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Author: Thomas Puttfarken
Publisher: Yale University Press
ISBN: 9780300110005
Category : Art
Languages : en
Pages : 260
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Book Description
Late in his life Titian created a series of paintings--the "Four Sinners,” the "poesie” for his patron Philip II of Spain, and the "Final Tragedies”--that were dark in tone and content, full of pathos and physical suffering.In this major reinterpretation of Titian’s art, Thomas Puttfarken shows that the often dramatic and violent subject matter of these works was not, as is often argued, the consequence of the artist’s increasing age and sense of isolation and tragedy. Rather, these paintings were influenced by discussions of Aristotle’s Poetics that permeated learned discourse in Italy in the mid-sixteenth century. The Poetics led directly to a rich theory of the visual arts, and painting in particular, that enabled artists like Titian to consider themselves on equal footing with poets. Puttfarken investigates Titian’s late works in this context and analyzes his relations with his patrons, his intellectual and humanistic contacts, and his choices of subject matter, style, and technique.
Author: Thomas Puttfarken
Publisher: Yale University Press
ISBN: 9780300110005
Category : Art
Languages : en
Pages : 260
Get Book Here
Book Description
Late in his life Titian created a series of paintings--the "Four Sinners,” the "poesie” for his patron Philip II of Spain, and the "Final Tragedies”--that were dark in tone and content, full of pathos and physical suffering.In this major reinterpretation of Titian’s art, Thomas Puttfarken shows that the often dramatic and violent subject matter of these works was not, as is often argued, the consequence of the artist’s increasing age and sense of isolation and tragedy. Rather, these paintings were influenced by discussions of Aristotle’s Poetics that permeated learned discourse in Italy in the mid-sixteenth century. The Poetics led directly to a rich theory of the visual arts, and painting in particular, that enabled artists like Titian to consider themselves on equal footing with poets. Puttfarken investigates Titian’s late works in this context and analyzes his relations with his patrons, his intellectual and humanistic contacts, and his choices of subject matter, style, and technique.
Author: Thomas Puttfarken
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 0
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Book Description
Author: Paul Joannides
Publisher: Yale University Press
ISBN: 0300087217
Category : Art
Languages : en
Pages : 372
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Book Description
The work that Titian produced during the first decade of his career is beautiful and varied, but it has raised many questions of attribution and chronology. This book - the first thorough and coherent account of this period in Titian's life - reconstructs what he painted, when he painted it and what these paintings mean. Paul Joannides begins by discussing the probable course of Titian's early career and his relationship to the Bellinis. There are individual excurses on Giorgione and on Sebastiano del Piombo whose work has often been confused with his. Joannides then offers new interpretations of some of Titian's paintings, emphasising their poetic and dramatic qualities. Among other topics, he associates for the first time the paintings in Saint Petersburg, Venice and Houston; lays out Titian's part of the Fondaco; connects the privately owned Resurrected Christ with the Fogg Circumcision; integrates the Dresden Venus and the Berlin Portrait into Titian's work; and establishes the dynamism and inventiveness of the great Assunta of 1516-18. Joannides provides detailed arguments in support of both new and familiar attributions, proposes a more closely reasoned and precise chronology
Author: Sheila Hale
Publisher: Harper Collins
ISBN: 0062218131
Category : Art
Languages : en
Pages : 722
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Book Description
The first definitive biography of the master painter in more than a century, Titian: His Life is being hailed as a "landmark achievement" for critically acclaimed author Sheila Hale (Publishers Weekly). Brilliant in its interpretation of the 16th-century master's paintings, this monumental biography of Titian draws on contemporary accounts and recent art historical research and scholarship, some of it previously unpublished, providing an unparalleled portrait of the artist, as well as a fascinating rendering of Venice as a center of culture, commerce, and power. Sheila Hale's Titian is destined to be this century's authoritative text on the life of greatest painter of the Italian High Renaissance.
Author: Mark Hudson
Publisher: Bloomsbury Publishing USA
ISBN: 080271966X
Category : Biography & Autobiography
Languages : en
Pages : 321
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Book Description
Towards the end of his life Titian didn't finish his paintings. The elderly artist kept them in his studio, never quite completing them, as though wanting to endlessly postpone the moment of letting go. Created with the fingers as much as the brush, Titian's last paintings are imbued with a sense of final, desperate effort - a rawness and immediacy that weren't to be seen again in art for centuries. But what did Titian, who experienced as much in the way of material success as any artist before or since, mean by these works? Are they a harrowing, final testament or simply a collection of unfinished paintings? In the outbreak of plague that finally killed him, Titian's studio was looted, and many paintings taken. What happened to them is not known. This book is a quest - a journey through Titian's life and work, towards the physical and spiritual landscape of his last paintings. Looking at Titian's relationships with his artistic rivals, his patrons - including popes, kings and emperors - and his troubled dealings with his own family, the narrative moves from the artist's hometown in the Dolomites to the greatest churches and palaces of the age. Parallel with these physical travels is a journey through the paintings, following the glittering trajectory of Titian's life and career, the remorseless formal development that led to the breakthroughs of his last days. Titian: The Last Days is an exploratory history of the artist and his world that vividly recreates the atmosphere of sixteenth-century Venice and Europe, a narrative in which the search for the subject becomes part of the subject itself. The result is a brilliant and compelling study of one of Europe's greatest artists that is at once passionate, engaging and deeply personal.
Author: Jodi Cranston
Publisher: Penn State University Press
ISBN:
Category : Figurative painting
Languages : en
Pages : 188
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Book Description
Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection.
Author: Maria H. Loh
Publisher: Getty Publications
ISBN: 9780892368730
Category : Imitation in art
Languages : en
Pages : 220
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Book Description
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
Author: Matthias Wivel
Publisher: National Gallery London
ISBN: 9781857096552
Category : Art, Renaissance
Languages : en
Pages : 0
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Book Description
A celebration of one of the most important groups of Renaissance paintings
Author: William Shakespeare
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 254
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Book Description
Author: Artur Rosenauer
Publisher:
ISBN: 9783777426396
Category : Painting, Italian
Languages : en
Pages : 0
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Book Description
Titian was the most important Venetian artist of the sixteenth century. His paintings are among the most-admired works in collections and museums worldwide. This volume shows for the first time a sensational find: his early painting "The Grimani Risen Christ", which was in the possession of one of the most important family collections in Venice. Christ stands on the tomb like an emperor of Antiquity. An impressive scene, but it is not only the pose which captivates the viewer. The spectacular element lies in the boldness with which the dramatic Easter morning sky in the background is represented. This detail demonstrates the genius with which Titian exploited the colours and their full potential: "In this spectacular detail, the medium of paint is exploited to its highest potential. It is as if the light embodies a supernatural energy causing the shroud to billow and Christ's pennant to flutter." In addition it has been possible to penetrate to the origins of the picture. It was in the possession of the Grimanis, one of the most illustrious patrician families and the most important collectors in Venice at the time.
