Author: Gilles Deleuze
Publisher: U of Minnesota Press
ISBN: 9780816616770
Category : Performing Arts
Languages : en
Pages : 366
Book Description
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Cinema: The time-image
Author: Gilles Deleuze
Publisher: U of Minnesota Press
ISBN: 9780816616770
Category : Performing Arts
Languages : en
Pages : 366
Book Description
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Publisher: U of Minnesota Press
ISBN: 9780816616770
Category : Performing Arts
Languages : en
Pages : 366
Book Description
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Time and the Dancing Image
Author: Deborah Jowitt
Publisher: Univ of California Press
ISBN: 9780520066274
Category : Performing Arts
Languages : en
Pages : 436
Book Description
"If dance itself is a way of making ideas both visual and visceral, Deborah Jowitt has discovered a literary voice in Time and the Dancing Image in which nineteenth- and twentieth-century thought, in its relation to theatrical dancing, becomes sensuous."--Sally Banes, Cornell University "The most vivid and immediately accessible serious dance book ever written. Anyone from a neophyte to an aficionado will be challenged, enlightened and delighted by Jowitt's clever juxtapositions."--Allen Robertson, Dance Editor, Time Out, London "In this brilliant book Deborah Jowitt has given us a fresh approach to dance history and criticism. Instead of seeing dance in the usual way--isolated in a windowless room, with mirrored walls--she looks to the society in which dance evolved. Using the ideas of contemporary artists and thinkers, she illuminates changing tastes--from the elegant, ethereal sylphs of the 1830s to the agonized characters in the dances today. For her reader, Ms. Jowitt opens both the eyes and the mind to the wonders of a many-faceted art."--Selma Jeanne Cohen, Editor, International Encyclopedia of Dance
Publisher: Univ of California Press
ISBN: 9780520066274
Category : Performing Arts
Languages : en
Pages : 436
Book Description
"If dance itself is a way of making ideas both visual and visceral, Deborah Jowitt has discovered a literary voice in Time and the Dancing Image in which nineteenth- and twentieth-century thought, in its relation to theatrical dancing, becomes sensuous."--Sally Banes, Cornell University "The most vivid and immediately accessible serious dance book ever written. Anyone from a neophyte to an aficionado will be challenged, enlightened and delighted by Jowitt's clever juxtapositions."--Allen Robertson, Dance Editor, Time Out, London "In this brilliant book Deborah Jowitt has given us a fresh approach to dance history and criticism. Instead of seeing dance in the usual way--isolated in a windowless room, with mirrored walls--she looks to the society in which dance evolved. Using the ideas of contemporary artists and thinkers, she illuminates changing tastes--from the elegant, ethereal sylphs of the 1830s to the agonized characters in the dances today. For her reader, Ms. Jowitt opens both the eyes and the mind to the wonders of a many-faceted art."--Selma Jeanne Cohen, Editor, International Encyclopedia of Dance
Cinema II
Author: Gilles Deleuze
Publisher: A&C Black
ISBN: 147251260X
Category : Philosophy
Languages : en
Pages : 377
Book Description
"The second volume of Gilles Deleuze's landmark reassessment of the art of film, now available in the Bloomsbury Revelations series"--
Publisher: A&C Black
ISBN: 147251260X
Category : Philosophy
Languages : en
Pages : 377
Book Description
"The second volume of Gilles Deleuze's landmark reassessment of the art of film, now available in the Bloomsbury Revelations series"--
Visual Time
Author: Keith Moxey
Publisher: Duke University Press
ISBN: 0822353695
Category : Art
Languages : en
Pages : 222
Book Description
Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization—demonstrating how each work influences the next as part of a linear sequence—which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Publisher: Duke University Press
ISBN: 0822353695
Category : Art
Languages : en
Pages : 222
Book Description
Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization—demonstrating how each work influences the next as part of a linear sequence—which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Cinema 1
Author: Gilles Deleuze
Publisher: A&C Black
ISBN: 9780826459411
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Publisher: A&C Black
ISBN: 9780826459411
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Remote Sensing Time Series Image Processing
Author: Qihao Weng
Publisher: CRC Press
ISBN: 1351680560
Category : Science
Languages : en
Pages : 244
Book Description
Today, remote sensing technology is an essential tool for understanding the Earth and managing human-Earth interactions. There is a rapidly growing need for remote sensing and Earth observation technology that enables monitoring of world’s natural resources and environments, managing exposure to natural and man-made risks and more frequently occurring disasters, and helping the sustainability and productivity of natural and human ecosystems. The improvement in temporal resolution/revisit allows for the large accumulation of images for a specific location, creating a possibility for time series image analysis and eventual real-time assessments of scene dynamics. As an authoritative text, Remote Sensing Time Series Image Processing brings together active and recognized authors in the field of time series image analysis and presents to the readers the current state of knowledge and its future directions. Divided into three parts, the first addresses methods and techniques for generating time series image datasets. In particular, it provides guidance on the selection of cloud and cloud shadow detection algorithms for various applications. Part II examines feature development and information extraction methods for time series imagery. It presents some key remote sensing-based metrics, and their major applications in ecosystems and climate change studies. Part III illustrates various applications of time series image processing in land cover change, disturbance attribution, vegetation dynamics, and urbanization. This book is intended for researchers, practitioners, and students in both remote sensing and imaging science. It can be used as a textbook by undergraduate and graduate students majoring in remote sensing, imaging science, civil and electrical engineering, geography, geosciences, planning, environmental science, land use, energy, and GIS, and as a reference book by practitioners and professionals in the government, commercial, and industrial sectors.
Publisher: CRC Press
ISBN: 1351680560
Category : Science
Languages : en
Pages : 244
Book Description
Today, remote sensing technology is an essential tool for understanding the Earth and managing human-Earth interactions. There is a rapidly growing need for remote sensing and Earth observation technology that enables monitoring of world’s natural resources and environments, managing exposure to natural and man-made risks and more frequently occurring disasters, and helping the sustainability and productivity of natural and human ecosystems. The improvement in temporal resolution/revisit allows for the large accumulation of images for a specific location, creating a possibility for time series image analysis and eventual real-time assessments of scene dynamics. As an authoritative text, Remote Sensing Time Series Image Processing brings together active and recognized authors in the field of time series image analysis and presents to the readers the current state of knowledge and its future directions. Divided into three parts, the first addresses methods and techniques for generating time series image datasets. In particular, it provides guidance on the selection of cloud and cloud shadow detection algorithms for various applications. Part II examines feature development and information extraction methods for time series imagery. It presents some key remote sensing-based metrics, and their major applications in ecosystems and climate change studies. Part III illustrates various applications of time series image processing in land cover change, disturbance attribution, vegetation dynamics, and urbanization. This book is intended for researchers, practitioners, and students in both remote sensing and imaging science. It can be used as a textbook by undergraduate and graduate students majoring in remote sensing, imaging science, civil and electrical engineering, geography, geosciences, planning, environmental science, land use, energy, and GIS, and as a reference book by practitioners and professionals in the government, commercial, and industrial sectors.
Change Detection and Image Time-Series Analysis 1
Author: Abdourrahmane M. Atto
Publisher: John Wiley & Sons
ISBN: 178945056X
Category : Computers
Languages : en
Pages : 306
Book Description
Change Detection and Image Time Series Analysis 1 presents a wide range of unsupervised methods for temporal evolution analysis through the use of image time series associated with optical and/or synthetic aperture radar acquisition modalities. Chapter 1 introduces two unsupervised approaches to multiple-change detection in bi-temporal multivariate images, with Chapters 2 and 3 addressing change detection in image time series in the context of the statistical analysis of covariance matrices. Chapter 4 focuses on wavelets and convolutional-neural filters for feature extraction and entropy-based anomaly detection, and Chapter 5 deals with a number of metrics such as cross correlation ratios and the Hausdorff distance for variational analysis of the state of snow. Chapter 6 presents a fractional dynamic stochastic field model for spatio temporal forecasting and for monitoring fast-moving meteorological events such as cyclones. Chapter 7 proposes an analysis based on characteristic points for texture modeling, in the context of graph theory, and Chapter 8 focuses on detecting new land cover types by classification-based change detection or feature/pixel based change detection. Chapter 9 focuses on the modeling of classes in the difference image and derives a multiclass model for this difference image in the context of change vector analysis.
Publisher: John Wiley & Sons
ISBN: 178945056X
Category : Computers
Languages : en
Pages : 306
Book Description
Change Detection and Image Time Series Analysis 1 presents a wide range of unsupervised methods for temporal evolution analysis through the use of image time series associated with optical and/or synthetic aperture radar acquisition modalities. Chapter 1 introduces two unsupervised approaches to multiple-change detection in bi-temporal multivariate images, with Chapters 2 and 3 addressing change detection in image time series in the context of the statistical analysis of covariance matrices. Chapter 4 focuses on wavelets and convolutional-neural filters for feature extraction and entropy-based anomaly detection, and Chapter 5 deals with a number of metrics such as cross correlation ratios and the Hausdorff distance for variational analysis of the state of snow. Chapter 6 presents a fractional dynamic stochastic field model for spatio temporal forecasting and for monitoring fast-moving meteorological events such as cyclones. Chapter 7 proposes an analysis based on characteristic points for texture modeling, in the context of graph theory, and Chapter 8 focuses on detecting new land cover types by classification-based change detection or feature/pixel based change detection. Chapter 9 focuses on the modeling of classes in the difference image and derives a multiclass model for this difference image in the context of change vector analysis.
Time/Image
Author: Amy L. Powell
Publisher:
ISBN: 9780941193078
Category :
Languages : en
Pages :
Book Description
Time/Image explores the interrelationship of time and thought in contemporary art. The exhibition and its accompanying catalogue take Gilles Deleuze's concept of "the time-image" as an open provocation and loose philosophical framework to consider contemporary practices shaping perception of time as a tangible and active force in the world. The selected artists and filmmakers understand time expansively rather than quantitatively. They revisit historical narratives and inherited genealogies to interrogate the chronologies governing how we live and to propose new attachments and hypothetical futures. This book features contributions by Kara Keeling, Amy L. Powell, Raqs Media Collective, and Jeannine Tang.06/10/2015
Publisher:
ISBN: 9780941193078
Category :
Languages : en
Pages :
Book Description
Time/Image explores the interrelationship of time and thought in contemporary art. The exhibition and its accompanying catalogue take Gilles Deleuze's concept of "the time-image" as an open provocation and loose philosophical framework to consider contemporary practices shaping perception of time as a tangible and active force in the world. The selected artists and filmmakers understand time expansively rather than quantitatively. They revisit historical narratives and inherited genealogies to interrogate the chronologies governing how we live and to propose new attachments and hypothetical futures. This book features contributions by Kara Keeling, Amy L. Powell, Raqs Media Collective, and Jeannine Tang.06/10/2015
Deleuze's Cinema Books
Author: David Deamer
Publisher: Edinburgh University Press
ISBN: 1474407706
Category : Performing Arts
Languages : en
Pages : 513
Book Description
Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.
Publisher: Edinburgh University Press
ISBN: 1474407706
Category : Performing Arts
Languages : en
Pages : 513
Book Description
Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.
Icons in Time, Persons in Eternity
Author: Dr C A Tsakiridou
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409472337
Category : Art
Languages : en
Pages : 630
Book Description
Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia - inherent liveliness, expressive autonomy and self-subsisting form - are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Ch’an (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409472337
Category : Art
Languages : en
Pages : 630
Book Description
Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia - inherent liveliness, expressive autonomy and self-subsisting form - are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Ch’an (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art.