Three sonatas for keyboard, violin & cello: Sonata no. 2 in C PDF Download
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Author: Stephen Storace
Publisher:
ISBN:
Category : Piano trios
Languages : de
Pages : 72
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Book Description
Author: Stephen Storace
Publisher:
ISBN:
Category : Piano trios
Languages : de
Pages : 72
Get Book Here
Book Description
Author: Stephen Storace
Publisher:
ISBN:
Category : Piano trios
Languages : de
Pages : 64
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Book Description
Author: Johannes Brahms
Publisher:
ISBN:
Category : Cello and piano music
Languages : en
Pages : 210
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Book Description
Author: Stephen Storace
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages :
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Book Description
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457469954
Category : Music
Languages : en
Pages : 140
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Book Description
A new complete collection including six sonatas for viola and piano by Bach. Separate parts are included.
Author: Johannes Brahms
Publisher: Courier Dover Publications
ISBN: 0486814564
Category : Music
Languages : en
Pages : 193
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Book Description
Unaccompanied choral works composed or otherwise arranged by Brahms for mixed choruses as well as individual men's and women's choruses include songs, love songs, romances, quartetes, and duets.
Author: Johannes Brahms
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Muzio Clementi
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 52
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Book Description
Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
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Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
