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Author: Riccardo Magnani
Publisher:
ISBN: 9780645067514
Category : Art
Languages : en
Pages : 394
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Book Description
Despite so much being written about Leonardo da Vinci and the Renaissance, many questions about the Tuscan artist's life and works remain shrouded in mystery: Why isn't the painting exhibited at the Louvre Museum the Mona Lisa? Why do we find so many pagan symbols in Leonardo's Christian representations? Was Leonardo really the son of a notary and a slave? Why is there such a lack of work from Leonardo's early life-perhaps his most important period? Why do we have paintings of the Americas well before the first trips of Christopher Columbus? Riccardo Magnani, economist-turned-Leonardo expert, reconstructs the political and economic world around da Vinci, illustrating how he was influenced by the biggest "discovery" of all, the Americas. This is not Leonardo provides the key to understanding Leonardo's visual language, within the context of the Renaissance and its artists-essential to fully comprehend his work and the many clues he left behind. Magnani reveals little-known facts about Leonardo's education, long suppressed by the Catholic Church-from his use of iconography of the ancient Egyptians, Greeks and Byzantines, to his influence by the Neoplatonic movement led by George Gemistus. Thanks to the new insights presented by This is not Leonardo, the dogmatic prism that our Western society has employed for so long to understand Leonardo da Vinci can now finally be challenged.
Author: Riccardo Magnani
Publisher:
ISBN: 9780645067514
Category : Art
Languages : en
Pages : 394
Get Book Here
Book Description
Despite so much being written about Leonardo da Vinci and the Renaissance, many questions about the Tuscan artist's life and works remain shrouded in mystery: Why isn't the painting exhibited at the Louvre Museum the Mona Lisa? Why do we find so many pagan symbols in Leonardo's Christian representations? Was Leonardo really the son of a notary and a slave? Why is there such a lack of work from Leonardo's early life-perhaps his most important period? Why do we have paintings of the Americas well before the first trips of Christopher Columbus? Riccardo Magnani, economist-turned-Leonardo expert, reconstructs the political and economic world around da Vinci, illustrating how he was influenced by the biggest "discovery" of all, the Americas. This is not Leonardo provides the key to understanding Leonardo's visual language, within the context of the Renaissance and its artists-essential to fully comprehend his work and the many clues he left behind. Magnani reveals little-known facts about Leonardo's education, long suppressed by the Catholic Church-from his use of iconography of the ancient Egyptians, Greeks and Byzantines, to his influence by the Neoplatonic movement led by George Gemistus. Thanks to the new insights presented by This is not Leonardo, the dogmatic prism that our Western society has employed for so long to understand Leonardo da Vinci can now finally be challenged.
Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
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Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Author: Michael J. Gelb
Publisher: Dell
ISBN: 0307573524
Category : Self-Help
Languages : en
Pages : 264
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Book Description
NATIONAL BESTSELLER • Uncover your own hidden abilities, sharpen your senses, and liberate your unique intelligence by following the example of the greatest genius of all time, Leonardo da Vinci. “By capturing the very essence and Da Vinci’s life and genius—the seemingly perfect integration of mind, body, spirit, and soul—Michael Gelb guides us in a discovery and understanding of the boundlessness of our own full human potential.”—DEEPAK CHOPRA Genius is made, not born. And human beings are gifted with an almost unlimited potential for learning and creativity. Acclaimed author Michael J. Gelb, who has helped thousands of people expand their minds to accomplish more than they ever thought possible, shows you how. Drawing on renowned artist Leonardo da Vinci’s notebooks, inventions, and legendary works of art, Gelb introduces Seven Da Vincian Principles—the essential elements of genius—from curiosità, the insatiably curious approach to life, to connessione, the appreciation for the interconnectedness of all things. Step by step, through exercises and provocative lessons, you will harness the power—and awesome wonder—of your own genius, mastering such life-changing abilities as: • problem solving • creative thinking • self-expression • enjoying the world around you • goal setting and life balance • harmonizing body and mind With Da Vinci as your inspiration, you will discover an exhilarating new way of thinking.
Author: Mike Lankford
Publisher: Melville House
ISBN: 1612197159
Category : Biography & Autobiography
Languages : en
Pages : 321
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Book Description
A Wall Street Journal Book of the Year A Spectator Book of the Year “A truly intimate portrait of one of the greatest creators in human history,” this biography of Leonardo Da Vinci “has the pace, elegance, and authorial omnipresence of a novel,” bringing both artist and Renaissance Italy to life (Noah Charney, author of The Art of Forgery) Why did Leonardo Da Vinci leave so many of his major works uncompleted? Why did this resolute pacifist build war machines for the notorious Borgias? Why did he carry the Mona Lisa with him everywhere he went for decades, yet never quite finish it? Why did he write backwards, and was he really at war with Michelangelo? And was he gay? In a book unlike anything ever written about the Renaissance genius, Mike Lankford explodes every cliché about Da Vinci and then reconstructs him based on a rich trove of available evidence—bringing to life for the modern reader the man who has been studied by scholars for centuries—yet has remained as mysterious as ever. Seeking to envision Da Vinci without the obscuring residue of historical varnish, the sights, sounds, smells, and feel of Renaissance Italy—usually missing in other biographies—are all here, transporting readers back to a world of war and plague and court intrigue, of viciously competitive famous artists, of murderous tyrants with exquisite tastes in art . . . Lankford brilliantly captures Da Vinci’s life as the compelling and dangerous adventure it seems to have actually been—fleeing from one sanctuary to the next, somehow surviving in war zones beside his friend Machiavelli, struggling to make art his way or no way at all . . . and often paying dearly for those decisions. It is a thrilling and absorbing journey into the life of a ferociously dedicated loner, whose artwork in one way or another represents his noble rebellion, providing inspiration that is timeless.
Author: Francesca Fiorani
Publisher: Macmillan + ORM
ISBN: 0374715297
Category : Art
Languages : en
Pages : 373
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Book Description
“Insightful and beautiful. . . . A wonderful study of how Leonardo’s art and science are interwoven.” —Walter Isaacson, author of Leonardo Da Vinci A New York Times Book Review Editors’ Choice Shortly after Leonardo da Vinci’s death, his peers and rivals created the myth of the two Leonardos: there was Leonardo the artist and then, later in life, Leonardo the scientist. In this pathbreaking biographical interpretation, the art historian Francesca Fiorani tells a very different and much more interesting story. Taking a fresh look at Leonardo’s celebrated but challenging notebooks and other sources, Fiorani shows that Leonardo became fluent in science when he was still young man. As an apprentice in a Florence studio, he was especially interested in the science of optics. He aspired to use this knowledge to capture—as no artist before him had ever done—the interior lives of his subjects, to paint the human soul in its smallest, tenderest motions and vicissitudes. And then he hoped to take one further step: to gather his scientific knowledge together in a book that would be even more important than his paintings. In The Shadow Drawing, Fiorani revises our understanding of Leonardo the artist’s most renowned paintings and reconstructs the wisdom Leonardo the author hoped to impart. The result is both a stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when the two were sundered. “Fiorani’s lively intellectual adventure gives us new understanding and appreciation of Leonardo’s cross-fertilization of art and science. It is a perceptive biography of Leonardo exploring the frontiers of science but also a brilliantly informative guide to his paintings.” —Ross King, author of Brunelleschi’s Dome, Leonardo and the Last Supper, and Mad Enchantment
Author: Frank Zöllner
Publisher: Taschen
ISBN: 9783822859797
Category : Art
Languages : en
Pages : 104
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Book Description
Life and work of the renowned painter, scientist, and philosopher of the Renaissance period.
Author: Walter Isaacson
Publisher: Simon and Schuster
ISBN: 1501139177
Category : Biography & Autobiography
Languages : en
Pages : 624
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Book Description
The #1 New York Times bestseller from Walter Isaacson brings Leonardo da Vinci to life in this exciting new biography that is “a study in creativity: how to define it, how to achieve it…Most important, it is a powerful story of an exhilarating mind and life” (The New Yorker). Based on thousands of pages from Leonardo da Vinci’s astonishing notebooks and new discoveries about his life and work, Walter Isaacson “deftly reveals an intimate Leonardo” (San Francisco Chronicle) in a narrative that connects his art to his science. He shows how Leonardo’s genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history’s most creative genius. In the “luminous” (Daily Beast) Leonardo da Vinci, Isaacson describes how Leonardo’s delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance to be imaginative and, like talented rebels in any era, to think different. Here, da Vinci “comes to life in all his remarkable brilliance and oddity in Walter Isaacson’s ambitious new biography…a vigorous, insightful portrait” (The Washington Post).
Author: Martin Clayton
Publisher: Royal Collection Trust
ISBN: 9781909741034
Category : Anatomy, Artistic
Languages : en
Pages : 0
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Book Description
"First published in hardback 2012 by Royal Collection Trust".-Title page verso.
Author: Joost Keizer
Publisher: Laurence King Publishing
ISBN: 9781780677514
Category : Art
Languages : en
Pages : 0
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Book Description
Leonardo da Vinci lived an itinerant life. Throughout his career – from its beginnings in the creative maelstrom of fifteenth century Florence to his role as genius in residence at the court of the king of France – Leonardo created a kind of private universe for himself and his work. Leonardo also spent a great deal of time away from his easel, pursuing his interest in engineering, natural science, sculpture, poetry, fables, music, and anatomy. In the time that another artist would finish a series of paintings, he would work on one. Sometimes a painting would take decades, accompanying him on his travels as he worked on other commissions. Leonardo's private world was both vibrant and active. It sometimes did and at other times did not interact with the wider world. But what emerged from it has established Leonardo as the definition of the Renaissance Man.
Author: Carlo Pedretti
Publisher: CB Edizioni
ISBN: 9788895686288
Category : Art
Languages : en
Pages : 223
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Book Description
The Chateau de Clos-Luce in Amboise is known, not only for its beauty, but as the last home of Leonardo da Vinci. This volume, edited by Professor Carlo Pedretti, presents a series of research on the relationship between Leonardo da Vinci and France not only during his stay in Amboise (1516-1519) but also in his Artist Milanese period (1507-1513)
