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Author: Anthony McCann
Publisher: Wave Books
ISBN: 1933517972
Category : Poetry
Languages : en
Pages : 130
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Book Description
"The poems of Anthony McCann are beautiful, brutal, and unerring. They present us with, or return us to, a complicated, violent, poignant, weird, and mysterious world—a world which is very particularly his, and also our own, re-sung. For some time now I have believed McCann to be one of the finest poets writing today."—Maggie Nelson "McCann demonstrates that the truth surrounds us all; our best way of connecting with it is through compassion and love. With equal parts exuberance and dread, the speaker encourages us to 'waste the whole day feeling these things.'"—Boston Review Thing Music performs intertwinings both painful and pleasurable: intertwinings of perceiving bodies with their perceptual worlds, of persons with other persons, and of the I and the You. Marked in direct and indirect ways by the Occupy movement, these poems model a kind of porous personhood, with bodies and persons traversed by light, noise, violence, culture, and words. From "Mouth Guitar": Now the pulsing afternoon takes each belly in its hands lifts it up towards some glass and all that's inside While he crawled on with his body towards vengeance or the state Anthony McCann lives in Los Angeles and teaches in the University of California-Riverside's Palm Desert MFA program. He is the "Poet Laureate" of Machine Project, and also teaches courses at the California Institute of the Arts.
Author: Anthony McCann
Publisher: Wave Books
ISBN: 1933517972
Category : Poetry
Languages : en
Pages : 130
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Book Description
"The poems of Anthony McCann are beautiful, brutal, and unerring. They present us with, or return us to, a complicated, violent, poignant, weird, and mysterious world—a world which is very particularly his, and also our own, re-sung. For some time now I have believed McCann to be one of the finest poets writing today."—Maggie Nelson "McCann demonstrates that the truth surrounds us all; our best way of connecting with it is through compassion and love. With equal parts exuberance and dread, the speaker encourages us to 'waste the whole day feeling these things.'"—Boston Review Thing Music performs intertwinings both painful and pleasurable: intertwinings of perceiving bodies with their perceptual worlds, of persons with other persons, and of the I and the You. Marked in direct and indirect ways by the Occupy movement, these poems model a kind of porous personhood, with bodies and persons traversed by light, noise, violence, culture, and words. From "Mouth Guitar": Now the pulsing afternoon takes each belly in its hands lifts it up towards some glass and all that's inside While he crawled on with his body towards vengeance or the state Anthony McCann lives in Los Angeles and teaches in the University of California-Riverside's Palm Desert MFA program. He is the "Poet Laureate" of Machine Project, and also teaches courses at the California Institute of the Arts.
Author: Anthony McCann
Publisher: Wave Books
ISBN: 1933517964
Category : Poetry
Languages : en
Pages : 130
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Book Description
Resounding poems of being as being-in-the-world, with personhood inextricable from landscape, language, and culture.
Author: Bob Marley
Publisher: Chronicle Books
ISBN: 145211983X
Category : Juvenile Fiction
Languages : en
Pages : 31
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Book Description
Bob Marley's songs are known the world over for their powerful message of love, peace, and harmony. Now a whole new generation can discover one of his most joyous songs in this reassuring picture book adaptation written by his daughter Cedella and exuberantly illustrated by Vanessa Brantley-Newton. This upbeat story reminds children that the sun will always come out after the rain and mistakes are easily forgiven with a hug. Every family will relate to this universal story of one boy who won't let anything get him down, as long as he has the help of three very special little birds. Including all the lyrics of the original song plus new verses, this cheerful book will bring a smile to faces of all ages—because every little thing's gonna be all right!
Author: Victoria Lindsay Levine
Publisher: Rowman & Littlefield
ISBN: 1442242086
Category : Music
Languages : en
Pages : 537
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Book Description
The most fundamental subject of music scholarship provides the common focus of this volume of essays: music itself. For the distinguished scholars from the field of musicology and related areas of the humanities and social sciences, the search for music itself—in its vastly complex and diverse forms throughout the world—characterizes the lifetime of reflection and writing by Bruno Nettl, the leading ethnomusicologist of the past generation. This Thing Called Music: Essays in Honor of Bruno Nettl salutes not only a great scholar and beloved teacher, but also a thinker whose search for the meaning and ontology of music has exerted a global influence. Editors Victoria Lindsay Levine and Philip V. Bohlman have gathered essays that represent the many dimensions of musical meaning, addressing some of the most critically important areas of music scholarship today. The social formations of musical communities play counterpoint to analytical studies; investigations into musical change and survival connect ethnography to history, offering a collection of essays that can serve as an invaluable resource for the intellectual history of ethnomusicology. Each chapter explores music and its meanings in specific geographic areas—North and South America, Europe, Asia, and the Middle East—crossing the boundaries of genre, repertory, and style to provide insight into the aesthetic zones of contact between and among the folk, classical, and popular musics of the world. Readers from all disciplines of music scholarship will find in this collection a proper companion in an era of globalization, when the connections that draw musicians and musical practices together are more sweeping than ever. Chapters offer models for detailed analysis of specific musical practices, while at the same time they make possible new methods of comparative study in the twenty-first century, together posing a challenge crucial to all musicians and scholars in search of “this thing called music.”
Author: Robert Storms
Publisher: Lulu.com
ISBN: 1483495302
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
The first edition of School Stories was a charming, folksy accounting of life in a middle school band room with a few field trips, and parades thrown in for good measure. Bob, teacher, professional musician/composer, and consummate storyteller, decided to revisit these tales and has added a few new ones to the mix. There are stories of classroom pranks, unusual situations, problems, decisions and solutions that shaped the outcome of a teacher's not-so-typical school days in the public school music department. Although the book will offer joy and create smiles, appealing to all of us who have experienced that unique time of middle school as teachers, students or parents; the LOL variety of humor is largely absent. The humor in ?School Stories? is seen through the eyes of the reader as there are no jokes or funny things that the students had said. No, the day to day humor in the stories can be best described in just a few words, ?middle school music students - expect the unexpected.?
Author:
Publisher: Bingo Starr
ISBN: 1476914362
Category :
Languages : en
Pages : 214
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Book Description
Author: Nicholas Stoia
Publisher: Oxford University Press
ISBN: 0190881984
Category : Music
Languages : en
Pages : 240
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Book Description
As children, many of us learn to sing, "If you're happy and you know it, clap your hands." But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular pattern, the "Sweet Thing" scheme, has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs "My Babe" and "Motherless Children," country songs "Peg and Awl" and "Crawdad Song," and gospel songs "Pure Religion" and "This Train" use this form, along with popular songs like Ray Charles's "I Got a Woman," The Beatles's "One After 909," and the Velvet Underground's "I'm Waiting for the Man." Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the long history of the "Sweet Thing" scheme, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 484
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 778
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Book Description
Author:
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ISBN:
Category :
Languages : en
Pages : 1404
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