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Author: John Ford
Publisher: Routledge
ISBN: 1134944489
Category : Literary Criticism
Languages : en
Pages : 167
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Book Description
The last decade has seen a revival of interest in John Ford and especially 'Tis Pity She's a Whore, his tragedy of religious scepticism, incestuous love, and revenge. This text in particular has provided a focus for scholarship as well as being the subject of a number of major theatrical productions. Simon Barker guides the reader through the full range of previous interpretations of the play; moving from an overview of traditional readings he goes on to enlarge upon new questions that have arisen as a consequence of critical and cultural theory.
Author: John Ford
Publisher: Routledge
ISBN: 1134944489
Category : Literary Criticism
Languages : en
Pages : 167
Get Book Here
Book Description
The last decade has seen a revival of interest in John Ford and especially 'Tis Pity She's a Whore, his tragedy of religious scepticism, incestuous love, and revenge. This text in particular has provided a focus for scholarship as well as being the subject of a number of major theatrical productions. Simon Barker guides the reader through the full range of previous interpretations of the play; moving from an overview of traditional readings he goes on to enlarge upon new questions that have arisen as a consequence of critical and cultural theory.
Author: John Ford
Publisher: Oxford University Press, USA
ISBN: 9780192834492
Category : Drama
Languages : en
Pages : 420
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Book Description
Ford wrote darkly about sexual and political passion, despair, thwarted ambition, and incest. This selection also shows his ability to portray the poignancy of love as well as write entertaining comedy and create convincing roles for women. His Annabella, Hippolita, Penthea, Calantha, and Katherine Gordon rank among the most dramatically powerful female characters on the post-Shakespearean stage. Setting Ford's earliest surviving independently-written play, The Lover's Melancholy, alongside his three best known works, this edition includes an introduction with sections on each play addressing gender issues, modern relevance, and staging possibilities. Under the General Editorship of Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation, supplemented by detailed annotation.
Author: John Ford
Publisher: Manchester University Press
ISBN: 9780719015335
Category : Drama
Languages : en
Pages : 186
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Book Description
Author: Lisa Hopkins
Publisher: Bloomsbury Publishing
ISBN: 1441137556
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
John Ford's tragedy 'Tis Pity She's A Whore was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed, if controversial, play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.
Author: Emma Josephine Smith
Publisher: Cambridge University Press
ISBN: 0521519373
Category : Drama
Languages : en
Pages : 293
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Book Description
Introducing the reader to important topics in English Renaissance tragedy, this Companion presents fresh readings of key texts.
Author: John Ford
Publisher: U of Nebraska Press
ISBN: 9780803252615
Category : Drama
Languages : en
Pages : 136
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Book Description
The central situation of 'Tis Pity She's a Whore is an incestuous love between brother and sister, and it is hardly surprising that critics have differed widely in their interpretation of the exact meaning and significance of the play. . . . All the love affairs in the play end in disaster . . . it would even be possible to read the play as a series of warnings against the destructive effects of passion."--N. W. Bawcutt
Author: John Ford
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
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Book Description
Author: Lisa Sangmeister
Publisher: GRIN Verlag
ISBN: 364081925X
Category : Foreign Language Study
Languages : en
Pages : 24
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Book Description
Seminar paper from the year 2010 in the subject Didactics for the subject English - Literature, Works, grade: 1,3, University of Marburg, course: Concept of Love, language: English, abstract: Not only because of its provoking title, ‘Tis Pity She’s a Whore can be described as John Ford’s most controversial play (Anderson 92). The play’s main plot portrays the passionate but forbidden love between the siblings Giovanni and Annabella. Moreover, ‘Tis Pity is an extraordinary violent play with “... several vivid action sequences” (Abate 94). All in all, there are five murder victims, Annabella’s tutress Putana is blinded, and her father Florio drops dead. The play reaches its brutal climax when Giovanni enters the feast with Annabella’s heart on his dagger. Nonetheless, the Cardinal does only blame one person for what has happened in the course of the play: “Of one so young, so rich in Nature’s store, | Who could not say, ‘Tis Pity she’s a whore?” (V.vi.158-159). The Cardinal’s final condemnation seems to be “... unnecessarily vindictive” (Hopkins ix) because Annabella has not only repented of her sins, but she was also killed by her brother and her heart was displayed on his dagger. Besides, Corinne S. Abate points out that there are several other characters “... who could claim this denunciation and our pity” (Abate 94).
Author: John Ford
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 184
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Book Description
Author: John Ford
Publisher: Penguin UK
ISBN: 014139224X
Category : Drama
Languages : en
Pages : 640
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Book Description
These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores the role of women and the problems of power, sex and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford's masterpiece 'Tis Pity She's a Whore explores the taboo theme of incest and forbidden lust in a daring reworking of Romeo and Juliet. Jane Kingsley-Smith has edited the plays from the earliest quartos and added invaluable editorial material, including explanatory glosses and a new introduction that discusses how the playwrights explored issues around women, sex, power and violence. JOHN WEBSTER was born in about 1578 in London. He studied law at the Middle Temple before embarking on a career in the theatre, collaborating on many plays with contemporary dramatists. But it was his two solo-authored tragedies, The White Devil (1612) and The Duchess of Malfi (1614), which sealed his reputation. He died in the 1630s. JOHN FORD was born in 1586 in Devon. His early career was wholly concerned with poetry and philosophical works, and it was not until the 1620s that he began collaborating on stage plays. In the late 1620s, he began writing alone, producing the eight plays on which his reputation would be based, including The Broken Heart (1620) and 'Tis Pity She's a Whore (c.1630). Nothing more is known of Ford after the performance of his last play in 1638. JANE KINGSLEY-SMITH completed her PhD at the Shakespeare Institute, Stratford-upon-Avon and is the author of two monographs: Shakespeare's Drama of Exile (2003) and Cupid in Early Modern Literature and Culture (2010). She is a Reader at Roehampton University, London, and a regular guest speaker at Shakespeare's Globe.
