Counterpoint in Composition

Counterpoint in Composition PDF Author: Felix Salzer
Publisher: Columbia University Press
ISBN: 023107039X
Category : Composition (Music)
Languages : en
Pages : 504

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Book Description
-- Stanley Persky, City University of New York

Counterpoint in Composition

Counterpoint in Composition PDF Author: Felix Salzer
Publisher: Columbia University Press
ISBN: 023107039X
Category : Composition (Music)
Languages : en
Pages : 504

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Book Description
-- Stanley Persky, City University of New York

Raise Your Voice

Raise Your Voice PDF Author: Jaime Vendera
Publisher: Diana Vendera
ISBN: 0974941158
Category : Language Arts & Disciplines
Languages : en
Pages : 400

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Book Description
The owner's guide to the voice, this book will help you develop an understanding of the voice and how it works.

Voice Leading

Voice Leading PDF Author: David Huron
Publisher: MIT Press
ISBN: 026233545X
Category : Music
Languages : en
Pages : 273

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Book Description
An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.

Creative Chordal Harmony for Guitar

Creative Chordal Harmony for Guitar PDF Author: Mick Goodrick
Publisher: Berklee Press Publications
ISBN: 9780876391280
Category : Music
Languages : en
Pages : 0

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Book Description
Jazz guitarist Goodrick teams with Miller to explain his system of Generic Modality Compression, a way of studying harmony which allows guitarists to discover fresh and unusual chord voicings. With an introduction and appendix.

Arranging Concepts

Arranging Concepts PDF Author: Dick Grove
Publisher: Alfred Music Publishing
ISBN: 9780882844848
Category : Music
Languages : en
Pages : 452

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Book Description
A comprehensive text that covers the characteristics and ranges of each instrument in the stage band; analyzing and arranging many musical styles, voice leading, passing chords, modulations, intros, endings, turn-arounds and orchestration. The comb binding creates a lay-flat book that is perfect for study and performance.

Superior Vocal Health

Superior Vocal Health PDF Author: David Aaron Katz
Publisher:
ISBN: 9781936307272
Category : Health & Fitness
Languages : en
Pages : 104

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Book Description
Whether you are a professional singer, speaker, teacher, lawyer, DJ, clergy, auctioneer, tour guide, or sales person. caring for your voice is THE MOST IMPORTANT thing you can do in your life.This book is your complete and one stop guide to take care of your voice naturally without chemicals or drugs. What you can expect from this book: *Comprehensive A-Z list of healing herbs for the Voice Professional *What herbs to use when and how to prepare each herb for use *Specific Formulas for specific vocal issues such as tired and over used voice, mucus, sinus congestion, sore throat and more... *What drugs negatively affect the voice and natural alternatives to those drugs. *Foods to eat that affect the voice and vocal mechanism. *Sinus Care with cleansing guide and herbs. *Food lists that help create and maintain Superior Vocal health. *"What to do When" natural solutions for the most pressing Performance and Presentation issues such as performance anxiety, clogged sinuses, chest congestion, mental clarity and more. David Aaron Katz is a professional Opera singer, Cantor, Nutritional Consultant, Herbalist and CEO of Superior Vocal Health.com. His life mission is to help Voice Professionals from around the world to learn how to heal, maintain and strengthen their voices naturally without chemical or drugs.

Connecting Chords with Linear Harmony

Connecting Chords with Linear Harmony PDF Author:
Publisher: Hal Leonard Corporation
ISBN: 1476863121
Category : Music
Languages : en
Pages : 130

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Book Description
(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.

Twelve-part Harmony

Twelve-part Harmony PDF Author: Pat Williams
Publisher: Fleming H. Revell Company
ISBN: 9780800716400
Category : Family & Relationships
Languages : en
Pages : 212

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Book Description


Audacious Euphony

Audacious Euphony PDF Author: Richard Cohn
Publisher: Oxford University Press
ISBN: 0199773211
Category : Music
Languages : en
Pages : 256

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Book Description
Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.

The Berklee Book of Jazz Harmony

The Berklee Book of Jazz Harmony PDF Author: Joe Mulholland
Publisher: Hal Leonard Corporation
ISBN: 1480360856
Category : Music
Languages : en
Pages : 262

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Book Description
(Berklee Guide). Learn jazz harmony, as taught at Berklee College of Music. This text provides a strong foundation in harmonic principles, supporting further study in jazz composition, arranging, and improvisation. It covers basic chord types and their tensions, with practical demonstrations of how they are used in characteristic jazz contexts and an accompanying recording that lets you hear how they can be applied.