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Author: Thomas Middleton
Publisher: Routledge
ISBN: 0429590113
Category : Drama
Languages : en
Pages : 342
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Book Description
Published in 1993: The first modern scholarly edition of the author's play, not published until 1778. Sebastian reclaims his betrothed from Antonio; the Duchess avenges herself on the Duke for making her drink from her father; and Abberzanes and Francesca have an illicite affair. The witches are credible forces of evil.
Author: Thomas Middleton
Publisher: Routledge
ISBN: 0429590113
Category : Drama
Languages : en
Pages : 342
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Book Description
Published in 1993: The first modern scholarly edition of the author's play, not published until 1778. Sebastian reclaims his betrothed from Antonio; the Duchess avenges herself on the Duke for making her drink from her father; and Abberzanes and Francesca have an illicite affair. The witches are credible forces of evil.
Author: Thomas Middleton
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 104
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Book Description
The Changeling is a popular Renaissance tragedy in which the relationship between money, sex, and power is explored. Frequently performed and studied in University courses, it is a key text in the New Mermaids series.
Author: Thomas Middleton
Publisher: A&C Black
ISBN: 1408144581
Category : Drama
Languages : en
Pages : 128
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Book Description
The Witch (1615/16?), categorised by its author as 'a tragi-comedy', pits the intrigues of a group of Italian aristocrats against the malevolent practices of Hecate and her witches' coven, leaving the audience with the impression that human malevolence is by far the fiercer and more effective. This edition sets the play into its dramatic and literary contexts, ranging from Shakespeare's Macbeth and Middleton's own later tragedies to Reginald Scot's sceptical Discovery of Witchcraft and King James's virulent Daemonologie. It also argues that Middleton wrote it as a topical satire to capitalise on the scandal involving Frances Howard, who obtained a divorce from the Earl of Essex on the grounds that he had been sexually incapacitated by witchcraft; she was also rumoured to have tried to poison him. Middleton exposes his noble characters precisely by letting them get away with murder.
Author: Mark Kaethler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513990
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton’s dramatic works as responses to James I’s governance. Through examining Middleton’s poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton’s plural art exposes the limitations of the monarch’s sovereign image. By drawing upon earlier forms of dramatic intervention, James’s writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton’s writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton’s drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy.
Author: William Rowley
Publisher: Manchester University Press
ISBN: 9780719052477
Category : Edmonton (England)
Languages : en
Pages : 166
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Book Description
"The play, based on a sensational witchcraft trial of 1621, presents Mother Sawyer and her local community in the grip of a witch-mania reflecting popular belief and superstition of the time ..."--Back cover.
Author: Richard Brome
Publisher: Theatre Arts Books
ISBN:
Category : Drama
Languages : en
Pages : 188
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Book Description
In this ribald comedy, first performed at The Globe in 1634, everything is going wrong at a wedding, and everyone in attendance is eager to believe a local coven is to blame.
Author: Thomas Middleton
Publisher: Manchester University Press
ISBN: 9780719016301
Category : Drama
Languages : en
Pages : 292
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Book Description
Ward was in a New York banking family, brother of Julia Ward Howe, married into the Astor family, was in the Gold Rush, involved in the social life of New York and London, and was an epicure. He was also a very powerful lobbying influence on Congress and an author. His family connections and friends were prominent in many fields.
Author: Thomas Heywood
Publisher:
ISBN:
Category : Angels
Languages : en
Pages : 650
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Book Description
Author: Thomas Middleton
Publisher: Oxford University Press
ISBN: 0199580537
Category : Drama
Languages : en
Pages : 2017
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Book Description
Thomas Middleton is one of the few playwrights in English whose range and brilliance comes close to Shakespeare's. This handsome edition makes all Middleton's work accessible in a single volume, for the first time. It will generate excitement and controversy among all readers of Shakespeare and the English classics.
Author: Philip C. Almond
Publisher: Bloomsbury Publishing
ISBN: 0857719815
Category : Body, Mind & Spirit
Languages : en
Pages : 256
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Book Description
'The fables of witchcraft have taken so fast hold and deepe root in the heart of man, that few or none can indure with patience the hand and correction of God.' Reginald Scot, whose words these are, published his remarkable book The Discoverie of Witchcraft in 1584. England's first major work of demonology, witchcraft and the occult, the book was unashamedly sceptical. It is said that so outraged was King James VI of Scotland by the disbelieving nature of Scot's work that, on James' accession to the English throne in 1603, he ordered every copy to be destroyed. Yet for all the anger directed at Scot, and his scorn for Stuart orthodoxy about wiches, the paradox was that his detailed account of sorcery helped strengthen the hold of European demonologies in England while also inspiring the distinctively English tradition of secular magic and conjuring. Scot's influence was considerable. Shakespeare drew on The Discoverie of Witchcraft for his depiction of the witches in Macbeth. So too did fellow-playwright Thomas Middleton in his tragi-comedy The Witch. Recognising Scot's central importance in the history of ideas, Philip Almond places his subject in the febrile context of his age, examines the chief themes of his work and shows why his writings became a sourcebook for aspiring magicians and conjurors for several hundred years. England's First Demonologist makes a notable contribution to a fascinating but unjustly neglected topic in the study of Early Modern England and European intellectual history.
