Author: Anderson Galleries Inc
Publisher: Forgotten Books
ISBN: 9780365774068
Category : Art
Languages : en
Pages : 50
Book Description
Excerpt from Three Hundred and Seventy-Four Examples of the Works of the Old Masters of Engraving the Best Contemporary Etchers, and the Most Famous Modern Mezzotint Engravers and Color Printers: From the Collections of Robert Newman Bolton, Mrs. C. B. Holden, and Others; Including Signed Proof Mezzotints in Colors by S. Arlent Edwards, Smythe, Sydney Wilson, and F. G. Stevenson; Signed Proof Etchings by Bracquemond, Hedley Fitton, Frank Brangwyn The Bad Rich Man carried Off by Demons, B. 47; St. Luke, B. 59; the first two having slight repairs. (3 pieces) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Three Hundred and Seventy-Four Examples of the Works of the Old Masters of Engraving the Best Contemporary Etchers, and the Most Famous Modern Mezzotint Engravers and Color Printers
Author: Anderson Galleries Inc
Publisher: Forgotten Books
ISBN: 9780365774068
Category : Art
Languages : en
Pages : 50
Book Description
Excerpt from Three Hundred and Seventy-Four Examples of the Works of the Old Masters of Engraving the Best Contemporary Etchers, and the Most Famous Modern Mezzotint Engravers and Color Printers: From the Collections of Robert Newman Bolton, Mrs. C. B. Holden, and Others; Including Signed Proof Mezzotints in Colors by S. Arlent Edwards, Smythe, Sydney Wilson, and F. G. Stevenson; Signed Proof Etchings by Bracquemond, Hedley Fitton, Frank Brangwyn The Bad Rich Man carried Off by Demons, B. 47; St. Luke, B. 59; the first two having slight repairs. (3 pieces) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780365774068
Category : Art
Languages : en
Pages : 50
Book Description
Excerpt from Three Hundred and Seventy-Four Examples of the Works of the Old Masters of Engraving the Best Contemporary Etchers, and the Most Famous Modern Mezzotint Engravers and Color Printers: From the Collections of Robert Newman Bolton, Mrs. C. B. Holden, and Others; Including Signed Proof Mezzotints in Colors by S. Arlent Edwards, Smythe, Sydney Wilson, and F. G. Stevenson; Signed Proof Etchings by Bracquemond, Hedley Fitton, Frank Brangwyn The Bad Rich Man carried Off by Demons, B. 47; St. Luke, B. 59; the first two having slight repairs. (3 pieces) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
“The” Athenaeum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 832
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 832
Book Description
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 880
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 880
Book Description
Three Hundred and Seventy-four Examples of the Works of the Old Masters of Engraving, the Best Contemporary Etchers, and the Most Famous Modern Mezzotint Engravers and Color Printers
Author: Anderson Galleries, Inc
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Athenaeum and Literary Chronicle
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 854
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 854
Book Description
Three Hundred and Seventy-four Examples of the Works of the Old Masters of Engraving, the Best Contemporary Etchers, and the Most Famous Modern Mezzotint Engravers and Color Printers
Author: Inc Anderson Galleries
Publisher: Legare Street Press
ISBN: 9781014888716
Category :
Languages : en
Pages : 54
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781014888716
Category :
Languages : en
Pages : 54
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Athenæum
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 862
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 862
Book Description
Corcoran Gallery of Art
Author: Corcoran Gallery of Art
Publisher: Lucia Marquand
ISBN: 9781555953614
Category : Painting
Languages : en
Pages : 0
Book Description
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Publisher: Lucia Marquand
ISBN: 9781555953614
Category : Painting
Languages : en
Pages : 0
Book Description
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Prints
Author: Emil Heinrich Richter
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 298
Book Description
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 298
Book Description
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.