Author: Gilles Deleuze
Publisher: U of Minnesota Press
ISBN: 9780816616770
Category : Performing Arts
Languages : en
Pages : 366
Book Description
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Cinema: The time-image
Author: Gilles Deleuze
Publisher: U of Minnesota Press
ISBN: 9780816616770
Category : Performing Arts
Languages : en
Pages : 366
Book Description
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Publisher: U of Minnesota Press
ISBN: 9780816616770
Category : Performing Arts
Languages : en
Pages : 366
Book Description
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Time and the Dancing Image
Author: Deborah Jowitt
Publisher: Univ of California Press
ISBN: 9780520066274
Category : Performing Arts
Languages : en
Pages : 436
Book Description
"If dance itself is a way of making ideas both visual and visceral, Deborah Jowitt has discovered a literary voice in Time and the Dancing Image in which nineteenth- and twentieth-century thought, in its relation to theatrical dancing, becomes sensuous."--Sally Banes, Cornell University "The most vivid and immediately accessible serious dance book ever written. Anyone from a neophyte to an aficionado will be challenged, enlightened and delighted by Jowitt's clever juxtapositions."--Allen Robertson, Dance Editor, Time Out, London "In this brilliant book Deborah Jowitt has given us a fresh approach to dance history and criticism. Instead of seeing dance in the usual way--isolated in a windowless room, with mirrored walls--she looks to the society in which dance evolved. Using the ideas of contemporary artists and thinkers, she illuminates changing tastes--from the elegant, ethereal sylphs of the 1830s to the agonized characters in the dances today. For her reader, Ms. Jowitt opens both the eyes and the mind to the wonders of a many-faceted art."--Selma Jeanne Cohen, Editor, International Encyclopedia of Dance
Publisher: Univ of California Press
ISBN: 9780520066274
Category : Performing Arts
Languages : en
Pages : 436
Book Description
"If dance itself is a way of making ideas both visual and visceral, Deborah Jowitt has discovered a literary voice in Time and the Dancing Image in which nineteenth- and twentieth-century thought, in its relation to theatrical dancing, becomes sensuous."--Sally Banes, Cornell University "The most vivid and immediately accessible serious dance book ever written. Anyone from a neophyte to an aficionado will be challenged, enlightened and delighted by Jowitt's clever juxtapositions."--Allen Robertson, Dance Editor, Time Out, London "In this brilliant book Deborah Jowitt has given us a fresh approach to dance history and criticism. Instead of seeing dance in the usual way--isolated in a windowless room, with mirrored walls--she looks to the society in which dance evolved. Using the ideas of contemporary artists and thinkers, she illuminates changing tastes--from the elegant, ethereal sylphs of the 1830s to the agonized characters in the dances today. For her reader, Ms. Jowitt opens both the eyes and the mind to the wonders of a many-faceted art."--Selma Jeanne Cohen, Editor, International Encyclopedia of Dance
Visual Time
Author: Keith Moxey
Publisher: Duke University Press
ISBN: 0822353695
Category : Art
Languages : en
Pages : 222
Book Description
Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization—demonstrating how each work influences the next as part of a linear sequence—which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Publisher: Duke University Press
ISBN: 0822353695
Category : Art
Languages : en
Pages : 222
Book Description
Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization—demonstrating how each work influences the next as part of a linear sequence—which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Cinema II
Author: Gilles Deleuze
Publisher: A&C Black
ISBN: 147251260X
Category : Philosophy
Languages : en
Pages : 377
Book Description
"The second volume of Gilles Deleuze's landmark reassessment of the art of film, now available in the Bloomsbury Revelations series"--
Publisher: A&C Black
ISBN: 147251260X
Category : Philosophy
Languages : en
Pages : 377
Book Description
"The second volume of Gilles Deleuze's landmark reassessment of the art of film, now available in the Bloomsbury Revelations series"--
In the Beginning Was the Image: the Omnipresence of Pictures
Author: András Benedek
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783631678602
Category :
Languages : en
Pages : 190
Book Description
The authors of the 6th volume of the series Visual Learning outline the topic of visuality in the 21st century in a trans- and interdisciplinary theoretical frame from philosophy through communication theory, rhetoric and linguistics to pedagogy.
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783631678602
Category :
Languages : en
Pages : 190
Book Description
The authors of the 6th volume of the series Visual Learning outline the topic of visuality in the 21st century in a trans- and interdisciplinary theoretical frame from philosophy through communication theory, rhetoric and linguistics to pedagogy.
Photography, Cinema, Memory
Author: Damian Sutton
Publisher: U of Minnesota Press
ISBN: 0816647380
Category : Photography
Languages : en
Pages : 287
Book Description
This is a philosophical investigation into the differing sensations of time in cinema and photography. Throughout the work, Sutton connects and grounds cinema and photography as starting points to comprehend how we come to terms, ultimately, with time itself as pure, immanent change.
Publisher: U of Minnesota Press
ISBN: 0816647380
Category : Photography
Languages : en
Pages : 287
Book Description
This is a philosophical investigation into the differing sensations of time in cinema and photography. Throughout the work, Sutton connects and grounds cinema and photography as starting points to comprehend how we come to terms, ultimately, with time itself as pure, immanent change.
Cinema 1
Author: Gilles Deleuze
Publisher: A&C Black
ISBN: 9780826459411
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Publisher: A&C Black
ISBN: 9780826459411
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Images of Time
Author: George Jaroszkiewicz
Publisher: Oxford University Press
ISBN: 0198718063
Category : Science
Languages : en
Pages : 323
Book Description
Provides a broad survey of many of these views, these Images of Time, covering historical, cultural, philosophical, biological, mathematical and physical Images of Time, including classical and quantum mechanics, special and general relativity and cosmology.
Publisher: Oxford University Press
ISBN: 0198718063
Category : Science
Languages : en
Pages : 323
Book Description
Provides a broad survey of many of these views, these Images of Time, covering historical, cultural, philosophical, biological, mathematical and physical Images of Time, including classical and quantum mechanics, special and general relativity and cosmology.
Change Detection and Image Time-Series Analysis 1
Author: Abdourrahmane M. Atto
Publisher: John Wiley & Sons
ISBN: 178945056X
Category : Computers
Languages : en
Pages : 306
Book Description
Change Detection and Image Time Series Analysis 1 presents a wide range of unsupervised methods for temporal evolution analysis through the use of image time series associated with optical and/or synthetic aperture radar acquisition modalities. Chapter 1 introduces two unsupervised approaches to multiple-change detection in bi-temporal multivariate images, with Chapters 2 and 3 addressing change detection in image time series in the context of the statistical analysis of covariance matrices. Chapter 4 focuses on wavelets and convolutional-neural filters for feature extraction and entropy-based anomaly detection, and Chapter 5 deals with a number of metrics such as cross correlation ratios and the Hausdorff distance for variational analysis of the state of snow. Chapter 6 presents a fractional dynamic stochastic field model for spatio temporal forecasting and for monitoring fast-moving meteorological events such as cyclones. Chapter 7 proposes an analysis based on characteristic points for texture modeling, in the context of graph theory, and Chapter 8 focuses on detecting new land cover types by classification-based change detection or feature/pixel based change detection. Chapter 9 focuses on the modeling of classes in the difference image and derives a multiclass model for this difference image in the context of change vector analysis.
Publisher: John Wiley & Sons
ISBN: 178945056X
Category : Computers
Languages : en
Pages : 306
Book Description
Change Detection and Image Time Series Analysis 1 presents a wide range of unsupervised methods for temporal evolution analysis through the use of image time series associated with optical and/or synthetic aperture radar acquisition modalities. Chapter 1 introduces two unsupervised approaches to multiple-change detection in bi-temporal multivariate images, with Chapters 2 and 3 addressing change detection in image time series in the context of the statistical analysis of covariance matrices. Chapter 4 focuses on wavelets and convolutional-neural filters for feature extraction and entropy-based anomaly detection, and Chapter 5 deals with a number of metrics such as cross correlation ratios and the Hausdorff distance for variational analysis of the state of snow. Chapter 6 presents a fractional dynamic stochastic field model for spatio temporal forecasting and for monitoring fast-moving meteorological events such as cyclones. Chapter 7 proposes an analysis based on characteristic points for texture modeling, in the context of graph theory, and Chapter 8 focuses on detecting new land cover types by classification-based change detection or feature/pixel based change detection. Chapter 9 focuses on the modeling of classes in the difference image and derives a multiclass model for this difference image in the context of change vector analysis.
Deleuze's Cinema Books
Author: David Deamer
Publisher: Edinburgh University Press
ISBN: 1474407706
Category : Performing Arts
Languages : en
Pages : 513
Book Description
Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.
Publisher: Edinburgh University Press
ISBN: 1474407706
Category : Performing Arts
Languages : en
Pages : 513
Book Description
Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.