Author: Christian Batchelor
Publisher:
ISBN: 9780953063109
Category : Lindy (Dance)
Languages : en
Pages : 347
Book Description
This Thing Called Swing
Author: Christian Batchelor
Publisher:
ISBN: 9780953063109
Category : Lindy (Dance)
Languages : en
Pages : 347
Book Description
Publisher:
ISBN: 9780953063109
Category : Lindy (Dance)
Languages : en
Pages : 347
Book Description
The Art of Bop Drumming
Author: John Riley
Publisher: Alfred Music Publishing
ISBN: 9780898988901
Category : Music
Languages : en
Pages : 84
Book Description
Presents the essential elements of bop drumming demonstrated through concise exercises and containing ideas to help understand what to play and how to play it and why, as well as an explanation of how the drummer functions in a group.
Publisher: Alfred Music Publishing
ISBN: 9780898988901
Category : Music
Languages : en
Pages : 84
Book Description
Presents the essential elements of bop drumming demonstrated through concise exercises and containing ideas to help understand what to play and how to play it and why, as well as an explanation of how the drummer functions in a group.
What Is This Thing Called Jazz?
Author: Eric Porter
Publisher: Univ of California Press
ISBN: 9780520928404
Category : Music
Languages : en
Pages : 442
Book Description
Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.
Publisher: Univ of California Press
ISBN: 9780520928404
Category : Music
Languages : en
Pages : 442
Book Description
Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.
Swing That Music
Author: Louis Armstrong
Publisher: Da Capo Press
ISBN: 9780306805448
Category : Music
Languages : en
Pages : 208
Book Description
The first autobiography of a jazz musician, Louis Armstrong's Swing That Music is a milestone in jazz literature. Armstrong wrote most of the biographical material, which is of a different nature and scope than that of his other, later autobiography, Satchmo: My Life in New Orleans (also published by Da Capo/Perseus Books Group). Satchmo covers in intimate detail Armstrong's life until his 1922 move to Chicago; but Swing That Music also covers his days on Chicago's South Side with ”King” Oliver, his courtship and marriage to Lil Hardin, his 1929 move to New York, the formation of his own band, his European tours, and his international success. One of the most earnest justifications ever written for the new style of music then called ”swing” but more broadly referred to as ”Jazz,” Swing That Music is a biography, a history, and an entertainment that really ”swings.”
Publisher: Da Capo Press
ISBN: 9780306805448
Category : Music
Languages : en
Pages : 208
Book Description
The first autobiography of a jazz musician, Louis Armstrong's Swing That Music is a milestone in jazz literature. Armstrong wrote most of the biographical material, which is of a different nature and scope than that of his other, later autobiography, Satchmo: My Life in New Orleans (also published by Da Capo/Perseus Books Group). Satchmo covers in intimate detail Armstrong's life until his 1922 move to Chicago; but Swing That Music also covers his days on Chicago's South Side with ”King” Oliver, his courtship and marriage to Lil Hardin, his 1929 move to New York, the formation of his own band, his European tours, and his international success. One of the most earnest justifications ever written for the new style of music then called ”swing” but more broadly referred to as ”Jazz,” Swing That Music is a biography, a history, and an entertainment that really ”swings.”
Swing Shift
Author: Sherrie Tucker
Publisher: Duke University Press
ISBN: 9780822328179
Category : History
Languages : en
Pages : 428
Book Description
The story, based on extensive individual interviews, of the women’s swing bands that toured extensively during World War II and after -- a kind of “League of their Own” for jazz.
Publisher: Duke University Press
ISBN: 9780822328179
Category : History
Languages : en
Pages : 428
Book Description
The story, based on extensive individual interviews, of the women’s swing bands that toured extensively during World War II and after -- a kind of “League of their Own” for jazz.
What is this Thing Called Jazz?
Author: Batt Johnson
Publisher: iUniverse
ISBN: 0595151663
Category : Music
Languages : en
Pages : 354
Book Description
There is no better authority on jazz than the creators, educators, and writers who have made this enigmatic musical style a major force internationally as well as in American history. The answer to the question “what is jazz?” is as complex and diverse as those involved in it. This book takes the question to noted musicians, scholars, and composers, creating a documentary style of oral history that makes you feel as if you are actually in the room as they put the sounds they know as music into words. The ideas from these authentic, personal voices of authority provide a unique perspective that will enlighten the novice and stimulate the professional. Ron Carter, Bassist-“Because they are improvising does not necessarily mean that it is jazz” Buddy Rich,Drums-“Trane to Bird, Diz to Miles, all in the family of jazz, just different children.” Ray Charles, Singer/Pianist-Jazz is the freedom to do what you want within the confines of the chord structure.” Milt Jackson, Vibraphonist-"The era of bebop represents jazz to me.” Chet Baker, Trumpet-Paris “Jazz is a hard swinging rhythm section with everybody playing with the same time feeling.”
Publisher: iUniverse
ISBN: 0595151663
Category : Music
Languages : en
Pages : 354
Book Description
There is no better authority on jazz than the creators, educators, and writers who have made this enigmatic musical style a major force internationally as well as in American history. The answer to the question “what is jazz?” is as complex and diverse as those involved in it. This book takes the question to noted musicians, scholars, and composers, creating a documentary style of oral history that makes you feel as if you are actually in the room as they put the sounds they know as music into words. The ideas from these authentic, personal voices of authority provide a unique perspective that will enlighten the novice and stimulate the professional. Ron Carter, Bassist-“Because they are improvising does not necessarily mean that it is jazz” Buddy Rich,Drums-“Trane to Bird, Diz to Miles, all in the family of jazz, just different children.” Ray Charles, Singer/Pianist-Jazz is the freedom to do what you want within the confines of the chord structure.” Milt Jackson, Vibraphonist-"The era of bebop represents jazz to me.” Chet Baker, Trumpet-Paris “Jazz is a hard swinging rhythm section with everybody playing with the same time feeling.”
Swing
Author: Scott Yanow
Publisher: Hal Leonard Corporation
ISBN: 9781617744761
Category : Biography & Autobiography
Languages : en
Pages : 542
Book Description
Incorporating history along with the many reviews, this guide covers every era of swing music, from the classic age of Ellington, to the retro-swing of groups like Big Bad Voodoo Daddy. Profiles of over 500 swing musicians, arranged by specialty such as trumpeters, drummers, and vocalists, are combined with reviews of 1500 plus recordings on a 10 point scale. Yanow is a long-time writer and editor for a variety of jazz publications, including, Downbeat, Cadence, and Strictly Jazz. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Hal Leonard Corporation
ISBN: 9781617744761
Category : Biography & Autobiography
Languages : en
Pages : 542
Book Description
Incorporating history along with the many reviews, this guide covers every era of swing music, from the classic age of Ellington, to the retro-swing of groups like Big Bad Voodoo Daddy. Profiles of over 500 swing musicians, arranged by specialty such as trumpeters, drummers, and vocalists, are combined with reviews of 1500 plus recordings on a 10 point scale. Yanow is a long-time writer and editor for a variety of jazz publications, including, Downbeat, Cadence, and Strictly Jazz. Annotation copyrighted by Book News, Inc., Portland, OR
Swing
Author: Kwame Alexander
Publisher: Clarion Books
ISBN: 0310761875
Category : Young Adult Fiction
Languages : en
Pages : 450
Book Description
In this YA novel in verse from bestselling authors Kwame Alexander and Mary Rand Hess (Solo), which Kirkus called “lively, moving, and heartfelt” in a starred review, Noah and Walt just want to leave their geek days behind and find “cool,” but in the process discover a lot about first loves, friendship, and embracing life . . . as well as why Black Lives Matter is so important for all. Best friends Noah and Walt are far from popular, but Walt is convinced junior year is their year, and he has a plan that includes wooing the girls of their dreams and becoming amazing athletes. Never mind he and Noah failed to make their baseball team yet again, and Noah’s crush since third grade, Sam, has him firmly in the friend zone. While Walt focuses on his program of jazz, podcasts, batting cages, and a “Hug Life” mentality, Noah feels stuck in status quo … until he stumbles on a stash of old love letters. Each one contains words Noah’s always wanted to say to Sam, and he begins secretly creating artwork using the lines that speak his heart. But when his art becomes public, Noah has a decision to make: continue his life in the dugout and possibly lose the girl forever, or take a swing and finally speak out. At the same time, American flags are being left around town. While some think it’s a harmless prank and others see it as a form of protest, Noah can’t shake the feeling something bigger is happening to his community. Especially after he witnesses events that hint divides and prejudices run deeper than he realized. As the personal and social tensions increase around them, Noah and Walt must decide what is really important when it comes to love, friendship, sacrifice, and fate. Swing: is written by New York Times bestselling author and Newbery Medal and Coretta Scott King Award-winner Kwame Alexander Features a diverse array of characters and perspectives tackles the biggest social issues of today, including racial prejudice and Black Lives Matter is perfect reading for the classroom or community-wide discussions is a 2020 YALSA Quick Pick for Reluctant Young Adult Readers contains original artwork tied to the story If you enjoy Swing, check out Solo by Kwame Alexander and Mary Rand Hess.
Publisher: Clarion Books
ISBN: 0310761875
Category : Young Adult Fiction
Languages : en
Pages : 450
Book Description
In this YA novel in verse from bestselling authors Kwame Alexander and Mary Rand Hess (Solo), which Kirkus called “lively, moving, and heartfelt” in a starred review, Noah and Walt just want to leave their geek days behind and find “cool,” but in the process discover a lot about first loves, friendship, and embracing life . . . as well as why Black Lives Matter is so important for all. Best friends Noah and Walt are far from popular, but Walt is convinced junior year is their year, and he has a plan that includes wooing the girls of their dreams and becoming amazing athletes. Never mind he and Noah failed to make their baseball team yet again, and Noah’s crush since third grade, Sam, has him firmly in the friend zone. While Walt focuses on his program of jazz, podcasts, batting cages, and a “Hug Life” mentality, Noah feels stuck in status quo … until he stumbles on a stash of old love letters. Each one contains words Noah’s always wanted to say to Sam, and he begins secretly creating artwork using the lines that speak his heart. But when his art becomes public, Noah has a decision to make: continue his life in the dugout and possibly lose the girl forever, or take a swing and finally speak out. At the same time, American flags are being left around town. While some think it’s a harmless prank and others see it as a form of protest, Noah can’t shake the feeling something bigger is happening to his community. Especially after he witnesses events that hint divides and prejudices run deeper than he realized. As the personal and social tensions increase around them, Noah and Walt must decide what is really important when it comes to love, friendship, sacrifice, and fate. Swing: is written by New York Times bestselling author and Newbery Medal and Coretta Scott King Award-winner Kwame Alexander Features a diverse array of characters and perspectives tackles the biggest social issues of today, including racial prejudice and Black Lives Matter is perfect reading for the classroom or community-wide discussions is a 2020 YALSA Quick Pick for Reluctant Young Adult Readers contains original artwork tied to the story If you enjoy Swing, check out Solo by Kwame Alexander and Mary Rand Hess.
What Is This Thing Called Jazz?
Author: Eric Porter
Publisher: Univ of California Press
ISBN: 0520232968
Category : Music
Languages : en
Pages : 441
Book Description
"Among the many books on the history of jazz. . . an implicit division of labor has solidified, whereby black artists play and invent while white writers provide the commentary. . . . Eric Porter's brilliant book seeks to trace the ways in which black jazz musicians have made verbal sense of their accomplishments, demonstrating the profound self-awareness of the artists themselves as they engaged in discourse about their enterprise."—Susan McClary, author of Conventional Wisdom: The Content of Musical Form "With What Is This Thing Called Jazz Eric Porter has given us an original portrait of black musicians as creators, thinkers and politically conscious individuals. This well-written, thoroughly researched work is a model of a new kind of scholarship about African American musicians: one that shows them as people who are both shaped by and actively shaping their political and social context. One of the book's most important contributions is that it takes seriously what the musicians themselves say about the music and allows their voices to join that of critics and musicologists in helping to construct a critical and philosophical framework for analyzing the music. Professor Porter's work is rare in it's balanced attention to the formal qualities of the music, historical interpretation and theoretical reflection. His is a work that will certainly shape the direction of future studies. What Is This Thing Called Jazz? is an extraordinary work."—Farah Jasmine Griffin, author of If You Can't Be Free, Be a Mystery: In Search of Billie Holiday "A major contribution to American Studies in music, Eric Porter's lucidly written book is the first to thoroughly analyze and contextualize the critical, historical and aesthetic writings of some of today's most innovative composer-performers. Placing the vital concerns of artists at the center, this work provides academic and lay readers alike with important new insights on how African-American musicians sought to realize ambitious dreams and concrete goals through direct action--not only in sound, but through building alternative institutions that emphasized the importance of community involvement."—George E. Lewis, Professor of Music, Critical Studies/Experimental Practices Area University of California, San Diego
Publisher: Univ of California Press
ISBN: 0520232968
Category : Music
Languages : en
Pages : 441
Book Description
"Among the many books on the history of jazz. . . an implicit division of labor has solidified, whereby black artists play and invent while white writers provide the commentary. . . . Eric Porter's brilliant book seeks to trace the ways in which black jazz musicians have made verbal sense of their accomplishments, demonstrating the profound self-awareness of the artists themselves as they engaged in discourse about their enterprise."—Susan McClary, author of Conventional Wisdom: The Content of Musical Form "With What Is This Thing Called Jazz Eric Porter has given us an original portrait of black musicians as creators, thinkers and politically conscious individuals. This well-written, thoroughly researched work is a model of a new kind of scholarship about African American musicians: one that shows them as people who are both shaped by and actively shaping their political and social context. One of the book's most important contributions is that it takes seriously what the musicians themselves say about the music and allows their voices to join that of critics and musicologists in helping to construct a critical and philosophical framework for analyzing the music. Professor Porter's work is rare in it's balanced attention to the formal qualities of the music, historical interpretation and theoretical reflection. His is a work that will certainly shape the direction of future studies. What Is This Thing Called Jazz? is an extraordinary work."—Farah Jasmine Griffin, author of If You Can't Be Free, Be a Mystery: In Search of Billie Holiday "A major contribution to American Studies in music, Eric Porter's lucidly written book is the first to thoroughly analyze and contextualize the critical, historical and aesthetic writings of some of today's most innovative composer-performers. Placing the vital concerns of artists at the center, this work provides academic and lay readers alike with important new insights on how African-American musicians sought to realize ambitious dreams and concrete goals through direct action--not only in sound, but through building alternative institutions that emphasized the importance of community involvement."—George E. Lewis, Professor of Music, Critical Studies/Experimental Practices Area University of California, San Diego
Swingin' at the Savoy
Author: Norma Miller
Publisher:
ISBN: 9781566398497
Category : Biography & Autobiography
Languages : en
Pages : 261
Book Description
The dancer and choreographer chronicles her life and provides a history of the Savoy Ballroom in Harlem and its influence on American culture.
Publisher:
ISBN: 9781566398497
Category : Biography & Autobiography
Languages : en
Pages : 261
Book Description
The dancer and choreographer chronicles her life and provides a history of the Savoy Ballroom in Harlem and its influence on American culture.