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Author: Francois Blanciak
Publisher: MIT Press
ISBN: 0262544237
Category : Architecture
Languages : en
Pages : 217
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Book Description
A photographic survey of the robotic face of Tokyo buildings and an argument that robot aesthetics plays a central role in architectural history. In Tokyoids, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables—size, material, historical style—but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot aesthetics through his photographs of fifty buildings, Blanciak argues that the robot face originated in architecture—before the birth of robotics—and has played a central role in architectural history. Blanciak first puts the robot face into historical perspective, examining the importance of the face in architectural theory and demonstrating that the construction of architecture’s emblematic portraits triggered the emergence of a robot aesthetics. He then explores the emotions conveyed by the photographed buildings’ robot faces, in chapters titled “Awe,” “Wrath,” “Mirth,” “Pain,” “Angst,” and “Hunger.” As he does so he considers, among other things, the architectural relevance of Tokyo’s ordinary buildings; the repression of the figural in contemporary architecture; an aesthetic of dismemberment, linked to the structure of the Japanese language and local building design; and the influence of automation technology upon human interaction. Part photographic survey, part theoretical inquiry, Tokyoids upends the usual approach to robotics in architecture by considering not the automation of architectural output but the aesthetic properties of the robot.
Author: Francois Blanciak
Publisher: MIT Press
ISBN: 0262544237
Category : Architecture
Languages : en
Pages : 217
Get Book
Book Description
A photographic survey of the robotic face of Tokyo buildings and an argument that robot aesthetics plays a central role in architectural history. In Tokyoids, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables—size, material, historical style—but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot aesthetics through his photographs of fifty buildings, Blanciak argues that the robot face originated in architecture—before the birth of robotics—and has played a central role in architectural history. Blanciak first puts the robot face into historical perspective, examining the importance of the face in architectural theory and demonstrating that the construction of architecture’s emblematic portraits triggered the emergence of a robot aesthetics. He then explores the emotions conveyed by the photographed buildings’ robot faces, in chapters titled “Awe,” “Wrath,” “Mirth,” “Pain,” “Angst,” and “Hunger.” As he does so he considers, among other things, the architectural relevance of Tokyo’s ordinary buildings; the repression of the figural in contemporary architecture; an aesthetic of dismemberment, linked to the structure of the Japanese language and local building design; and the influence of automation technology upon human interaction. Part photographic survey, part theoretical inquiry, Tokyoids upends the usual approach to robotics in architecture by considering not the automation of architectural output but the aesthetic properties of the robot.
Author: Francois Blanciak
Publisher: MIT Press
ISBN: 0262370956
Category : Architecture
Languages : en
Pages : 217
Get Book
Book Description
A photographic survey of the robotic face of Tokyo buildings and an argument that robot aesthetics plays a central role in architectural history. In Tokyoids, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables—size, material, historical style—but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot aesthetics through his photographs of fifty buildings, Blanciak argues that the robot face originated in architecture—before the birth of robotics—and has played a central role in architectural history. Blanciak first puts the robot face into historical perspective, examining the importance of the face in architectural theory and demonstrating that the construction of architecture’s emblematic portraits triggered the emergence of a robot aesthetics. He then explores the emotions conveyed by the photographed buildings’ robot faces, in chapters titled “Awe,” “Wrath,” “Mirth,” “Pain,” “Angst,” and “Hunger.” As he does so he considers, among other things, the architectural relevance of Tokyo’s ordinary buildings; the repression of the figural in contemporary architecture; an aesthetic of dismemberment, linked to the structure of the Japanese language and local building design; and the influence of automation technology upon human interaction. Part photographic survey, part theoretical inquiry, Tokyoids upends the usual approach to robotics in architecture by considering not the automation of architectural output but the aesthetic properties of the robot.
Author:
Publisher:
ISBN:
Category : Industries
Languages : en
Pages : 1544
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 638
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Book Description
Author: François Blanciak
Publisher:
ISBN: 9780262370967
Category : Architecture
Languages : en
Pages :
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Book Description
"Part photographic survey, part theoretical inquiry, Tokyoids focuses on the field of robotic aesthetics from a conceptual point of view, and identifies the robotic face as a critical apparatus of modern culture"--
Author:
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ISBN:
Category : East Asia
Languages : en
Pages : 1368
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Book Description
Asia's premier business magazine. The magazine reports on politics, business, economics, technology and social and cultural issues throughout Asia, with a particular emphasis on both Southeast Asia and China.
Author: T Ichikawa
Publisher: World Scientific
ISBN: 9814505447
Category : Computers
Languages : en
Pages : 300
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Book Description
This book contains articles on advanced topics in language architectures and programming environments. The chapters are written by distinctive leaders in their respective research fields. The original articles and reprints are enhanced by the editors' descriptions which are intended to guide the reader. The book will be of immense use to computer science students, computer system architects and designers, and designers of programming environments, requiring a deep and broad knowledge of these fields. Contents:Introduction (T Ichikawa & H Tsubotani)Design and Implementation (L Lopriore)Language-Oriented Architecture (P U Schulthess)Reduced Architecture (D A Patterson)Debugging Environment (F Baiardi)Artificial Intelligence in Programming (R C Waters)and other papers Readership: Computer scientists and engineers. keywords:High-Level Language Architecture;Language-Oriented Architecture;Architecture for Artificial Intelligence;Reduced Architecture;Integrated Tools and Environment;Artificial Intelligence in Programming;Debugging Environment;Meta-Environment
Author: Jeffrey H. Dyer
Publisher: John Wiley & Sons
ISBN: 1394161905
Category : Business & Economics
Languages : en
Pages : 514
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Book Description
Students enjoy the concise and approachable style of Strategic Management: Concepts and Cases, 5th Edition. Written in an accessible Harvard Business Review style with lots of practical examples and strategy tools, this course engages students with an easy-to-understand learning experience to strategic management concepts that will help them succeed in today's workplace. The newest edition of Strategic Management sparks ideas, fuels creative thinking, and discussion, while engaging students via contemporary examples, outstanding author-produced cases, unique Strategy Tool Applications, and much more!
Author: Catherine Ingraham
Publisher: MIT Press
ISBN: 0262544970
Category : Architecture
Languages : en
Pages : 273
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Book Description
A collection of illuminating essays exploring what theory makes of architecture and what architecture makes of theory in philosophical and materialized contexts. From poststructuralism and deconstruction to current theories of technology and nature, critical theory has long been closely aligned with architecture. In turn, architecture as a thinking profession materializes theory in the form of built work that always carries symbolic loads. In this collection of essays, Catherine Ingraham studies the complex connectivity between architecture's discipline and practice and theories of philosophy, art, literature, history, and politics. She argues that there can be no architecture without theory. Whether considering architecture’s relationship to biomodernity or exploring the ways in which contemporary artists and designers engage in figural play, Ingraham offers provocative interpretations that enhance our understanding of both critical theory and architectural practice today. Along the way, she engages with a wide range of contemporary theorists, including Giorgio Agamben, Judith Butler, Jacques Derrida, Graham Harman, and Timothy Morton, considering buildings around the world, including the Palace of Culture in Warsaw, the Viceroy’s House complex in New Delhi, Mack Scogin and Merrill Elam's Wolfsburg Science Center project in Germany, and the Superdome in New Orleans. Approaching its subject matter from multiple angles, Architecture’s Theory shows how architecture's theoretical and artifactual practices have a unique power to alter culture.
Author: Melinda Agron
Publisher: National Geographic Books
ISBN: 0262543818
Category : Architecture
Languages : en
Pages : 0
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Book Description
Atopia as both the site of architecture’s critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged. A literal no-place, atopia represents the spatial end-product of a society seemingly flattened by supra-territorial flows of information and material. It expresses both a physical artifact and condition of mass culture, and like the global systems of production and consumption from which it is conceived, atopia is both nowhere and everywhere at once. For the contributors of Perspecta 54, the ephemeral conditions of atopia are also an invitation to an equally unconstrained critical practice. Blurred boundaries—geopolitical, virtual, technical, disciplinary—offer sites for transgressive speculation and critique from beyond the limits of traditional design agency. What results is a form of design practice that ambiguously straddles impossibility and hyperreality. Atopia rejects both the escapist fantasy of utopia and the nihilism of dystopia, favoring instead a conceptual middle ground from which real-world conditions can be productively engaged and challenged. Architecture’s traditional objectives of critical inquiry—particularly the location of modes of complicity, agency, and resistance within larger structures—are mediated and reframed through nontraditional strategies of speculative design and fiction. For a profession that is routinely asked to navigate extreme complexity with limited tools, this approach suggests an expanded operational domain and possibilities for reinvigorated creative thought. From urban crises and climate emergencies to border disputes and geopolitics, Perspecta 54 examines atopia as both the site of architecture’s critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged.
