Author: Richard Buckley Litchfield
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 320
Book Description
Tom Wedgwood
Author: Richard Buckley Litchfield
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 320
Book Description
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 320
Book Description
Tom Wedgwood, the First Photographer
Author: Richard Buckley Litchfield
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 316
Book Description
The Publisher
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1104
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1104
Book Description
Natural Magic
Author: Renée Bergland
Publisher: Princeton University Press
ISBN: 0691235295
Category : Literary Criticism
Languages : en
Pages : 440
Book Description
A captivating portrait of the poet and the scientist who shared an enchanted view of nature Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical—and too dangerous for women. Natural Magic intertwines the stories of these two luminary nineteenth-century minds whose thought and writings captured the awesome possibilities of the new sciences and at the same time strove to preserve the magic of nature. Just as Darwin’s work was informed by his roots in natural philosophy and his belief in the interconnectedness of all life, Dickinson’s poetry was shaped by her education in botany, astronomy, and chemistry, and by her fascination with the enchanting possibilities of Darwinian science. Casting their two very different careers in an entirely fresh light, Renée Bergland brings to life a time when ideas about science were rapidly evolving, reshaped by poets, scientists, philosophers, and theologians alike. She paints a colorful portrait of a remarkable century that transformed how we see the natural world. Illuminating and insightful, Natural Magic explores how Dickinson and Darwin refused to accept the separation of art and science. Today, more than ever, we need to reclaim their shared sense of ecological wonder.
Publisher: Princeton University Press
ISBN: 0691235295
Category : Literary Criticism
Languages : en
Pages : 440
Book Description
A captivating portrait of the poet and the scientist who shared an enchanted view of nature Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical—and too dangerous for women. Natural Magic intertwines the stories of these two luminary nineteenth-century minds whose thought and writings captured the awesome possibilities of the new sciences and at the same time strove to preserve the magic of nature. Just as Darwin’s work was informed by his roots in natural philosophy and his belief in the interconnectedness of all life, Dickinson’s poetry was shaped by her education in botany, astronomy, and chemistry, and by her fascination with the enchanting possibilities of Darwinian science. Casting their two very different careers in an entirely fresh light, Renée Bergland brings to life a time when ideas about science were rapidly evolving, reshaped by poets, scientists, philosophers, and theologians alike. She paints a colorful portrait of a remarkable century that transformed how we see the natural world. Illuminating and insightful, Natural Magic explores how Dickinson and Darwin refused to accept the separation of art and science. Today, more than ever, we need to reclaim their shared sense of ecological wonder.
Private Lives of the Ancient Mariner
Author: Molly Lefebure
Publisher: Lutterworth Press
ISBN: 0718841905
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
A fascinating new study of Samuel Taylor Coleridge, 'Private Lives of the Ancient Mariner' illuminates the poet's deeply troubled personality and stormy personal life through a highly original study of his relationships. In her last published work the celebrated Coleridgean, Molly Lefebure, provides profound psychological insights into Coleridge through a meticulous study of his domestic life, drawing upon a vast and unique body of knowledge gained from a lifetime's study of the poet, and making skilful use of the letters, poems and biographies of the man himself and his family and friends. The author traces the roots of Coleridge's unarguably dysfunctional personality from his earliest childhood; his position as his mother's favoured child, the loss of this status with the death of his father, and removal to the 'Bluecoat' school in London. Coleridge's narcissistic depression, flamboyance, and cold-hearted, often cruel, rejection of his family and of loving attachments in general are examined in close detail. The author also explores Coleridge's careers in journalism and politics as well as poetry, in his early, heady 'jacobin' days, and later at the heart of the British wartime establishment at Malta. In both of these arenas Coleridge exerted his talents to brilliant effect, although they have often been overlooked in appraisals of his works. His virtual abandonment of his children and tragic disintegration under the influence of opium are included in the broad sweep of the book which also encompasses an examination of the lives of Coleridge's children, upon whom the manipulations of the father left their destructive mark. Molly Lefebure unravels the enigma that is Coleridge with consummate skill in a book which will bring huge enjoyment to any reader with an interest in the poet's life and times.
Publisher: Lutterworth Press
ISBN: 0718841905
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
A fascinating new study of Samuel Taylor Coleridge, 'Private Lives of the Ancient Mariner' illuminates the poet's deeply troubled personality and stormy personal life through a highly original study of his relationships. In her last published work the celebrated Coleridgean, Molly Lefebure, provides profound psychological insights into Coleridge through a meticulous study of his domestic life, drawing upon a vast and unique body of knowledge gained from a lifetime's study of the poet, and making skilful use of the letters, poems and biographies of the man himself and his family and friends. The author traces the roots of Coleridge's unarguably dysfunctional personality from his earliest childhood; his position as his mother's favoured child, the loss of this status with the death of his father, and removal to the 'Bluecoat' school in London. Coleridge's narcissistic depression, flamboyance, and cold-hearted, often cruel, rejection of his family and of loving attachments in general are examined in close detail. The author also explores Coleridge's careers in journalism and politics as well as poetry, in his early, heady 'jacobin' days, and later at the heart of the British wartime establishment at Malta. In both of these arenas Coleridge exerted his talents to brilliant effect, although they have often been overlooked in appraisals of his works. His virtual abandonment of his children and tragic disintegration under the influence of opium are included in the broad sweep of the book which also encompasses an examination of the lives of Coleridge's children, upon whom the manipulations of the father left their destructive mark. Molly Lefebure unravels the enigma that is Coleridge with consummate skill in a book which will bring huge enjoyment to any reader with an interest in the poet's life and times.
Burning with Desire
Author: Geoffrey Batchen
Publisher: MIT Press
ISBN: 9780262522595
Category : Photography
Languages : en
Pages : 294
Book Description
In an 1828 letter to his partner, Nicéphore Niépce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. He examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the medium's undeniable conceptual, political, and historical complexity.
Publisher: MIT Press
ISBN: 9780262522595
Category : Photography
Languages : en
Pages : 294
Book Description
In an 1828 letter to his partner, Nicéphore Niépce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. He examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the medium's undeniable conceptual, political, and historical complexity.
Emma Darwin, Wife of Charles Darwin
Author: Henrietta Emma Darwin Litchfield
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
Book Description
British Books
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 760
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 760
Book Description
Science, Form, and the Problem of Induction in British Romanticism
Author: Dahlia Porter
Publisher: Cambridge Studies in Romantici
ISBN: 1108418945
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
Traces the practice of induction - manipulating textual evidence by selective quotation - and its uses by Romantic-period writers.
Publisher: Cambridge Studies in Romantici
ISBN: 1108418945
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
Traces the practice of induction - manipulating textual evidence by selective quotation - and its uses by Romantic-period writers.
Science and Spectacle in the European Enlightenment
Author: Bernadette Bensaude-Vincent
Publisher: Routledge
ISBN: 1351901877
Category : History
Languages : en
Pages : 188
Book Description
Air-pumps, electrical machines, colliding ivory balls, coloured sparks, mechanical planetariums, magic mirrors, hot-air balloons - these are just a sample of the devices displayed in public demonstrations of science in the eighteenth century. Public and private demonstrations of natural philosophy in Europe then differed vastly from today's unadorned and anonymous laboratory experiments. Science was cultivated for a variety of purposes in many different places; scientific instruments were built and used for investigative and didactic experiments as well as for entertainment and popular shows. Between the culture of curiosities which characterized the seventeenth century and the distinction between academic and popular science that gradually emerged in the nineteenth, the eighteenth century was a period when scientific activities took place in a variety of sites, ranging from academies, and learned societies to salons and popular fairs, shops and streets. This collection of case studies describing public demonstrations in Britain, Germany, Italy and France exemplifies the wide variety of settings for scientific activities in the European Enlightenment. Filled with sparks and smells, the essays raise broader issues about the ways in which modern science established its legitimacy and social acceptability. They point to two major features of the cultures of science in the eighteenth-century: entertainment and utility. Experimental demonstrations were attended by apothecaries and craftsmen for vocational purposes. At the same time, they had to fit in with the taste of both polite society and market culture. Public demonstrations were a favourite entertainment for ladies and gentlemen and a profitable activity for instrument makers and booksellers.
Publisher: Routledge
ISBN: 1351901877
Category : History
Languages : en
Pages : 188
Book Description
Air-pumps, electrical machines, colliding ivory balls, coloured sparks, mechanical planetariums, magic mirrors, hot-air balloons - these are just a sample of the devices displayed in public demonstrations of science in the eighteenth century. Public and private demonstrations of natural philosophy in Europe then differed vastly from today's unadorned and anonymous laboratory experiments. Science was cultivated for a variety of purposes in many different places; scientific instruments were built and used for investigative and didactic experiments as well as for entertainment and popular shows. Between the culture of curiosities which characterized the seventeenth century and the distinction between academic and popular science that gradually emerged in the nineteenth, the eighteenth century was a period when scientific activities took place in a variety of sites, ranging from academies, and learned societies to salons and popular fairs, shops and streets. This collection of case studies describing public demonstrations in Britain, Germany, Italy and France exemplifies the wide variety of settings for scientific activities in the European Enlightenment. Filled with sparks and smells, the essays raise broader issues about the ways in which modern science established its legitimacy and social acceptability. They point to two major features of the cultures of science in the eighteenth-century: entertainment and utility. Experimental demonstrations were attended by apothecaries and craftsmen for vocational purposes. At the same time, they had to fit in with the taste of both polite society and market culture. Public demonstrations were a favourite entertainment for ladies and gentlemen and a profitable activity for instrument makers and booksellers.