Third Australian Sculpture Triennial PDF Download
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Author: National Gallery of Victoria
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
Exhibition of contemporary Australian sculpture, jointly presented by the National Gallery of Victoria, the Australian Centre for Contemporary Art, Heide Park and Art Gallery, and 200 Gertrude Street, in conjunctiom with the Spoleto Festival of Three Worlds.
Author: National Gallery of Victoria
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
Exhibition of contemporary Australian sculpture, jointly presented by the National Gallery of Victoria, the Australian Centre for Contemporary Art, Heide Park and Art Gallery, and 200 Gertrude Street, in conjunctiom with the Spoleto Festival of Three Worlds.
Author:
Publisher:
ISBN:
Category : Sculpture, Australian
Languages : en
Pages : 124
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Book Description
Author: National Gallery of Victoria
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
Catalogue of the Fourth Australian Sculpture Triennial, which was mounted in conjunction with the 1990 Melbourne International Festival of the Arts. Exhibitions from five Victorian venues are covered by essays, biographical and catalogue information, as well as quality black and white and colour photographs.
Author: Christopher Allen
Publisher: John Wiley & Sons
ISBN: 1118767950
Category : Art
Languages : en
Pages : 560
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Book Description
A Companion to Australian Art A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.
Author: National Gallery of Australia
Publisher:
ISBN: 9780642334688
Category : Art, Aboriginal Australian
Languages : en
Pages : 160
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Book Description
Bringing together works by 30 contemporary Aboriginal and Torres Strait Islander artists from across the country, Defying Empire commemorates the 50th anniversary of the 1967 Referendum that recognized Aboriginal people as Australians for the first time. It explores the strength and resilience of Australia's Indigenous people since first contact, through the historical fight for recognition and ongoing activism in the present day. This moving and powerful art touches on the issues of identity, racism, displacement, country, nuclear testing, sovereignty and the stolen generations through many media: painting on canvas and bark, weaving and sculpture, new media, prints, photography, metalwork and glasswork. 'We defy: By existing; By determining our identity; By asserting our histories; our culture; our language; By telling our stories, our way; By being one of the oldest continuous living cultures in the world.' - Tina Baum, NGA Curator of Aboriginal and Torres Strait Islander Art
Author: Charles Green
Publisher: U of Minnesota Press
ISBN: 9780816637133
Category : Art
Languages : en
Pages : 272
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Book Description
The lone artist is a worn cliche of art history but one that still defines how we think about the production of art. Since the 1960s, however, a number of artists have challenged this image by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art, tracing its origins from the evolution of conceptual art in the 1960s into such stylistic labels as Earth Art, Systems Art, Body Art, and Performance Art. During this critical period, artists around the world began testing the limits of what art could be, how it might be produced, and who the artist is. Collaboration emerged as a prime way to reframe these questions. Green looks at three distinct types of collaboration: the highly bureaucratic identities created by Joseph Kosuth, Ian Burn, Mel Ramsden, and other members of Art & Language in the late 1960s; the close-knit relationships based on marriage or lifetime partnership as practiced by the Boyle Family, Anne and Patrick Poirier, Helen Mayer Harrison and Newton Harrison; and couples -- like Christo and Jeanne-Claude, Gilbert & George, or Marina Abramovic and Ulay -- who developed third identities, effacing the individual artists almost entirely. These collaborations, Green contends, resulted in new and, at times, extreme authorial models that continue to inform current thinking about artistic identity and to illuminate the origins of postmodern art, suggesting, in the process, a new genealogy for art in the twenty-first century.
Author: Martin Gascoigne
Publisher: ANU Press
ISBN: 1760462357
Category : Art
Languages : en
Pages : 445
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Book Description
Rosalie Gascoigne (1917–1999) was a highly regarded Australian artist whose assemblages of found materials embraced landscape, still life, minimalism, arte povera and installations. She was 57 when she had her first exhibition. Behind this late coming-out lay a long and unusual preparation in looking at nature for its aesthetic qualities, collecting found objects, making flower arrangements and practising ikebana. Her art found an appreciative audience from the start. She was a people person, and it pleased her that through her exhibiting career of 25 years, her works were acquired by people of all ages, interests and backgrounds, as well as by the major public institutions on both sides of the Tasman Sea.
Author: National Indigenous Art Triennial
Publisher:
ISBN: 9780642542052
Category : Art
Languages : en
Pages : 218
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Book Description
Presenting the work of artists from every state and territory, the work in this catalogue demonstrates the extraordinary range of contemporary Indigenous art practice. The largest survey show of Indigenous art at the NGA in more than fifteen years, the Triennial featured up to four works by each artist created in a variety of media, including painting on bark and canvas, sculpture, textiles, weaving, new media, photomedia, printmaking and installation.
Author: Jenny Zimmer
Publisher: Macmillan Education AU
ISBN: 9780958574334
Category : Art
Languages : en
Pages : 228
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Book Description
Anthony Pryor's enlightenment occurred as a result of his immediate and intuitive understanding of the symbolic significance of abstract forms when combined and interpreted within a systematic language of art. This book offers a comprehensive and beautifully illustrated account of Anthony Pryor's short but spectacular career.
Author: Mary Knights
Publisher: Wakefield Press
ISBN: 1743050054
Category : Art
Languages : en
Pages : 178
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Book Description
Deceptively simple, Valamanesh's work is often made with elemental substances, natural materials found objects - for example Persian Carpets, an old photo of his grandmother or a pair of worn shoes resonating with cultural and personal associations.
