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Author: Michael Talbot
Publisher: Oxford [England] : Clarendon Press ; Toronto : Oxford University Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
Tomaso Albinoni (1671-1751) is familiar as a Venetian composer, a contemporary of Vivaldi's, and as one of the first composers of concertos, many of which are frequently performed today. His vocal music, however, has been unjustly neglected. This book presents new information on Albinoni's unusual life and interesting details of the Venetian environment and music at the time. Talbot includes a detailed analytic study of the vocal music and a discussion and listing of several newly discovered works. From this objective assessment of his art, Albinoni emerges as a composer with a highly original vision whose music deserves to be better known.
Author: Michael Talbot
Publisher: Oxford [England] : Clarendon Press ; Toronto : Oxford University Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
Tomaso Albinoni (1671-1751) is familiar as a Venetian composer, a contemporary of Vivaldi's, and as one of the first composers of concertos, many of which are frequently performed today. His vocal music, however, has been unjustly neglected. This book presents new information on Albinoni's unusual life and interesting details of the Venetian environment and music at the time. Talbot includes a detailed analytic study of the vocal music and a discussion and listing of several newly discovered works. From this objective assessment of his art, Albinoni emerges as a composer with a highly original vision whose music deserves to be better known.
Author: Tomaso Albinoni
Publisher: A-R Editions, Inc.
ISBN: 0895792079
Category : Music
Languages : en
Pages : 122
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Book Description
Nothing provided
Author: George J. Buelow
Publisher: Indiana University Press
ISBN: 9780253343659
Category : Music
Languages : en
Pages : 732
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Book Description
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
Author: Mark Katz
Publisher: Routledge
ISBN: 1135576963
Category : Music
Languages : en
Pages : 423
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Book Description
The violin was first mentioned in a book in the sixteenth century. An abundant and diverse literature on the instrument has grown since then, and a complete general guide to these materials has not been produced in the modern era. The last, Edward Heron-Allen's De Fidiculis Bibliographia , was published in1894. This book fills that void, organizing and annotating information on the violin from a variety of fields and sources. It provides a comprehensive, though selective, guide to all facets of the instrument. The book is divided into 4 main parts: Reference and General Studies; Acoustics and Construction; Violin Playing, Performance Practice, and Music; and Violinists, Composers, and Violin Teachers. It will serve as a ready reference for students and scholars, and is a welcome addition to the esteemed Routledge Music Bibliography series.
Author: George Hart
Publisher:
ISBN:
Category : Violin
Languages : en
Pages : 592
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Book Description
Author: Chris Woodstra
Publisher: Hal Leonard Corporation
ISBN: 9780879308650
Category : Music
Languages : en
Pages : 1620
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Book Description
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Author: Robert Tell
Publisher: RTP Press
ISBN: 1310914362
Category : Fiction
Languages : en
Pages : 250
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Book Description
Who is killing classical composers all over America? A serial killer is on the loose and Harry Grouch must find out why and catch the murderer. "Stradella's Revenge" is based on the real life conflicts of two 17th century Italian composers, Tomaso Albinoni and Alessandro Stradella. It is the third in the entertaining Harry Grouch Detective Series that includes "The Witch of Maple Park" and "Nanobe." Dr. Tomaso Albinoni, a Medical Microbiologist at Bard Memorial Hospital (and a descendant of the baroque composer with the same name) hires Harry Grouch and Associates to investigate anonymous death threats. Could they be related to an unsolved series of recent murders of other composers? Harry discovers that in Tom Albinoni's case they may be revenge threats coming from a descendant of Alessandro Stradella, a composer who was assassinated in 1682, possibly by one of Albinoni's ancestors. These were real and talented composers whose music is often heard and celebrated today. Flashbacks to 1682 reveal what really happened. Stradella was a blessed composer and a cursed personality, a cad, a womanizer, and an embezzler from the church. Some would probably say he deserved assassination. The current day Albinoni is stalked by the current day Stradella. Harry Grouch investigates using clues from the composer's music. What is driving the modern day Stradella and will Harry catch him in time?
Author: Tomaso Albinoni
Publisher: A-R Editions, Inc.
ISBN: 0895791692
Category : Opera
Languages : en
Pages : 112
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Book Description
Author: Sauro Succi
Publisher: Oxford University Press
ISBN: 0192652729
Category : Science
Languages : en
Pages : 380
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Book Description
"Both superb and essential... Succi, with clarity and wit, takes us from quarks and Boltzmann to soft matter - precisely the frontier of physics and life." Stuart Kauffman, MacArthur Fellow, Fellow of the Royal Society of Canada, Gold Medal Accademia Lincea We live in a world of utmost complexity, outside and within us. There are thousand of billions of billions of stars out there in the Universe, a hundred times more molecules in a glass of water, and another hundred times more in our body, all working in sync to keep us alive and well. At face value, such numbers spell certain doom for our ability to make any sense at all of the world around and within us. And yet, they don't. Why, and how - this book endeavours to provide an answer to these questions with specific reference to a selected window of the physics-biology interface. The story unfolds over four main Parts. Part I provides an introduction to the main organizational principles which govern the functioning of complex systems in general, such as nonlinearity, nonlocality and ultra-dimensions. Part II deals with thermodynamics, the science of change, starting with its historical foundations laid down in the 19th century, and then moving on to its modern and still open developments in connection with biology and cosmology. Part III deals with the main character of this book, free energy, and the wondrous scenarios opened up by its merger with the modern tools of statistical physics. It also describes the basic facts about soft matter, the state of matter most relevant to biological organisms. Finally, Part IV discusses the connection between time and complexity, and its profound implications on the human condition, i.e. the one-sided nature of time and the awareness of human mortality. It concludes with a few personal considerations about the special place of emotions and humility in science.
Author: Gesine Manuwald
Publisher: Walter de Gruyter
ISBN: 3110317516
Category : Music
Languages : en
Pages : 420
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Book Description
This book considers the story of Nero and Octavia, as told in the pseudo-Senecan Octavia and the works of ancient historiographers, and its reception in (early) modern opera and some related examples of other performative genres. In total the study assembles more than 30 performative texts (including 22 librettos), ranging chronologically from L'incoronazione di Poppea in 1642/43 until the early 20th century, and provides detailed information on all of them. In a close examination of the libretto (and dramatic) texts, the study shows the impact and development of this fascinating story from the beginnings of historical opera onwards. The volume demonstrates the various transformations of the characters of Nero and his wives and of the depiction of their relationship over the centuries, and it looks at the tension between “historical” elements and genre conventions. The book is therefore of relevance to literary scholars as well as to readers interested in the evolution of Nero’s image in present-day media.
