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Author: Una Chaudhuri
Publisher: University of Michigan Press
ISBN: 9780472065899
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
The first book-length study of the notion of place and its implications in modern drama
Author: Una Chaudhuri
Publisher: University of Michigan Press
ISBN: 9780472065899
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
The first book-length study of the notion of place and its implications in modern drama
Author: Peter Szondi
Publisher: Stanford University Press
ISBN: 9780804744027
Category : Literary Criticism
Languages : en
Pages : 156
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Book Description
Peter Szondi's Celan Studies marked the beginning of critical work on Paul Celan, the most important German poet of the second half of the twentieth century. The book's three studies each concentrate on a different Celan poem. "The Poetry of Constancy: Paul Celan's Translation of Shakespeare's Sonnet 105" investigates a historical turn from a poetry that claims to present its object to a poetry that only promises to do so. "Reading 'Engführung'" follows the movement of poetic language into territory undisclosed to epistemic reason. "Eden" addresses "Du liegst," a poem on the murder of Rosa Luxemburg and Karl Liebknecht; Szondi actually was with Celan when the poem was written. It analyzes the relation between the historical facts to which a poem refers and its composition. The book contains, as appendixes, Szondi's notes for three more projected studies of Celan poems, left unwritten at the time of his death in 1971.
Author: Peter Szondi
Publisher: Stanford University Press
ISBN: 9780804743952
Category : Literary Criticism
Languages : en
Pages : 132
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Book Description
This is a succinct and elegant argument for the specificity of a philosophy of tragedy, as opposed to a poetics of tragedy espoused by Aristotle.
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521296281
Category : Drama
Languages : en
Pages : 224
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Book Description
This 1981 volume begins with the French revolt against naturalism in theatre and then covers the European realist movement.
Author: Jeremy Ekberg
Publisher: Cambridge Scholars Publishing
ISBN: 1443883360
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
The Myth of Identity in Modern Drama is the first book-length study on existential authenticity and its relation to ontological embodiment treated via analyses of characters of modern drama. Furthermore, it offers new methods of exploring characters and characterization and new ways of thinking about identity. Through its investigations of the plays of Samuel Beckett, Eugene Ionesco and Jean-Paul Sartre, the book shows that the study of embodiment will allow for a new method of analyzing characters and how they form, or attempt to form, ever-changing identities.
Author: Eric Bentley
Publisher: Hal Leonard Corporation
ISBN: 9781557832795
Category : Performing Arts
Languages : en
Pages : 500
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Book Description
(Applause Books). Including Antoin Artaud, Bertolt Brecht, E. Gordon Craig, Luigi Pirandello, Konstantin Stanislavsky, W. B. Yeats, and Emile Zolaing.
Author: Peter Szondi
Publisher: John Wiley & Sons
ISBN: 150954559X
Category : Literary Criticism
Languages : en
Pages : 129
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Book Description
Author: Stephen Watt
Publisher: University of Michigan Press
ISBN: 9780472108725
Category : Drama
Languages : en
Pages : 244
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Book Description
Scrutinizing the critical tendency to label texts or writers as "postmodern", scholar Stephen Watt argues that "reading post modernly" merely implies reading culture more broadly. In contemporary drama, Watt considers postmodernity less a question of genre or media than a mode of subjectivity shared by both playwright and audience. 6 illustrations.
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521296298
Category : Drama
Languages : en
Pages : 238
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Book Description
Jarry - Garcia Lorca - Satre - Camus - Beckett - Ritual theatre and Jean Genet - Fringe theatre in Britain__
Author: Edwin Wong
Publisher: FriesenPress
ISBN: 1525537555
Category : Drama
Languages : en
Pages : 363
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Book Description
WHEN YOU LEAST EXPECT IT, BIRNAM WOOD COMES TO DUNSINANE HILL The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events. In this book, classicist Edwin Wong shows how tragedy imitates reality: heroes, by taking inordinate risks, trigger devastating low-probability, high-consequence outcomes. Such a theatre forces audiences to ask themselves a most timely question---what happens when the perfect bet goes wrong? Not only does Wong reinterpret classic tragedies from Aeschylus to O’Neill through the risk theatre lens, he also invites dramatists to create tomorrow’s theatre. As the world becomes increasingly unpredictable, the most compelling dramas will be high-stakes tragedies that dramatize the unintended consequences of today's risk takers who are taking us past the point of no return.
