Thunder and Lament PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Thunder and Lament PDF full book. Access full book title Thunder and Lament by Timothy A. Joseph. Download full books in PDF and EPUB format.
Author: Timothy A. Joseph
Publisher:
ISBN: 9780197582169
Category : Rome
Languages : en
Pages :
Get Book Here
Book Description
"Lucan's epic poem Pharsalia tells the story of the cataclysmic "end of Rome" through the victory of Julius Caesar and Caesarism in the civil wars of 49-48 BCE. This book argues that Lucan's poetic agenda moves in lockstep with his narrative arc, as he fashions the Pharsalia to mark the momentous end of the epic genre. In order to accomplish the closure of the genre, Lucan engages pervasively and polemically with the very first works of Greek and Roman epic - inverting, undoing, and closing off many of the tropes and themes introduced in Homer's Iliad and Odyssey and in the foundational Latin epic poems by Livius Andronicus, Naevius, and most of all Ennius. By looking at Lucan's effort to "surpass the poets of old" - a phrase Statius would use of his achievement - this study broadens our appreciation of Lucan's poetic ambitions and accomplishment. Statius also read Lucan as a poet who both thunders and laments, and this book makes the case that Lucan closes off epic's beginnings through not just gestures of thundering poetic violence but also a transformation and expansion of the traditional epic mode of lament. In his story of violent Roman self-destruction and the lamentation that accompanies it, Lucan at the same time uproots and marks the end of the epic song"--
Author: Timothy A. Joseph
Publisher:
ISBN: 9780197582169
Category : Rome
Languages : en
Pages :
Get Book Here
Book Description
"Lucan's epic poem Pharsalia tells the story of the cataclysmic "end of Rome" through the victory of Julius Caesar and Caesarism in the civil wars of 49-48 BCE. This book argues that Lucan's poetic agenda moves in lockstep with his narrative arc, as he fashions the Pharsalia to mark the momentous end of the epic genre. In order to accomplish the closure of the genre, Lucan engages pervasively and polemically with the very first works of Greek and Roman epic - inverting, undoing, and closing off many of the tropes and themes introduced in Homer's Iliad and Odyssey and in the foundational Latin epic poems by Livius Andronicus, Naevius, and most of all Ennius. By looking at Lucan's effort to "surpass the poets of old" - a phrase Statius would use of his achievement - this study broadens our appreciation of Lucan's poetic ambitions and accomplishment. Statius also read Lucan as a poet who both thunders and laments, and this book makes the case that Lucan closes off epic's beginnings through not just gestures of thundering poetic violence but also a transformation and expansion of the traditional epic mode of lament. In his story of violent Roman self-destruction and the lamentation that accompanies it, Lucan at the same time uproots and marks the end of the epic song"--
Author: Timothy A. Joseph
Publisher: Oxford University Press
ISBN: 0197582141
Category : Literary Criticism
Languages : en
Pages : 313
Get Book Here
Book Description
"Lucan's epic poem Pharsalia tells the story of the cataclysmic "end of Rome" through the victory of Julius Caesar and Caesarism in the civil wars of 49-48 BCE. This book argues that Lucan's poetic agenda moves in lockstep with his narrative arc, as he fashions the Pharsalia to mark the momentous end of the epic genre. In order to accomplish the closure of the genre, Lucan engages pervasively and polemically with the very first works of Greek and Roman epic - inverting, undoing, and closing off many of the tropes and themes introduced in Homer's Iliad and Odyssey and in the foundational Latin epic poems by Livius Andronicus, Naevius, and most of all Ennius. By looking at Lucan's effort to "surpass the poets of old" - a phrase Statius would use of his achievement - this study broadens our appreciation of Lucan's poetic ambitions and accomplishment. Statius also read Lucan as a poet who both thunders and laments, and this book makes the case that Lucan closes off epic's beginnings through not just gestures of thundering poetic violence but also a transformation and expansion of the traditional epic mode of lament. In his story of violent Roman self-destruction and the lamentation that accompanies it, Lucan at the same time uproots and marks the end of the epic song"--
Author: Ann Suter
Publisher: Oxford University Press
ISBN: 0195336925
Category : Art
Languages : en
Pages : 301
Get Book Here
Book Description
Lament seems to have been universal in the ancient world. As such, it is an excellent touchstone for the comparative study of attitudes towards death and the afterlife, human relations to the divine, views of the cosmos, and the constitution of the fabric of society in different times and places. This collection of essays offers the first ever comparative approach to ancient Mediterranean and Near Eastern traditions of lament. Beginning with the Sumerian and Hittite traditions, the volume moves on to examine Bronze Age iconographic representations of lamentation, Homeric lament, depictions of lament in Greek tragedy and parodic comedy, and finally lament in ancient Rome. The list of contributors includes such noted scholars as Richard Martin, Ian Rutherford, and Alison Keith.Lament comes at a time when the conclusions of the first wave of the study of lament-especially Greek lament-have received widespread acceptance, including the notions that lament is a female genre; that men risked feminization if they lamented; that there were efforts to control female lamentation; and that a lamenting woman was a powerful figure and a threat to the orderly functioning of the male public sphere. Lament revisits these issues by reexamining what kinds of functions the term lament can include, and by expanding the study of lament to other genres of literature, cultures, and periods in the ancient world. The studies included here reflect the variety of critical issues raised over the past 25 years, and as such, provide an overview of the history of critical thinking on the subject.
Author: Eldred D. Jones
Publisher:
ISBN: 9780865432147
Category : Literary Criticism
Languages : en
Pages : 206
Get Book Here
Book Description
Author: Rui Chaves
Publisher: Bloomsbury Publishing USA
ISBN: 1501344455
Category : Music
Languages : en
Pages : 297
Get Book Here
Book Description
From the mid-20th century to present, the Brazilian art, literature, and music scene have been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art, a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, mail art, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recognize local idiosyncrasies, and creates a local rationale and discourse. Through this approach, Chaves and Iazzetta enable students, researchers, and artists to discover and acknowledge work produced outside of a standard Anglo-European framework.
Author: Eldred D. Jones
Publisher: James Currey
ISBN:
Category : Literary Collections
Languages : en
Pages : 206
Get Book Here
Book Description
North America: Africa World Press
Author: Donatus Ibe Nwoga
Publisher: Lynne Rienner Publishers
ISBN: 9780894102585
Category : Biography & Autobiography
Languages : en
Pages : 388
Get Book Here
Book Description
A collection of essays and reviews, both favourable and negative, about the Igbo poet. The book begins with a memorial essay by Chinua Achebe. Other contributors examine the imagery that Okigbo drew from nature, history and politics, exploring the surrealistic qualities of his work.
Author: Francis Brown
Publisher:
ISBN:
Category : Aramaic language
Languages : en
Pages : 1160
Get Book Here
Book Description
Author: Nathan Suhr-Sytsma
Publisher: Cambridge University Press
ISBN: 1316739015
Category : Literary Criticism
Languages : en
Pages : 301
Get Book Here
Book Description
Poetry, Print, and the Making of Postcolonial Literature reveals an intriguing history of relationships among poets and editors from Ireland and Nigeria, as well as Britain and the Caribbean, during the mid-twentieth-century era of decolonization. The book explores what such leading anglophone poets as Seamus Heaney, Christopher Okigbo, and Derek Walcott had in common: 'peripheral' origins and a desire to address transnational publics without expatriating themselves. The book reconstructs how they gained the imprimatur of both local and London-based cultural institutions. It shows, furthermore, how political crises challenged them to reconsider their poetry's publics. Making substantial use of unpublished archival material, Nathan Suhr-Sytsma examines poems in print, often the pages on which they first appeared, in order to chart the transformation of the anglophone literary world. He argues that these poets' achievements cannot be extricated from the transnational networks through which their poems circulated - and which they in turn remade.
Author: Jamie S. Scott
Publisher: Rodopi
ISBN: 9789051839678
Category : Commonwealth countries
Languages : en
Pages : 360
Get Book Here
Book Description
Taking as its starting-point the ambiguous heritage left by the British Empire to its former colonies, dominions and possessions, And the Birds Began to Sing marks a new departure in the interdisciplinary study of religion and literature. Gathered under the rubric Christianity and Colonialism, essays on Brian Moore. Timothy Findley, Margaret Atwood and Marian Engel, Thomas King, Les A. Murray, David Malouf, Mudrooroo and Philip McLaren, R.A.K. Mason, Maurice Gee, Keri Hulme, Epeli Hau'ofa, J.M. Coetzee, Christopher Okigbo, Chinua Achebe, Amos Tutuola and Ngugi wa Thiong'o explore literary portrayals of the effects of British Christianity upon settler and native cultures in Northern Ireland, Canada, Australia, New Zealand and the South Pacific, and the Africas. These essays share a sense of the dominant presence of Christianity as an inherited system of religious thought and practice to be adapted to changing post-colonial conditions or to be resisted as the lingering ideology of colonial times. In the second section of the collection, Empire and World Religions, essays on Paule Marshall and George Lamming, Jean Rhys, Olive Senior and Caribbean poetry, V.S. Naipaul, Anita Desai, Kamala Markandaya, and Bharati Mukherjee interrogate literature exploring relations between the scions of British imperialism and religious traditions other than Christianity. Expressly concerned with literary embodiments of belief-systems in post-colonial cultures (particularly West African religions in the Caribbean and Hinduism on the Indian subcontinent), these essays also share a sense of Christianity as the pervasive presence of an ideological rhetoric among the economic, social and political dimensions of imperialism. In a polemical Afterword, the editor argues that modes of reading religion and literature in post-colonial cultures are characterised by a theodical preoccupation with a praxis of equity.
