Author: Erwin Panofsky
Publisher: MIT Press
ISBN: 9780262661034
Category : Architecture
Languages : en
Pages : 262
Book Description
with a memoir by William S. Heckscher Erwin Panofsky (1892-1968) was one of the preeminent art historians of the twentieth century. A new translation of his seminal work, Perspective as Symbolic Form, was recently published by Zone Books; now three remarkable essays, one previously unpublished, place Panofsky's genius in a different perspective: What Is Baroque?, Style and Medium in the Motion Pictures,andThe Ideological Antecedents of the Rolls-Royce Radiator. The essays are framed by an introduction by Irving Lavin, Panofsky's successor as Professor of Art History at the Institute for Advanced Study in Princeton, discussing the context of the essays' composition and their significance within Panofsky's oeuvre, and an insightful memoir by Panofsky's former student, close friend, and fellow emigr & e ́, William Heckscher. All three essays reveal unexpected aspects of Panofsky's sensibility, both personal and intellectual. Originally written as lectures for general audiences, they are composed in a lively, informal manner, and are full of charm and wit. The studies concern broadly defined problems of style in art--the visual symptoms endemic to works of a certain period (Baroque), medium (film), or national identity (England)--as opposed to the focus on iconography and subject matter usually associated with Panofsky's "method." The essay on Baroque, which Lavin considers "vintage Panofsky" and which appears here for the first time, and the one on film were written in 1934. The Rolls-Royce piece was written in 1962.
Three Essays on Style
Author: Erwin Panofsky
Publisher: MIT Press
ISBN: 9780262661034
Category : Architecture
Languages : en
Pages : 262
Book Description
with a memoir by William S. Heckscher Erwin Panofsky (1892-1968) was one of the preeminent art historians of the twentieth century. A new translation of his seminal work, Perspective as Symbolic Form, was recently published by Zone Books; now three remarkable essays, one previously unpublished, place Panofsky's genius in a different perspective: What Is Baroque?, Style and Medium in the Motion Pictures,andThe Ideological Antecedents of the Rolls-Royce Radiator. The essays are framed by an introduction by Irving Lavin, Panofsky's successor as Professor of Art History at the Institute for Advanced Study in Princeton, discussing the context of the essays' composition and their significance within Panofsky's oeuvre, and an insightful memoir by Panofsky's former student, close friend, and fellow emigr & e ́, William Heckscher. All three essays reveal unexpected aspects of Panofsky's sensibility, both personal and intellectual. Originally written as lectures for general audiences, they are composed in a lively, informal manner, and are full of charm and wit. The studies concern broadly defined problems of style in art--the visual symptoms endemic to works of a certain period (Baroque), medium (film), or national identity (England)--as opposed to the focus on iconography and subject matter usually associated with Panofsky's "method." The essay on Baroque, which Lavin considers "vintage Panofsky" and which appears here for the first time, and the one on film were written in 1934. The Rolls-Royce piece was written in 1962.
Publisher: MIT Press
ISBN: 9780262661034
Category : Architecture
Languages : en
Pages : 262
Book Description
with a memoir by William S. Heckscher Erwin Panofsky (1892-1968) was one of the preeminent art historians of the twentieth century. A new translation of his seminal work, Perspective as Symbolic Form, was recently published by Zone Books; now three remarkable essays, one previously unpublished, place Panofsky's genius in a different perspective: What Is Baroque?, Style and Medium in the Motion Pictures,andThe Ideological Antecedents of the Rolls-Royce Radiator. The essays are framed by an introduction by Irving Lavin, Panofsky's successor as Professor of Art History at the Institute for Advanced Study in Princeton, discussing the context of the essays' composition and their significance within Panofsky's oeuvre, and an insightful memoir by Panofsky's former student, close friend, and fellow emigr & e ́, William Heckscher. All three essays reveal unexpected aspects of Panofsky's sensibility, both personal and intellectual. Originally written as lectures for general audiences, they are composed in a lively, informal manner, and are full of charm and wit. The studies concern broadly defined problems of style in art--the visual symptoms endemic to works of a certain period (Baroque), medium (film), or national identity (England)--as opposed to the focus on iconography and subject matter usually associated with Panofsky's "method." The essay on Baroque, which Lavin considers "vintage Panofsky" and which appears here for the first time, and the one on film were written in 1934. The Rolls-Royce piece was written in 1962.
Nature, The Utility of Religion, and Theism
Author: John Stuart Mill
Publisher:
ISBN:
Category : Nature
Languages : en
Pages : 282
Book Description
Publisher:
ISBN:
Category : Nature
Languages : en
Pages : 282
Book Description
Reading Freud’s Three Essays on the Theory of Sexuality
Author: Philippe Van Haute
Publisher: Routledge
ISBN: 1000283844
Category : Education
Languages : en
Pages : 216
Book Description
Sigmund Freud’s 1905 Three Essays on the Theory of Sexuality is a founding text of psychoanalysis and yet it remains to a large extent an "unknown" text. In this book Freud’s 1905 theory of sexuality is reconstructed in its historical context, its systematic outline, and its actual relevance. This reconstruction reveals a non-oedipal theory of sexuality defined in terms of autoerotic, non-objectal, physical-pleasurable activities originating from the "drive" and the excitability of erogenous zones. This book, consequently, not only calls for a reconsideration of the development of Freudian thinking and of the status of the Oedipus complex in psychoanalysis but also has a strong potential for supporting contemporary non-heteronormative theories of sexuality. It is as such that the 1905 edition of Three Essays becomes a highly relevant document in contemporary philosophical discussions of sexuality. This book also explores the inconsistencies and problems in the original theory of sexuality, notably the unresolved question of the transition from autoerotic infantile sexuality to objectal adult sexuality, as well as the theoretical and methodological shifts present in later editions of Three Essays. It will be of great interest to psychoanalysts and those with an academic interest in the history of psychoanalysis and sexuality.
Publisher: Routledge
ISBN: 1000283844
Category : Education
Languages : en
Pages : 216
Book Description
Sigmund Freud’s 1905 Three Essays on the Theory of Sexuality is a founding text of psychoanalysis and yet it remains to a large extent an "unknown" text. In this book Freud’s 1905 theory of sexuality is reconstructed in its historical context, its systematic outline, and its actual relevance. This reconstruction reveals a non-oedipal theory of sexuality defined in terms of autoerotic, non-objectal, physical-pleasurable activities originating from the "drive" and the excitability of erogenous zones. This book, consequently, not only calls for a reconsideration of the development of Freudian thinking and of the status of the Oedipus complex in psychoanalysis but also has a strong potential for supporting contemporary non-heteronormative theories of sexuality. It is as such that the 1905 edition of Three Essays becomes a highly relevant document in contemporary philosophical discussions of sexuality. This book also explores the inconsistencies and problems in the original theory of sexuality, notably the unresolved question of the transition from autoerotic infantile sexuality to objectal adult sexuality, as well as the theoretical and methodological shifts present in later editions of Three Essays. It will be of great interest to psychoanalysts and those with an academic interest in the history of psychoanalysis and sexuality.
The Ego and the ID
Author: Sigmund Freud
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057566793
Category : Psychology
Languages : en
Pages : 93
Book Description
In his later work, Freud proposed that the human psyche could be divided into three parts: Id, ego and super-ego. Freud discussed this model in the 1920 essay Beyond the Pleasure Principle, and fully elaborated upon it in The Ego and the Id (1923), in which he developed it as an alternative to his previous topographic schema (i.e., conscious, unconscious and preconscious). The id is the completely unconscious, impulsive, childlike portion of the psyche that operates on the "pleasure principle" and is the source of basic impulses and drives; it seeks immediate pleasure and gratification. Freud acknowledged that his use of the term Id (das Es, "the It") derives from the writings of Georg Groddeck. The super-ego is the moral component of the psyche, which takes into account no special circumstances in which the morally right thing may not be right for a given situation. The rational ego attempts to exact a balance between the impractical hedonism of the id and the equally impractical moralism of the super-ego; it is the part of the psyche that is usually reflected most directly in a person's actions. When overburdened or threatened by its tasks, it may employ defense mechanisms including denial repression, undoing, rationalization, repression, and displacement. This concept is usually represented by the "Iceberg Model". This model represents the roles the Id, Ego, and Super Ego play in relation to conscious and unconscious thought. Freud compared the relationship between the ego and the id to that between a charioteer and his horses: the horses provide the energy and drive, while the charioteer provides direction.
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057566793
Category : Psychology
Languages : en
Pages : 93
Book Description
In his later work, Freud proposed that the human psyche could be divided into three parts: Id, ego and super-ego. Freud discussed this model in the 1920 essay Beyond the Pleasure Principle, and fully elaborated upon it in The Ego and the Id (1923), in which he developed it as an alternative to his previous topographic schema (i.e., conscious, unconscious and preconscious). The id is the completely unconscious, impulsive, childlike portion of the psyche that operates on the "pleasure principle" and is the source of basic impulses and drives; it seeks immediate pleasure and gratification. Freud acknowledged that his use of the term Id (das Es, "the It") derives from the writings of Georg Groddeck. The super-ego is the moral component of the psyche, which takes into account no special circumstances in which the morally right thing may not be right for a given situation. The rational ego attempts to exact a balance between the impractical hedonism of the id and the equally impractical moralism of the super-ego; it is the part of the psyche that is usually reflected most directly in a person's actions. When overburdened or threatened by its tasks, it may employ defense mechanisms including denial repression, undoing, rationalization, repression, and displacement. This concept is usually represented by the "Iceberg Model". This model represents the roles the Id, Ego, and Super Ego play in relation to conscious and unconscious thought. Freud compared the relationship between the ego and the id to that between a charioteer and his horses: the horses provide the energy and drive, while the charioteer provides direction.
Three contributions to the theory of sex
Author: Sigmund Freud
Publisher: Primento Digital sprl
ISBN: 2386260216
Category : Psychology
Languages : en
Pages : 118
Book Description
The subject of the sexual instinct and its aberrations has long been before the scientific world and the names of many effective toilers in this vast field are known to every student. When one passes beyond the strict domains of science and considers what is reported of the sexual life in folkways and art-lore and the history of primitive culture and in romance, the sources of information are immense. Freud has made considerable additions to this stock of knowledge, but he has done also something of far greater consequence than this. He has worked out, with incredible penetration, the part which this instinct plays in every phase of human life and in the development of human character, and has been able to establish on a firm footing the remarkable thesis that psychoneurotic illnesses never occur with a perfectly normal sexual life. Other sorts of emotions contribute to the result, but some aberration of the sexual life is always present, as the cause of especially insistent emotions and repressions. ABOUT THE AUTHOR Sigmund Freud (1856–1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst
Publisher: Primento Digital sprl
ISBN: 2386260216
Category : Psychology
Languages : en
Pages : 118
Book Description
The subject of the sexual instinct and its aberrations has long been before the scientific world and the names of many effective toilers in this vast field are known to every student. When one passes beyond the strict domains of science and considers what is reported of the sexual life in folkways and art-lore and the history of primitive culture and in romance, the sources of information are immense. Freud has made considerable additions to this stock of knowledge, but he has done also something of far greater consequence than this. He has worked out, with incredible penetration, the part which this instinct plays in every phase of human life and in the development of human character, and has been able to establish on a firm footing the remarkable thesis that psychoneurotic illnesses never occur with a perfectly normal sexual life. Other sorts of emotions contribute to the result, but some aberration of the sexual life is always present, as the cause of especially insistent emotions and repressions. ABOUT THE AUTHOR Sigmund Freud (1856–1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst
Three Essays on Marxism
Author: Karl Korsch
Publisher: NYU Press
ISBN: 085345292X
Category : Political Science
Languages : en
Pages : 75
Book Description
These three essays by the independent German Marxist Karl Korsch offer expositions, often in polemical form, of basic Marxist ideas. Since they cover both sociology and economics, they are excellent guides for the student on the most introductory, though not the most elementary, level. The first essay, "Leading Principles of Marxism," takes up Marxism on the plane of sociology and deals with the relation of Marxism to Comte and positivism, and to bourgeois sociology in general. The second, his introduction to the 1932 German edition of Capital, consists of an assessment of the work in human thought and an important reader's guide to Volume I. The third, "Why I Am a Marxist," is a polemic against various distortions in Marxism and an affirmation of the revolutionary, as against the academic, character of Marxism.
Publisher: NYU Press
ISBN: 085345292X
Category : Political Science
Languages : en
Pages : 75
Book Description
These three essays by the independent German Marxist Karl Korsch offer expositions, often in polemical form, of basic Marxist ideas. Since they cover both sociology and economics, they are excellent guides for the student on the most introductory, though not the most elementary, level. The first essay, "Leading Principles of Marxism," takes up Marxism on the plane of sociology and deals with the relation of Marxism to Comte and positivism, and to bourgeois sociology in general. The second, his introduction to the 1932 German edition of Capital, consists of an assessment of the work in human thought and an important reader's guide to Volume I. The third, "Why I Am a Marxist," is a polemic against various distortions in Marxism and an affirmation of the revolutionary, as against the academic, character of Marxism.
Three Essays on Torts
Author: Jane Stapleton
Publisher:
ISBN: 0192893734
Category : Law
Languages : en
Pages : 129
Book Description
The annual Clarendon Law Lectures are a joint venture between Oxford University Press and the Oxford University Law Faculty. The aim of the lectures is to provide a unique forum for a visiting lecturer to deliver a series of three lectures on a legal theme. Featuring lecturers of the highest calibre speaking on a broad range of legal topics, the text of the Clarendon Law Lectures, as subsequently revised, is published by Oxford University Press. Book jacket.
Publisher:
ISBN: 0192893734
Category : Law
Languages : en
Pages : 129
Book Description
The annual Clarendon Law Lectures are a joint venture between Oxford University Press and the Oxford University Law Faculty. The aim of the lectures is to provide a unique forum for a visiting lecturer to deliver a series of three lectures on a legal theme. Featuring lecturers of the highest calibre speaking on a broad range of legal topics, the text of the Clarendon Law Lectures, as subsequently revised, is published by Oxford University Press. Book jacket.
Three Essays on Marx’s Value Theory
Author: Samir Amin
Publisher: NYU Press
ISBN: 1583674241
Category : Business & Economics
Languages : en
Pages : 97
Book Description
In this slim, insightful volume, noted economist Samir Amin returns to the core of Marxian economic thought: Marx’s theory of value. He begins with the same question that Marx, along with the classical economists, once pondered: how can every commodity, including labor power, sell at its value on the market and still produce a profit for owners of capital? While bourgeois economists attempted to answer this question according to the categories of capitalist society itself, Marx sought to peer through the surface phenomena of market transactions and develop his theory by examining the actual social relations they obscured. The debate over Marx’s conclusions continues to this day. Amin defends Marx’s theory of value against its critics and also tackles some of its trickier aspects. He examines the relationship between Marx’s abstract concepts—such as “socially necessary labor time”—and how they are manifested in the capitalist marketplace as prices, wages, rents, and so on. He also explains how variations in price are affected by the development of “monopoly- capitalism,” the abandonment of the gold standard, and the deepening of capitalism as a global system. Amin extends Marx’s theory and applies it to capitalism’s current trajectory in a way that is unencumbered by the weight of orthodoxy and unafraid of its own radical conclusions.
Publisher: NYU Press
ISBN: 1583674241
Category : Business & Economics
Languages : en
Pages : 97
Book Description
In this slim, insightful volume, noted economist Samir Amin returns to the core of Marxian economic thought: Marx’s theory of value. He begins with the same question that Marx, along with the classical economists, once pondered: how can every commodity, including labor power, sell at its value on the market and still produce a profit for owners of capital? While bourgeois economists attempted to answer this question according to the categories of capitalist society itself, Marx sought to peer through the surface phenomena of market transactions and develop his theory by examining the actual social relations they obscured. The debate over Marx’s conclusions continues to this day. Amin defends Marx’s theory of value against its critics and also tackles some of its trickier aspects. He examines the relationship between Marx’s abstract concepts—such as “socially necessary labor time”—and how they are manifested in the capitalist marketplace as prices, wages, rents, and so on. He also explains how variations in price are affected by the development of “monopoly- capitalism,” the abandonment of the gold standard, and the deepening of capitalism as a global system. Amin extends Marx’s theory and applies it to capitalism’s current trajectory in a way that is unencumbered by the weight of orthodoxy and unafraid of its own radical conclusions.
Three Essays on Religion
Author: John Stuart Mill
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 328
Book Description
Manifesto
Author: Rosa Luxemburg
Publisher: Seven Stories Press
ISBN: 1644212811
Category : Biography & Autobiography
Languages : en
Pages : 195
Book Description
The three texts this book, all written in vastly different eras —The Communist Manifesto (1848) by Marx and Engels, Reform or Revolution (1899) by Rosa Luxemburg and Socialism and Man in Cuba (1965) by Ernesto Che Guevara—illuminate socialist ideas of the 19th and 20th centuries. For a new generation of activists, these are classic revolutionary writings by four famous rebels, including The Communist Manifesto by Karl Marx and Friedrich Engels; Reform or Revolution by Rosa Luxemburg; and Che Guevara’s Socialism and Man in Cuba. Includes an introduction by Cuban Marxist intellectual Armando Hart and a preface by US radical poet Adrienne Rich. The essays in this book, Manifesto, were written by three relatively young people—Karl Marx when he was 30, Rosa Luxemburg at 27, Che Guevara at the age of 37. Born into different historical moments and different generations, they shared an energy of hope, an engagement with history, a belief that critical thinking must inform action, and a passion for the world and its human possibilities. Here are urgent conversations from the past that are still being carried on, among new voices, throughout the world.
Publisher: Seven Stories Press
ISBN: 1644212811
Category : Biography & Autobiography
Languages : en
Pages : 195
Book Description
The three texts this book, all written in vastly different eras —The Communist Manifesto (1848) by Marx and Engels, Reform or Revolution (1899) by Rosa Luxemburg and Socialism and Man in Cuba (1965) by Ernesto Che Guevara—illuminate socialist ideas of the 19th and 20th centuries. For a new generation of activists, these are classic revolutionary writings by four famous rebels, including The Communist Manifesto by Karl Marx and Friedrich Engels; Reform or Revolution by Rosa Luxemburg; and Che Guevara’s Socialism and Man in Cuba. Includes an introduction by Cuban Marxist intellectual Armando Hart and a preface by US radical poet Adrienne Rich. The essays in this book, Manifesto, were written by three relatively young people—Karl Marx when he was 30, Rosa Luxemburg at 27, Che Guevara at the age of 37. Born into different historical moments and different generations, they shared an energy of hope, an engagement with history, a belief that critical thinking must inform action, and a passion for the world and its human possibilities. Here are urgent conversations from the past that are still being carried on, among new voices, throughout the world.