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Author: John London
Publisher: Manchester University Press
ISBN: 9780719059919
Category : Performing Arts
Languages : en
Pages : 372
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Book Description
Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.
Author: John London
Publisher: Manchester University Press
ISBN: 9780719059919
Category : Performing Arts
Languages : en
Pages : 372
Get Book Here
Book Description
Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.
Author: Rebecca Rovit
Publisher: University of Iowa Press
ISBN: 1609381246
Category : History
Languages : en
Pages : 304
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Book Description
"Revealing the complex interplay between history and human lives under conditions of duress, Rebecca Rovit focuses on the eight-year odyssey of Berlin's Jewish Kulturbund Theatre. By examining why and how an all-Jewish repertory theatre could coexist with the Nazi regime. Rovit raises broader questions about the nature of art in an environment of coercion and isolation, artistic integrity and adaptability, and community and identity."--BACK COVER.
Author: Anselm Heinrich
Publisher: Routledge
ISBN: 1317628861
Category : History
Languages : en
Pages : 300
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Book Description
The Second World War went beyond previous military conflicts. It was not only about specific geographical gains or economic goals, but also about the brutal and lasting reshaping of Europe as a whole. Theatre in Europe Under German Occupation explores the part that theatre played in the Nazi war effort. Using a case-study approach, it illustrates the crucial and heavily subsidised role of theatre as a cultural extension of the military machine, key to Nazi Germany’s total war doctrine. Covering theatres in Oslo, Riga, Lille, Lodz, Krakau, Warsaw, Prague, The Hague and Kiev, Anselm Heinrich looks at the history and context of their operation; the wider political, cultural and propagandistic implications in view of their function in wartime; and their legacies. Theatre in Europe Under German Occupation focuses for the first time on Nazi Germany’s attempts to control and shape the cultural sector in occupied territories, shedding new light on the importance of theatre for the regime’s military and political goals.
Author: Glen Gadberry
Publisher: Praeger
ISBN: 0313295166
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Annotation Includes eleven essays on prewar theatre in Hitler's Germany, including analyses of Nazi ideology, popular dramatists, an actor, directors, specific theatres, a national theatre festival, Jewish theatre, and theatre in concentration camps.
Author: Moritz Föllmer
Publisher:
ISBN: 0198814607
Category : History
Languages : en
Pages : 331
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Book Description
A ground-breaking study that gets us closer to solving the mystery of why so many Germans embraced the Nazi regime so enthusiastically and identified so closely with it.
Author: Rodney Symington
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 340
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Book Description
For the Nazis, Shakespeare was a major cultural icon, whose works belonged to German culture more than to English and were therefore to be exploited for political-propagandistic purposes like those of any other German classical writer. Following an overview of the importance of Shakespeare in German culture, this book's three major sections investigate the controversy over the appropriate translation Shakespeare's plays to be read and performed, the effect of the new political-cultural climate on Shakespeare-scholarship, and the attempts of the Nazis to co-ordinate Shakespeare's works on the stage for propagandistic ends. This is the first complete study, entirely in English, to present the total picture of Shakespeare's fortunes in Germany between 1933 and 1945 in the context of Nazi cultural policy.
Author: Curt Riess
Publisher: Fonthill Media
ISBN: 1781553858
Category : History
Languages : en
Pages : 343
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Book Description
'Its existence is known only by the effects of its action.' Author Curt Riess on what happens when an organisation goes underground. Written in 1944, thus contemporary to the events of the Second World War and Nazi Germany, The Nazis Go Underground describes how the Nazis planned and organised their descent into the underground as early as 1943. At this stage of the war, the situation for the Third Reich looked grim. With Bormann and Himmler as its architects, the Nazi party would go underground and prepare for World War III from the shattered ruins of Berlin. German generals were anxious to get the war over. They knew the war was futile, would end in total defeat and questioned Hitler's suicidal military tactics. Survival as an institution, as a political force, for them, was essential. The Nazis concocted a system by which they would continue to have close contacts with members of the aboveground legitimate government after the end of the war. They would make sure to have some of their men, dependable ones, remaining in the official apparatus of the government, to be able to coordinate operations and policies. It was therefore believed that Nazi Germany could once more rise from the ashes after defeat in the Second World War. Written and researched by an acclaimed Jewish Berlin journalist who fled Nazi Germany for the US, Curt Riess was in the position with his experience and contacts within the Third Reich to expose their underground movement. Conspiracy theory or historical fact, The Nazis Go Underground questions in incredible detail on how Hitler's operatives organised such a mammoth undertaking and since that day of 16 May 1943 may have already prepared for World War III.
Author: Martin Sherman
Publisher: Hal Leonard Corporation
ISBN: 9781557833365
Category : Drama
Languages : en
Pages : 84
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Book Description
(Applause Books). Martin Sherman's worldwide hit play Bent took London by storm in 1979 when it was first performed by the Royal Court Theatre, with Ian McKellen as Max (a character written with the actor in mind). The play itself caused an uproar. "It educated the world," Sherman explains. "People knew about how the Third Reich treated Jews and, to some extent, gypsies and political prisoners. But very little had come out about their treatment of homosexuals." Gays were arrested and interned at work camps prior to the genocide of Jews, gypsies, and handicapped, and continued to be imprisoned even after the fall of the Third Reich and liberation of the camps. The play Bent highlights the reason why - a largely ignored German law, Paragraph 175, making homosexuality a criminal offense, which Hitler reactivated and strengthened during his rise to power.
Author: Michael H. Kater
Publisher: Yale University Press
ISBN: 0300245114
Category : History
Languages : en
Pages : 388
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Book Description
“A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule. “Absorbing, chilling study of German artistic life under Hitler” —The Sunday Times “There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions.” —Alex Ross, music critic at The New Yorker and author of The Rest is Noise Listed on Choice's Outstanding Academic Titles List for 2019 Winner of the Jewish Literary Award in Scholarship
Author: Lilian Karina
Publisher: Berghahn Books
ISBN: 9781571816887
Category : History
Languages : en
Pages : 400
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Book Description
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
