Thomson's National Melodies Harmonised by Haydn and Beethoven PDF Download
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Author:
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ISBN:
Category :
Languages : en
Pages : 14
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
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Author:
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ISBN:
Category :
Languages : en
Pages : 654
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Author:
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ISBN:
Category :
Languages : en
Pages : 114
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Author: James Cuthbert Hadden
Publisher: Cambridge Scholars Publishing
ISBN: 1443800759
Category : Music
Languages : en
Pages : 167
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Book Description
James Cuthbert Hadden was a Scottish organist and a writer who wrote biographies of Chopin, Handel, Haydn, and Mendelssohn. His writing style is both highly accessible and generously endowed with a capacity for information. The present work traces the development of Haydn as a man and Haydn as composer from his early days in Rohrau to his years in Vienna and Eisenstadt, to his London visits, to his last years. Much attention is given to his compositions, but also to such details as his face and features, social habits, humour, piety, industry, and so on. A useful inclusion is a catalogue of Haydn’s works, and most readers will find the selection of Haydn’s letters included as an appendix, as well as his last will and testament, highly informative.
Author: J. Cuthbert Hadden
Publisher: BoD – Books on Demand
ISBN: 3752300132
Category : Fiction
Languages : en
Pages : 150
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Reproduction of the original: Haydn by J. Cuthbert Hadden
Author: William Allan Neilson
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 276
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" “I have not the most distant pretence to what the pye-coated guardians of Escutcheons call a Gentleman. When at Edinburgh last winter, I got acquainted at the Herald's office; and looking thro' the granary of honors, I there found almost every name in the kingdom; but for me, My ancient but ignoble blood Has crept thro' scoundrels since the flood. Gules, purpure, argent, etc., quite disowned me. My forefathers rented land of the famous, noble Keiths of Marshal, and had the honor to share their fate. I do not use the word ‘honor’ with any reference to political principles: loyal and disloyal I take to be merely relative terms in that ancient and formidable court known in this country by the name of ‘club- law.’ Those who dare welcome Ruin and shake hands with Infamy, forwhat they believe sincerely to be the cause of their God or their King, are—as Mark Antony in Shakspear says of Brutus and Cassius—‘honorable men.’ I mention this circumstance because it threw my Father on the world at large; where, after many years' wanderings and sojournings, he picked up a pretty large quantity of observation and experience, to which I am indebted for most of my pretensions to Wisdom. I have met with few who understood Men, their manners and their ways, equal to him; but stubborn, ungainly Integrity, and headlong, ungovernable Irascibility, are disqualifying circumstances; consequently, I was born, a very poor man's son.”
Author: Sacred Harmonic Society (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
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Author: Sacred Harmonic Society (London, England)
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 158
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Author: Matthew Riley
Publisher: Boydell & Brewer
ISBN: 1783271426
Category : History
Languages : en
Pages : 258
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Book Description
How and why do listeners come over time to 'feel the nation' through particular musical works? This book develops a comparative analysis of the relationship between western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and North America and examines the distinctive themes, sounds and resonances to be found in the repertory of each of the nations. Its scope is broad, extending well beyond the period 1848-1914 when national music flourished most conspicuously. The interplay of music and nation encompasses the oratorios of Handel, the open-air music of the French Revolution and the orchestral works of Beethoven and Mendelssohn and extends into the mid-twentieth century in the music of Prokofiev, Shostakovich and Copland. The book addresses the representation of the national community, the incorporation of ethnic vernacular idioms into art music, the national homeland in music, musical adaptations of national myths and legends, the music of national commemoration and the canonisation of national music. Bringing together insights from nationalism studies, musicology and cultural history, it will be essential reading not only for musicologists but for cultural historians and historians of nationalism as well. MATTHEW RILEY is Reader in Music at the University of Birmingham. The late ANTHONY D. SMITH was Professor Emeritus of Nationalism andEthnicity at the London School of Economics.
Author: Carl Engel
Publisher: London : Longmans, Green, Reader, and Dyer
ISBN:
Category : Folk songs
Languages : en
Pages : 456
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Book Description
