Author: F. Arant Maginnes
Publisher: McFarland
ISBN: 1476600740
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
This is the biography of Thomas Abthorpe Cooper, the first star of the American stage. Cooper was the chief transitional figure between the British and American stage and contributed greatly to the development of American theatre. For the 30 years after 1797, Cooper performed in the major cities and toured to every state in the Union. This work covers his entire life and career from his birth outside London in 1775, to his famed performance to celebrate the opening of the City of Washington in 1800, to his death in Bristol, Pennsylvania, in 1849. Much research is drawn from Mr. Cooper's letters to his mentor, English radical philosopher William Godwin. Throughout, there are descriptions of his principal portrayals at different stages drawn from contemporary accounts and theatrical reviews. There are also 22 illustrations, from paintings and engravings to playbills and photographs of the sites associated with the actor.
Author: Geddeth Smith
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636596
Category : Biography & Autobiography
Languages : en
Pages : 396
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Book Description
It was in part for this service to the American public at large that Presidents John Tyler and James K. Polk awarded him, late in his life, with an appointment to the Customs House at the Port of New York, where, venerable and white-haired, Cooper held a position during the final years of his life, still a handsome and striking figure as he went about the routine duties of a customs inspector.
Author: Wayne Franklin
Publisher: Yale University Press
ISBN: 0300135009
Category : Biography & Autobiography
Languages : en
Pages : 760
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Book Description
James Fenimore Cooper (1789–1851) invented the key forms of American fiction—the Western, the sea tale, the Revolutionary War romance. Furthermore, Cooper turned novel writing from a polite diversion into a paying career. He influenced Herman Melville, Richard Henry Dana, Jr., Francis Parkman, and even Mark Twain—who felt the need to flagellate Cooper for his “literary offenses.” His novels mark the starting point for any history of our environmental conscience. Far from complicit in the cleansings of Native Americans that characterized the era, Cooper’s fictions traced native losses to their economic sources. Perhaps no other American writer stands in greater need of a major reevaluation than Cooper. This is the first treatment of Cooper’s life to be based on full access to his family papers. Cooper’s life, as Franklin relates it, is the story of how, in literature and countless other endeavors, Americans in his period sought to solidify their political and cultural economic independence from Britain and, as the Revolutionary generation died, stipulate what the maturing republic was to become. The first of two volumes, James Fenimore Cooper: The Early Years covers Cooper’s life from his boyhood up to 1826, when, at the age of thirty-six, he left with his wife and five children for Europe.
Author: Marie J. Robinson
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 1332
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Book Description
Author: Alfred Bates
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 390
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Book Description
Author:
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 404
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Book Description
Author: Lewis Clinton Strang
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 402
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Book Description
Author: Alfred Bates
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 390
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Book Description
Author: Arthur Hornblow
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 404
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Book Description
Author: John Ripley
Publisher: Cambridge University Press
ISBN: 052122781X
Category : Drama
Languages : en
Pages : 390
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Book Description
Professor Ripley, in this 1980 study of Julius Caesar, offers one of the most detailed stage histories ever attempted, focusing upon aspects both of English and American staging from 1599 to 1973. His primary sources include promptbooks and groundplans, letters, diaries and reviews. He approaches the play from four different angles: he examines the texts used in all major productions, and makes valuable deductions about the taste and sensibility of an age from cuts, alterations, additions and redistribution of parts. He explains in detail the staging of the play at various points in time, and demonstrates how sets and costumes, bits of business, handling of crowd scenes and lighting affected its business. He reconstructs performances of the four main roles by the greater and lesser lights of each period. Finally, he comments on the way in which the theories of critics and, in modern times, directors' ideas have influenced understanding of the play.
