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Author: Hermann Keller
Publisher:
ISBN:
Category : Continuo
Languages : en
Pages : 116
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Book Description
Author: Hermann Keller
Publisher:
ISBN:
Category : Continuo
Languages : en
Pages : 116
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Book Description
Author: Hermann Keller
Publisher: W. W. Norton
ISBN:
Category : Continuo
Languages : en
Pages : 124
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Book Description
A highly practical text on how to play figured basses.
Author: George Frideric Handel
Publisher: Clarendon Press
ISBN: 9780193184336
Category : Music
Languages : en
Pages : 116
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Book Description
This book is an edition, with commentary, of Handel's exercises for continuo playing, which he wrote for the daughters of George II. The exercises, which until now have not been readily available, are supplemented by clear and concise commentary. Remaining faithful to his source, Ledbetter, who lectures in keyboard studies, has prepared an edition that will prove invaluable to students and performers of the music of Handel and his contemporaries.
Author: George J. Buelow
Publisher: Univ of California Press
ISBN:
Category : Continuo
Languages : en
Pages : 340
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Book Description
Author: Joel Lester
Publisher: Harvard University Press
ISBN: 9780674155237
Category : Language Arts & Disciplines
Languages : en
Pages : 370
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Book Description
This is the most comprehensive account ever given of the theory behind the music of Baroque and Classical composers, from Bach to Beethoven. While giving preeminent theorists their due in this panoramic survey of musical thought, Joel Lester also examines the works of more than one hundred seventeenth- and eighteenth century writers.
Author: John Freckleton Burrowes
Publisher:
ISBN:
Category : Continuo
Languages : en
Pages : 130
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Book Description
Author: John Freckleton Burrowes
Publisher:
ISBN:
Category : Continuo
Languages : en
Pages : 124
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Book Description
Author: F. T. Arnold
Publisher: Courier Corporation
ISBN: 0486171566
Category : Music
Languages : en
Pages : 786
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Book Description
DIVThis legendary work presents a comprehensive survey that covers every issue of significance to today's performers, with numerous musical examples, authoritative citations, and scholarly interpretations and syntheses. /div
Author: R. Larry Todd
Publisher: Cambridge University Press
ISBN: 9780521246552
Category : Music
Languages : en
Pages : 280
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Book Description
This book is a study and critical edition of Mendelssohn's composition exercise book from his early period of study with Carl Friedrich Zelter (1819-1821). The workbook illustrates in considerable detail the young musician's struggle to master the rules of part writing and principles of counterpoint. Much of Zelter's systematic teaching method is grounded in the eighteenth-century theoretical tradition of Berlin; not surprisingly, the exercises bear the stamp of the music of J. S. Bach, which heavily influenced such Berlin musicians as C. P. E. Bach, C. F. C. Fasch, Marpurg, Kirnberger, Zelter and Mendelssohn. There is little doubt that the historicist attitude of the mature Mendelssohn - as seen in his efforts to revive the works of Bach and Handel and in his propensity toward strict contrapuntal techniques in his own music - was conditioned by these studies with Zelter. The publication of the workbook sheds new light on the early development of one ofthe most important nineteenth-century composers who, though affected by the new wave of romanticism that swept over Europe, never lost his respect for the past. No less important, the manuscript includes several previously unpublished pieces which rank among Mendelssohn's earliest compositions.
Author: Thomas Street Christensen
Publisher: Leuven University Press
ISBN: 9058678288
Category : Music
Languages : en
Pages : 137
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Book Description
This volume reflects a multidisciplinary approach, with the accent on the interplay between music performance and music theory. Thomas Christensen, in his contribution, shows how the development of tonal harmonic theory went hand in hand with the practice of thoroughbass. Both Robert Gjerdingen and Giorgio Sanguinetti focus on the Neapolitan tradition of partimento. Gjerdingen addresses the relation between the realization of partimenti and contrapuntal thinking, illustrated by examples of contrapuntal imitation and combination in partimenti, leading to the "partimentofugue." Sanguinetti elaborates on the history of this partimentofugue from the early eighteenth until the late nineteenth century. Rudolf Lutz, finally, presents his use of partimenti in educational practice, giving examples of how reviving this old practice can give new insights to composers, conductors, and musicians.
