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Author: John Harley
Publisher: Routledge
ISBN: 1317010361
Category : Music
Languages : en
Pages : 296
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Book Description
John Harley’s Thomas Tallis is the first full-length book to deal comprehensively with the composer’s life and works. Tallis entered the Chapel Royal in the middle of a long life, and remained there for over 40 years. During a colourful period of English history he famously served King Henry VIII and the three of Henry’s children who followed him to the throne. His importance for English music during the second half of the sixteenth century is equalled only by that of his pupil, colleague and friend William Byrd. In a series of chronological chapters, Harley describes Tallis’s career before and after he entered the Chapel. The fully considered biography is placed in the context of larger political and cultural changes of the period. Each monarch’s reign is treated with an examination of the ways in which Tallis met its particular musical needs. Consideration is given to all of Tallis’s surviving compositions, including those probably intended for patrons and amateurs beyond the court, and attention is paid to the context within which they were written. Tallis emerges as a composer whose music displays his special ability in setting words and creating ingenious musical patterns. A table places most of Tallis’s compositions in a broad chronological order.
Author: John Harley
Publisher: Routledge
ISBN: 1317010361
Category : Music
Languages : en
Pages : 296
Get Book Here
Book Description
John Harley’s Thomas Tallis is the first full-length book to deal comprehensively with the composer’s life and works. Tallis entered the Chapel Royal in the middle of a long life, and remained there for over 40 years. During a colourful period of English history he famously served King Henry VIII and the three of Henry’s children who followed him to the throne. His importance for English music during the second half of the sixteenth century is equalled only by that of his pupil, colleague and friend William Byrd. In a series of chronological chapters, Harley describes Tallis’s career before and after he entered the Chapel. The fully considered biography is placed in the context of larger political and cultural changes of the period. Each monarch’s reign is treated with an examination of the ways in which Tallis met its particular musical needs. Consideration is given to all of Tallis’s surviving compositions, including those probably intended for patrons and amateurs beyond the court, and attention is paid to the context within which they were written. Tallis emerges as a composer whose music displays his special ability in setting words and creating ingenious musical patterns. A table places most of Tallis’s compositions in a broad chronological order.
Author: Suzanne Cole
Publisher: Boydell Press
ISBN: 9781843833802
Category : History
Languages : en
Pages : 242
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Book Description
A survey of the huge importance of Thomas Tallis, the `Father of Church Music', on Victorian musical life. In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged. Dr SUE COLE is a research associate at the Faculty of Music, University of Melbourne.
Author: Kerry Robin McCarthy
Publisher:
ISBN: 0190635215
Category : Biography & Autobiography
Languages : en
Pages : 281
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Book Description
Thomas Tallis spent more than fifty years composing music in the volatile world of Tudor England. Tallis is a clear, readable biography of a great Renaissance musician, which places the composer's music in its rich historical, cultural, and architectural context.
Author:
Publisher: Faber Edition: Choral Programm
ISBN: 9780571522996
Category : Music
Languages : en
Pages : 0
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Book Description
The sixteenth century was a time of religious upheaval in England. From Henry VIII's protestant reformation through Queen Mary's staunch but short-lived Catholic revival to the return of Anglicanism in Elizabethan times, it would have required careful diplomacy for a Roman Catholic like Thomas Tallis simply to stay alive. In fact he became the most respected composer of his generation and is now recognised as one of the country's greatest composers. 2005 was the five hundredth anniversary of Thomas Tallis' birth and his genius is celebrated in this collection of English-texted sacred music, selected and edited by Jeremy Summerly to provide an invaluable source of introits and anthems for choirs. The volume contains: If You Love Me * Hear the Voice and Prayer * A New Commandment * O Lord, Give They Holy Spirit * I Call and Cry to Thee, O Lord * With All Our Heart * Discomfit Them, O Lord * Why Fumeth in Sight (the theme upon which Ralph Vaughan Williams based his Fantasia). If you are interested in this volume why not look at these other titles in the choral programme series: Fair Oriana (ed. Jeremy Summerly), Musicke's Praier (ed. Tim Brown) and Passetime with good company! (ed. Jeremy Summerley).
Author: Oxford
Publisher:
ISBN: 9780192311122
Category : Music
Languages : en
Pages : 0
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Book Description
Includes hymnody from medieval plain chant to the early twentieth-century classics. This work includes hymns that are grouped according to theme and contains material suitable for any festival or occasion in the life of a church.
Author: Alan Brown
Publisher: Cambridge University Press
ISBN: 9780521401296
Category : Music
Languages : en
Pages : 298
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Book Description
This book is a collection of twelve essays by British and American writers on William Byrd, one of the greatest of English composers. Byrd wrote choral music for both the Roman Catholic Church and the Church of England, as well as songs, keyboard music and chamber music.
Author: Kerry McCarthy
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312
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Book Description
The foremost composer under the reign of Elizabeth I and James I, William Byrd (c. 1540 - 1623) produced countless masses, motets, polyphonic songs, and works for keyboard and instrumental consort. In this biography, author Kerry McCarthy explores the musical world in which Byrd grew up and traces his influence on the English musicians of the early Baroque.
Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521104296
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume two include: The Chirk Castle partbooks; Isabella d'Este and Lorenzo da Pavi, 'master instrument maker'; and Johannes de Garlandia on organum in speciali.
Author: Katelijne Schiltz
Publisher: Peeters Publishers
ISBN: 9789042916814
Category : Art
Languages : en
Pages : 546
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Book Description
Although canons pervade music of the Middle Ages and the Renaissance, they have not received proportionate attention in the musicological literature. The contributions in this book shed light on canons and canonic techniques from a wide range of perspectives, such as music theory and analysis, compositional and performance practice, palaeography and notation, as well as listening expectations and strategies. Especially in the case of riddle canons, insights from other disciplines such as literature, theology, iconography, emblematics, and philosophy have proved crucial for a better understanding and interpretation of how such pieces were created. The essays extend from the early period of canonic writing to the seventeenth century, ending with three contributions concerned with the reception history of medieval and Renaissance canons in music and writings on music from the Age of Enlightenment to the present. This book was awarded the Special Citation by the Society for Music Theory in November 2008.
Author: John Morehen
Publisher: Cambridge University Press
ISBN: 9780521544085
Category : Foreign Language Study
Languages : en
Pages : 266
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Book Description
These nine essays consider for the first time the day-to-day performing practice of English composers of choral music of the period 1440-1650.
