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Author: William Wells Brown
Publisher:
ISBN:
Category : Antislavery movements
Languages : en
Pages : 354
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Book Description
Author: William Wells Brown
Publisher:
ISBN:
Category : Antislavery movements
Languages : en
Pages : 354
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Book Description
Author: William Wells Brown
Publisher:
ISBN: 9781107589988
Category : African Americans
Languages : en
Pages : 312
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Book Description
William Wells Brown (1814?-84) was uncertain of his own birthday because he was born a slave, near Lexington, Kentucky. He managed to escape to Ohio, a free state, in 1834. Obtaining work on steamboats, he assisted many other slaves to escape across Lake Erie to Canada. In 1849, having achieved prominence in the American anti-slavery movement, he left for Europe, both to lecture against slavery and also to gain an education for his daughters. He stayed in Europe until 1854, since the Fugitive Slave Act of 1850 had made it possible that he could be taken back into slavery if he returned. Meanwhile, he had begun to write both fiction and non-fiction, and this account of his travels in Europe, prefaced by a short biography, was published in 1852. Brown was able to return to the United States in 1854, when British friends paid for his freedom.
Author:
Publisher:
ISBN:
Category : England
Languages : en
Pages : 1630
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Book Description
Author: William Wells Brown
Publisher: Oxford University Press, USA
ISBN: 0195309634
Category : Biography & Autobiography
Languages : en
Pages : 521
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Book Description
Widely considered the first African-American novelist, William Wells Brown's (ca. 1814-1884) 1853 novel, Clotel, or the President's Daughter, chronicled the fate of the daughter of Thomas Jefferson and his black housekeeper. Yet, in his own day, Brown was perhaps more important as a rousing orator, scholar, and cultural critic. He escaped from slavery in 1834 and worked on Lake Erie steamboats in Buffalo, New York, helping slaves escape into Canada and lecturing for the New York Anti-Slavery Society. After moving to Boston in 1847, he began writing his autobiography, The Narrative of William W. Brown. By 1850, the book had appeared in four American and five British editions and rivaled the popularity of Frederick Douglass's Narrative written two years earlier. Throughout the late 1840s and 50s, Brown continued to lecture to further the antislavery cause and wrote prolifically. In addition to Clotel, he published the first drama written by an African American and the first military history of African Americans. In his writings and speeches, William Wells Brown deliberately resists the tone of heroic resistance and eloquent outrage set by Frederick Douglass. Brown's rhetorical strategy involved telling stories of individuals and individual encounters in which the art of simple understatement and guileless self-presentation prevailed over cant, bullying, and hypocrisy. Brown's often humorous and deceptively artless tone appealed to politically active women who were claiming the moral high ground not only on questions of abolition but also on temperance and women's rights. Unlike Douglass, whose literary output can be described as a long conversation with the founding fathers and literary lions about freedom, liberty, and what it means to be an American, Brown emphasized-- with humor and a cosmopolitan gentility-- the concerns of middle class family life: education, parenting, and the damage that slavery was doing to American society. This volume, with a foreword by Henry Louis Gates, Jr., will introduce readers to Brown's lesser-known, but no less powerful works, placed in the context of the era's debates on slavery, gender, morality, and the discursive limits put on anti-slavery advocacy. The collection presents Brown's anti-slavery works and the contemporary response to them in light of Brown's own attention to the role of women writers and political advocates in this period. Garrett's and Robbins's introduction to these texts emphasizes Brown's awareness and even use of women's voices in political discourse as a way of distinguishing himself from other black male voices of the time. The selection of texts also demonstrates Brown's willingness to use and recycle any texts at hand-- including his own-- in order to appeal to his immediate audience or readership. While making Brown's more obviously political work available to a wider audience, the book reclaims Brown as an important black influence in the American nineteenth century.
Author: Ajuan Maria Mance
Publisher: Univ Tennessee Press
ISBN: 1621902021
Category : Literary Criticism
Languages : en
Pages : 753
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Book Description
Despite important recovery and authentication efforts during the last twenty-five years, the vast majority of nineteenth-century African American writers and their work remain unknown to today’s readers. Moreover, the most widely used anthologies of black writing have established a canon based largely on current interests and priorities. Seeking to establish a broader perspective, this collection brings together a wealth of autobiographical writings, fiction, poetry, speeches, sermons, essays, and journalism that better portrays the intellectual and cultural debates, social and political struggles, and community publications and institutions that nurtured black writers from the early 1800s to the eve of the Harlem Renaissance. As editor Ajuan Mance notes, previous collections have focused mainly on writing that found a significant audience among white readers. Consequently, authors whose work appeared in African American–owned publications for a primarily black audience—such as Solomon G. Brown, Henrietta Cordelia Ray, and T. Thomas Fortune—have faded from memory. Even figures as celebrated as Frederick Douglass and Paul Laurence Dunbar are today much better known for their “cross-racial” writings than for the larger bodies of work they produced for a mostly African American readership. There has also been a tendency in modern canon making, especially in the genre of autobiography, to stress antebellum writing rather than writings produced after the Civil War and Reconstruction. Similarly, religious writings—despite the centrality of the church in the everyday lives of black readers and the interconnectedness of black spiritual and intellectual life—have not received the emphasis they deserve. Filling those critical gaps with a selection of 143 works by 65 writers, Before Harlem presents as never before an in-depth picture of the literary, aesthetic, and intellectual landscape of nineteenth-century African America and will be a valuable resource for a new generation of readers. Ajuan Maria Mance is a professor of English at Mills College in Oakland, California. She is the author of Inventing Black Women: African American Poets and Self-Representation, which was named a Choice Outstanding Academic Title. Her articles have appeared in the Journal of African American Studies, Callaloo, and several edited collections.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 804
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Book Description
Author: Dickson D. Bruce
Publisher: University of Virginia Press
ISBN: 9780813920672
Category : History
Languages : en
Pages : 396
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Book Description
From the earliest texts of the colonial period to works contemporary with Emancipation, African American literature has been a dialogue across color lines, and a medium through which black writers have been able to exert considerable authority on both sides of that racial demarcation. Dickson D. Bruce argues that contrary to prevailing perceptions of African American voices as silenced and excluded from American history, those voices were loud and clear. Within the context of the wider culture, these writers offered powerful, widely read, and widely appreciated commentaries on American ideals and ambitions. The Origins of African American Literature provides strong evidence to demonstrate just how much writers engaged in a surprising number of dialogues with society as a whole. Along with an extensive discussion of major authors and texts, including Phillis Wheatley's poetry, Frederick Douglass's Narrative, Harriet Jacobs' Incidents in the Life of a Slave Girl, and Martin Delany's Blake, Bruce explores less-prominent works and writers as well, thereby grounding African American writing in its changing historical settings. The Origins of African American Literature is an invaluable revelation of the emergence and sources of the specifically African American literary tradition and the forces that helped shape it.
Author: Teresa Zackodnik
Publisher: Cambridge University Press
ISBN: 110869019X
Category : Literary Criticism
Languages : en
Pages : 707
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Book Description
The period of 1850-1865 consisted of violent struggle and crisis as the United States underwent the prodigious transition from slaveholding to ostensibly 'free' nation. This volume reframes mid-century African American literature and challenges our current understandings of both African American and American literature. It presents a fluid tradition that includes history, science, politics, economics, space and movement, the visual, and the sonic. Black writing was highly conscious of transnational and international politics, textual circulation, and revolutionary imaginaries. Chapters explore how Black literature was being produced and circulated; how and why it marked its relation to other literary and expressive traditions; what geopolitical imaginaries it facilitated through representation; and what technologies, including print, enabled African Americans to pursue such a complex and ongoing aesthetic and political project.
Author: William L. Andrews
Publisher: University of Illinois Press
ISBN: 0252054636
Category : Social Science
Languages : en
Pages : 372
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Book Description
To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach.
Author: Yuval Taylor
Publisher: Chicago Review Press
ISBN: 1556523351
Category : Biography & Autobiography
Languages : en
Pages : 1361
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Book Description
The narratives in this volume include tales of Africa, pirate ships, wild animals, witches; a slave who had ten owners, and another who led a rebellion that killed fifty-five whites; the kidnapping of a white woman and her rescue by a slave; the nightmarish tortures of the infamous Mr. Gooch; the tragicomic experiences of a pair of "white slaves"; and the story of the "original Uncle Tom."--
