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Author: Timken Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 252
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Book Description
Author: Timken Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 252
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Book Description
Author: Amy Galpin
Publisher:
ISBN: 9780937108499
Category : Art, American
Languages : en
Pages : 0
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Book Description
Issued in connection with three distinct, related shows, November 10, 2012 through February 10, 2013, at the Timken Museum of Art, San Diego Museum of Art, and Museum of Contemporary Art San Diego.
Author: Suzanne Loebl
Publisher: W. W. Norton & Company
ISBN: 9780393320060
Category : Architecture
Languages : en
Pages : 434
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Book Description
A tour of America's most notable museums is also a history of the nation's art that highlights each location's top works while discussing the backgrounds of each building and featured piece of art.
Author: RenŽ de Guzman
Publisher: Univ of California Press
ISBN: 0520275217
Category : Art
Languages : en
Pages : 216
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Book Description
Catalog of the exhibition Summoning Ghosts: the Art of Hung Liu, organized by Rene de Guzman on behalf of the Oakland Museum of California and presented March 16-June 30, 2013.
Author: Timken Art Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
Author: Alexander Nemerov
Publisher: Univ of California Press
ISBN: 0520224981
Category : Art
Languages : en
Pages : 283
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Book Description
"This book is mind-blowing. Nemerov is a groundbreaking thinker in his field."—John Wilmerding, Princeton University "This is a book for all serious Americanists."—Jay Fliegelman, author of Declaring Independence "Each haunting and delicately wrought canvas expands as Nemerov writes about it, so that his interpretive work both mirrors and supplements the wondrous intensity of the paintings themselves."—Ellen Handler Spitz, Museums of the Mind "Underneath their apparent simplicity, Raphaelle Peale's still lifes glow mysteriously in the dark light of their making. Peale transformed the common items of the early-nineteenth-century kitchen and market into explorations of the American unconscious. Now, writing as coolly and lucidly as Peale painted, Alexander Nemerov has unpeeled those still lifes in a tour de force of formalistic analysis. Through close interrogation of these small, hermetic images, Nemerov's book reveals the whole world of early America, in the process bringing us as close as possible to the genius of Raphaelle Peale."—David C. Ward, National Portrait Gallery, Smithsonian Institution. "This is a dazzling study, lively and imaginative, of an important body of work. Nemerov's novel arguments regarding still life in general and Raphaelle Peale in particular reveal much about the art, the man, and the times. It is a thoughtful and provocative book, certain to generate interest and debate. "—Charles C. Eldredge, Hall Distinguished Professor of American Art and Culture, University of Kansas "A triumph of interpretation! Not since Michael Fried's groundbreaking account of Thomas Eakins has a critic so reimagined the very terms by which we see painting. Nemerov's account singlehandedly catapults a painter we had previously considered to be interesting, but minor, into the forefront of discussions about American art during the early National Period. The Body of Raphaelle Peale will no doubt spark the beginning of an exciting revival of scholarship in American Romantic painting."—Bryan J. Wolf, author of Romantic Re-Vision
Author: J. M. Tasende
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 92
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Book Description
Author: Laura Pagnotta
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 88
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Book Description
This is the first English language monograph on Bartolomeo Veneto (c. 14801531), who worked in Northern Italy in an area bounded by Venice and Milan. The art made in this region is characterized by an intensity and richness arising from the various artistic personalities that enlivened the period and the vitality of exchanges that linked artists from widely separated cultural areas. An analysis of Bartolomeo's works allows one to observe the vivid atmosphere of the period. Specializing in portraiture, he moved often to satisfy the demands of his clientele in the small and large courts in the Veneto, Emilia, and the Lombardy regions of the Po Valley. Over the course of his career, from his earliest dated painting in 1502 until his death, presumably in 1531, he produced a remarkable body of work. Characteristic of Bartolomeo Veneto is an interest in a refined rendering of details, particularly of clothing, and the inclusion of symbolic elements. This symbolism-understandable by only a select few-refers to the moral, philosophical, or even political ideals of the person depicted and reflects the cultivated society of the clients for whom the artist worked. Of particular interest are his portraits and works that fall midway between conventional portraiture and representations of a symbolic, mythological, or religious nature. On the one hand, he was able to synthesize diverse stylistic tendencies. On the other, he was able to capture nuances of his subjects' personalities. Despite the remarkable quality of many of his paintings, he was not mentioned by historical sources, and he remains one of the least-studied and most mysterious of the 16-century Italian painters. He was rediscovered in the middle of the 19th century, when several of his signed and dated paintings were acquired by European museums.
Author: Shilpa Prasad
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 72
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Book Description
Life, times, and works of the Italian Baroque painter.
Author: Arthur K. Wheelock
Publisher: University of Chicago Press
ISBN: 9780226894430
Category : Art
Languages : en
Pages : 151
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Book Description
One of the most fascinating aspects of Rembrandt's extraordinary artistic career is his suite of brooding half-length portraits of religious figures from the late 1650s and early 1660s. Painted during a difficult time in the artist's life—when he no longer enjoyed a ready market for his works and may have turned to his deep religious convictions for solace—these images are among the most evocative Rembrandt created. For years scholars have debated whether these paintings were intended as a series, yet until now these works have, unbelievably, never been shown together. An exhibition by the National Gallery of Art and this accompanying catalog assemble seventeen of the paintings for the first time, finally giving the powerful images their due. Many of these subtle and wondrous paintings have been identified as images of apostles and evangelists, but among them are also representations of Christ, the Virgin, and still-unidentified saints and monks. In Rembrandt's typical fashion, the men and women in these portraits peer out of the dark recesses of dimly lit interiors as though burdened by the weight of their spiritual and emotional concerns. Yet recent archival research has raised questions about their attribution, the relationships among the paintings, and, in a broader sense, Rembrandt's life and career—issues addressed by the contributors to this volume. With its lavish color images and state-of-the-field research, Rembrandt's Late Religious Portraits will make a profound contribution to the understanding of this unique and provocative body of work.
