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Author: Thomas Moran
Publisher: University of Oklahoma Press
ISBN: 9780806127040
Category : Art
Languages : en
Pages : 382
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Book Description
This illustrated catalog of Thomas Moran’s field sketches includes an interpretive essay tracing the artist’s seventy-year career in the field; a chronological, stylistic, and geographical survey of his fieldwork; an illustrated checklist of the 1080 sketches in public collections. Moran is best known for his work in the American West during the post-Civil War expansion, particularly in what would become Yellowstone, Grand Canyon, and Yosemite national parks. Yet this virtuoso painter and draftsman also traveled in search of inspiration in Pennsylvania, New York’s Long Island, Florida, Wisconsin, Mexico, England, Scotland, Wales, France, and Italy, returning repeatedly to favorite subjects. An almost compulsive desire to sketch refined his innate skill as one of America’s finest landscape artists. Most of Moran’s known field sketches are reproduced here. As described in the introduction, “their range encompasses summary contour drawings of the spectacular topography of the American West, luminous watercolors that simultaneously fix local color and evoke the artist’s rapturous response to the natural world, and fully realized works that nevertheless preserve the intensity of Moran’s firsthand experience of his plein air subjects.” No serious formal study of Thomas Moran can be made without reference to this volume.
Author: Thomas Moran
Publisher: University of Oklahoma Press
ISBN: 9780806127040
Category : Art
Languages : en
Pages : 382
Get Book Here
Book Description
This illustrated catalog of Thomas Moran’s field sketches includes an interpretive essay tracing the artist’s seventy-year career in the field; a chronological, stylistic, and geographical survey of his fieldwork; an illustrated checklist of the 1080 sketches in public collections. Moran is best known for his work in the American West during the post-Civil War expansion, particularly in what would become Yellowstone, Grand Canyon, and Yosemite national parks. Yet this virtuoso painter and draftsman also traveled in search of inspiration in Pennsylvania, New York’s Long Island, Florida, Wisconsin, Mexico, England, Scotland, Wales, France, and Italy, returning repeatedly to favorite subjects. An almost compulsive desire to sketch refined his innate skill as one of America’s finest landscape artists. Most of Moran’s known field sketches are reproduced here. As described in the introduction, “their range encompasses summary contour drawings of the spectacular topography of the American West, luminous watercolors that simultaneously fix local color and evoke the artist’s rapturous response to the natural world, and fully realized works that nevertheless preserve the intensity of Moran’s firsthand experience of his plein air subjects.” No serious formal study of Thomas Moran can be made without reference to this volume.
Author: Thurman Wilkins
Publisher: University of Oklahoma Press
ISBN: 9780806130408
Category : Biography & Autobiography
Languages : en
Pages : 518
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Book Description
This extensively revised edition of Thurman Wilkins’s masterful and engaging biography - well illustrated in color and black-and-white - draws on new information and recent scholarship to place Thomas Moran more securely in the milieu of the Gilded Age. It also portrays more fully the controversies that surrounded the art of Moran’s time, as he became "the Dean of American Painters." The American West was the subject of Thomas Moran’s greatest artistic triumphs - Yosemite, the Grand Canyon of the Colorado, Zion Canyon, the Virgin River, Colorado’s Mountain of the Holy Cross, and the Grand Tetons - but his travels with Ferdinand V. Hayden’s geological surveys of the Upper Yellowstone were matched by trips to his native Britain and to Venice, Florida, the Spanish Southwest, and Old Mexico. These scenes inspired memorable landscapes and seascapes, as did the sojourns of the Moran family in Pennsylvania, New Jersey, and East Hampton, Long Island, when they retreated from the demands of the New York art scene. In the 1880s Moran and his artist wife, Mary Nimmo Moran, also threw themselves into the etching craze of the period, creating some of the finest prints produced in the United States. Moran was an artist happy in his work. He wrote, "I have always held that the grandest, most beautiful, or wonderful in nature, would, in capable hands, make the grandest, most beautiful, or wonderful pictures." The New York Times said of the first edition of this unique account of his life, "Moran’s mastery comes through clearly and awesomely and often, pleasurably." Readers will find the new edition equally enjoyable.
Author: Lita Judge
Publisher: Viking Juvenile
ISBN: 9780670011322
Category : Artists
Languages : en
Pages : 0
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Book Description
Tom Moran had never ridden a horse or slept under the stars before, but the paintings he created on his journey from city boy to seasoned explorer would lead to the founding of America's first national park.
Author: Barbara Bloemink
Publisher: Bulfinch
ISBN: 9780821257869
Category : Art
Languages : en
Pages : 192
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Book Description
The companion book to the Cooper-Hewitt National Design Museum's exhibition of the same name of America's scenic wonders captured by three of the greatest artists of the 19th century.
Author: REV Nancy K Anderson, Acpe Supervisor
Publisher: Yale University Press
ISBN: 0300073259
Category : Art
Languages : en
Pages : 412
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Book Description
Describes an exhibit at the National Gallery, the Gilcrease Museum, Tulsa, and the Seattle Art Museum
Author: Emily Ballew Neff
Publisher: Yale University Press
ISBN: 0300114486
Category : Art
Languages : en
Pages : 348
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Book Description
A fascinating and novel exploration of the transformative role played by the American West in the development of modernism in the United States Drawing extensively from various disciplines including ethnology, geography, geology, and environmental studies, this groundbreaking book addresses shifting concepts of time, history, and landscape in relation to the work of pioneering American artists during the first half of the 20th century. Paintings, watercolors, and photographs by renowned artists such as Frederic Remington, Georgia O'Keeffe, Ansel Adams, Thomas Hart Benton, Dorothea Lange, and Jackson Pollock are considered alongside American Indian ledger drawings, tempuras, and Dineh sandpaintings. Taken together, these works document the quest to create a specifically American art in the decades prior to World War II. The Modern West begins with a captivating meditation on the relationship between human culture and the physical landscape by Barry Lopez, who traveled the West in the artists' footsteps. Emily Ballew Neff then describes the evolving importance of the West for American artists working out a radically new aesthetic response to space and place, from artist-explorers on the turn-of-the-century frontier, to visionaries of a Californian arcadia, to desert luminaries who found in its stark topography a natural equivalent to abstraction. Beautifully illustrated and handsomely designed, this book is essential to anyone interested in the West and the history of modernism in American art.
Author: Ernesto Capello
Publisher: Routledge
ISBN: 1000228797
Category : History
Languages : en
Pages : 250
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Book Description
During the nineteenth century, gridding, graphing, and surveying proliferated as never before as nations and empires expanded into hitherto "unknown" territories. Though nominally geared toward justifying territorial claims and collecting scientific data, expeditions also produced vast troves of visual and artistic material. This book considers the explosion of expeditionary mapping and its links to visual culture across the Americas, arguing that acts of measurement are also aesthetic acts. Such visual interventions intersect with new technologies, with sociopolitical power and conflict, and with shifting public tastes and consumption practices. Several key questions shape this examination: What kinds of nineteenth-century visual practices and technologies of seeing do these materials engage? How does scientific knowledge get translated into the visual and disseminated to the public? What are the commonalities and distinctions in mapping strategies between North and South America? How does the constitution of expeditionary lines reorder space and the natural landscape itself? The volume represents the first transnational and hemispheric analysis of nineteenth-century cartographic aesthetics, and features the multi-disciplinary perspective of historians, geographers, and art historians.
Author: Alice Wondrak Biel
Publisher:
ISBN:
Category : Ecosystem management
Languages : en
Pages : 292
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Book Description
Author: Stephen Bury
Publisher: Oxford University Press, USA
ISBN: 0199923051
Category : Art
Languages : en
Pages : 1341
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Book Description
This dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.
Author: Joan Carpenter Troccoli
Publisher: Yale University Press
ISBN: 0300087225
Category : Art
Languages : en
Pages : 232
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Book Description
"This book offers a tour of a collection of paintings of the American West still in private hands. The Anschutz Collection covers all the ground expected in a wide-ranging, major survey, yet still has plenty of room for surprises. Every phase in the history of American art since the 182Os is included. There are pictures of impressive quality by lesser-known artists and examples from all the major painters who have depicted the West. You'll discover works by artists such as Marsden Hartley, Childe Hassam, Jan Matulka, and John Henry Twachtman, who painted western subjects only rarely, and pictures by those whose subjects were predominantly western. The collection is particularly rich in paintings made in Taos and Santa Fe during the first half of the twentieth century, when major American artists often found inspiration and stylistic renewal in the Southwest. Among the American masters represented here are George Bellows, Albert Bierstadt, George Caleb Bingham, Ernest Blumenschein, George Catlin, Stuart Davis, Asher B. Durand, George Inness, John Marin, Alfred Jacob Miller, Thomas Moran, Georgia O'Keeffe, Frederic Remington, Charles Marion Russell, and Walter Ufer."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
