The Life and Letters of William Beckford of Fonthill PDF Download
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Author: Lewis Saul Benjamin
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 442
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Book Description
Author: Lewis Saul Benjamin
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 442
Get Book Here
Book Description
Author: Lewis Saul Benjamin
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Lewis Saul Benjamin
Publisher: Palala Press
ISBN: 9781355713654
Category :
Languages : en
Pages : 438
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: LEWIS. MELVILLE
Publisher:
ISBN: 9781033632468
Category :
Languages : en
Pages : 0
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Author: William Beckford
Publisher:
ISBN: 9781845880699
Category : Eccentrics and eccentricities
Languages : en
Pages : 0
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Book Description
Author: William Beckford
Publisher: Theclassics.Us
ISBN: 9781230205236
Category :
Languages : en
Pages : 66
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1859 edition. Excerpt: ... chapter iii. william beckfobd the youngeb--his bieth and education. The late William Beckford of Fonthill Giffard, Wilts, and afterwards of Bath, was born at the former place, September 29th, 1759. His mother was the second wife of the member in parliament for the city for fourteen years preceding, and twice Lord Mayor. She was daughter and coheir of the Hon. George Hamilton, M.P. for Wells. Young Beckford was christened early, the year following his birth, as appears by the following letter from his father to Mr. Pitt, afterwards Earl of Chatham. "Fonthill, January 7th, 1760. "my Dear Sir, "Your very obliging and much-esteemed favour was duly received. I consider it the greatest honor to have such a sponsor to my child. He was made a Christian last night, and Lord Effingham was your proxy. No endeavours of mine shall be wanting (if it please God to spare his life), to instil into his mind principles of religion, honor, and love of country. It is true those are old-fashioned principles; but they are such as you approve and practise. "Nothing could give me more pleasure than to take your opinion on my present works, and to regulate my future operations by your advice and judgment. But I cannot flatter myself so much as to think it possible to enjoy that comfort, until you have first procured for your country a safe, honorable, and lasting peace. "I am, my dear Sir, "Your ever faithful and affectionate, "Humble servant, "W. Beckford." At the earliest possible time that impressions of any value in education can be made upon the youthful mind, a preparatory tutor was provided for young Beckford, under whom he remained until he had seen eleven summers; at which time, in 1771, Dr. W. Cleave
Author: Caroline Dakers
Publisher: UCL Press
ISBN: 1787350452
Category : History
Languages : en
Pages : 430
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Book Description
Fonthill, in Wiltshire, is traditionally associated with the writer and collector William Beckford who built his Gothic fantasy house called Fonthill Abbey at the end of the eighteenth century. The collapse of the Abbey’s tower in 1825 transformed the name Fonthill into a symbol for overarching ambition and folly, a sublime ruin. Fonthill is, however, much more than the story of one man’s excesses. Beckford’s Abbey is only one of several important houses to be built on the estate since the early sixteenth century, all of them eventually consumed by fire or deliberately demolished, and all of them oddly forgotten by historians. Little now remains: a tower, a stable block, a kitchen range, some dressed stone, an indentation in a field. Fonthill Recovered draws on histories of art and architecture, politics and economics to explore the rich cultural history of this famous Wiltshire estate. The first half of the book traces the occupation of Fonthill from the Bronze Age to the twenty-first century. Some of the owners surpassed Beckford in terms of their wealth, their collections, their political power and even, in one case, their sexual misdemeanours. They include Charles I’s Chancellor of the Exchequer, and the richest commoner in the nineteenth century. The second half of the book consists of essays on specific topics, filling out such crucial areas as the complex history of the designed landscape, the sources of the Beckfords’ wealth and their collections, and one essay that features the most recent appearance of the Abbey in a video game.
Author: Caroline Dakers
Publisher: UCL Press
ISBN: 1787350460
Category : Architecture
Languages : en
Pages : 430
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Book Description
Fonthill, in Wiltshire, is traditionally associated with the writer and collector William Beckford who built his Gothic fantasy house called Fonthill Abbey at the end of the eighteenth century. The collapse of the Abbey’s tower in 1825 transformed the name Fonthill into a symbol for overarching ambition and folly, a sublime ruin. Fonthill is, however, much more than the story of one man’s excesses. Beckford’s Abbey is only one of several important houses to be built on the estate since the early sixteenth century, all of them eventually consumed by fire or deliberately demolished, and all of them oddly forgotten by historians. Little now remains: a tower, a stable block, a kitchen range, some dressed stone, an indentation in a field. Fonthill Recovered draws on histories of art and architecture, politics and economics to explore the rich cultural history of this famous Wiltshire estate. The first half of the book traces the occupation of Fonthill from the Bronze Age to the twenty-first century. Some of the owners surpassed Beckford in terms of their wealth, their collections, their political power and even, in one case, their sexual misdemeanours. They include Charles I’s Chancellor of the Exchequer, and the richest commoner in the nineteenth century. The second half of the book consists of essays on specific topics, filling out such crucial areas as the complex history of the designed landscape, the sources of the Beckfords’ wealth and their collections, and one essay that features the most recent appearance of the Abbey in a video game.
Author: Timothy Mowl
Publisher: Faber & Faber
ISBN: 0571300480
Category : Biography & Autobiography
Languages : en
Pages : 283
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Book Description
William Beckford had two lives: one real and sensational, the other an elegant forgery he invented in retirement after the young Disraeli mischievously sent him a homoerotic epic based loosely on Beckford's own career. Biographers have been bemused by Beckford's faked letters and dream encounters with celebrities, but his real life was far more significant: he is the pivotal Romantic between Horace Walpole and Byron. Beckford was reared in exotic isolation in a Palladian palace where he grew up obsessed with dark grottoes, towers and images of the living dead. Rushed into marriage by an apprehensive mother, he indulged his actual passions (both legal and paedophile) until a Tory administration staged a sex scandal that exiled him. In his absence his novel, Vathek was treacherously pirated. Returned to England, Beckford flung his wealth into the creation of Fonthill Abbey, which, by its shadowy vistas and glamorous camp furnishings, paved the way for the wildest excesses of Victorian taste.
Author: Karen Junod
Publisher: OUP Oxford
ISBN: 0191616605
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Writing the Lives of Painters explores the development of artists' biographies in eighteenth- and early nineteenth-century Britain. During this period artists gradually distanced themselves from artisans and began to be recognised for their imaginative and intellectual skills. The development of the art market and the burgeoning of an exhibition culture, as well as the foundation of the Royal Academy of Arts in 1768, all contributed to redefining the rank of artists in society. This social redefinition of the status of artists in Britain was shaped by a thriving print culture. Contemporary artists were discussed in a wide range of literary forms, including exhibition reviews, art-critical pamphlets, and journalistic gossip-columns. Biographical accounts of modern artists emerged in a dialogue with these other types of writing. This book is an account of a new literary genre, tracing its emergence in the cultural context of the late eighteenth and early nineteenth centuries. It considers artistic biography as a malleable generic framework for investigation. Indeed, while the lives of painters in Britain did not completely abandon traditional tropes, the genre significantly widened its scope and created new individual and social narratives that reflected and accommodated the needs and desires of new reading audiences. Writing the Lives of Painters also argues that the proliferation of a myriad biographical forms mirrored the privileging of artistic originality and difference within an art world that had yet to generate a coherent 'British School' of painting. Finally, by focusing on the emergence of individual biographies of British artists, the book examines how and why the art historiographic model established by Georgio Vasari was gradually dismantled in the hands of British biographers during the Romantic period.
