and cuts across the neat equation of avant-gardism with progress and deconstructs the familiar left-right divide between revolution and reaction, the modern and the antimodern. Situated at the interface between art, religion, and politics, the total work of art invites us to rethink the relationship between art and religion and art and politics in European modernism. In a major departure from the existing literature David Roberts argues for twin lineages of the total work, a French revolutionary and a German aesthetic, which interrelate across the whole epoch of European modernism, culminating in the aesthetic and political radicalism of the avant-garde movements in response to the crisis of autonomous art and the accelerating political crisis of European societies from the 1890s forward.
Author: Jane Portal
Publisher: Reaktion Books
ISBN: 9781861892362
Category : Art
Languages : en
Pages : 196
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Book Description
"Art Under Control in North Korea is the first publication in the West to explore the role of art in one of the world's most isolated nations. This timely publication places North Korean art in its historical, political and social contexts, discusses the state system of producing, employing, promoting and honouring artists, and examines the range of art produced, from painting and calligraphy to architecture and applied art. Jane Portal also compares the control exerted over artists by North Korean leaders to that of other absolute dictatorships, and looks at the way in which archaeology has been employed for political ends to justify the present leadership and its lineage."--BOOK JACKET.