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Author: David Clarke
Publisher: OUP Oxford
ISBN: 0191625582
Category : Psychology
Languages : en
Pages : 409
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Book Description
What is consciousness? Why and when do we have it? Where does it come from, and how does it relate to the lump of squishy grey matter in our heads, or to our material and social worlds? While neuroscientists, philosophers, psychologists, historians, and cultural theorists offer widely different perspectives on these fundamental questions concerning what it is like to be human, most agree that consciousness represents a 'hard problem'. The emergence of consciousness studies as a multidisciplinary discourse addressing these issues has often been associated with rapid advances in neuroscience-perhaps giving the impression that the arts and humanities have arrived late at the debating table. The longer historical view suggests otherwise, but it is probably true that music has been under-represented in accounts of consciousness. Music and Consciousness aims to redress the balance: its twenty essays offer a timely and multi-faceted contribution to consciousness studies, critically examining some of the existing debates and raising new questions. The collection makes it clear that to understand consciousness we need to do much more than just look at brains: studying music demonstrates that consciousness is as much to do with minds, bodies, culture, and history. Incorporating several chapters that move outside Western philosophical traditions, Music and Consciousness corrects any perception that the study of consciousness is a purely occidental preoccupation. And in addition to what it says about consciousness the volume also presents a distinctive and thought-provoking configuration of new writings about music.
Author: David Clarke
Publisher: OUP Oxford
ISBN: 0191625582
Category : Psychology
Languages : en
Pages : 409
Get Book Here
Book Description
What is consciousness? Why and when do we have it? Where does it come from, and how does it relate to the lump of squishy grey matter in our heads, or to our material and social worlds? While neuroscientists, philosophers, psychologists, historians, and cultural theorists offer widely different perspectives on these fundamental questions concerning what it is like to be human, most agree that consciousness represents a 'hard problem'. The emergence of consciousness studies as a multidisciplinary discourse addressing these issues has often been associated with rapid advances in neuroscience-perhaps giving the impression that the arts and humanities have arrived late at the debating table. The longer historical view suggests otherwise, but it is probably true that music has been under-represented in accounts of consciousness. Music and Consciousness aims to redress the balance: its twenty essays offer a timely and multi-faceted contribution to consciousness studies, critically examining some of the existing debates and raising new questions. The collection makes it clear that to understand consciousness we need to do much more than just look at brains: studying music demonstrates that consciousness is as much to do with minds, bodies, culture, and history. Incorporating several chapters that move outside Western philosophical traditions, Music and Consciousness corrects any perception that the study of consciousness is a purely occidental preoccupation. And in addition to what it says about consciousness the volume also presents a distinctive and thought-provoking configuration of new writings about music.
Author: Daniel Meyer-Dinkgräfe
Publisher: Rodopi
ISBN: 9401209294
Category :
Languages : en
Pages : 236
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Book Description
The study of consciousness has developed considerably over the past ten years, with an emphasis on seeking to explain subjective experience. Our understanding of key questions relating to the performing arts, in theory and practice, benefits from the insights of consciousness studies. Theatre, Opera and Consciousness discusses selected concerns of theatre history from a consciousness studies perspective, develops a new perspective on ethical implications of theatre practice, reassesses the concept of the guru, and offers a new approach to the actor’s cool-down. The book expands the framework from theatre to opera, and presents a new consideration of the spiritual aspects of singing in opera, conducting for opera, and the opera experience for singers and spectators alike.
Author: Daniel Meyer-Dinkgräfe
Publisher: Cambridge Scholars Publishing
ISBN: 1527516903
Category : Performing Arts
Languages : en
Pages : 423
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Book Description
Against the background of personal, institutional and cultural trajectories, this book considers dance, opera, theatre and practice as research from a consciousness studies perspective. Highlights include a conversation with Barbara Sellers-Young on the nature of dance; an assessment of the work of International Opera Theater; a new perspective on liveness and livecasts; a reassessment, with Anita S. Hammer, of the concept of a universal language of the theatre; a discussion of two productions of new plays; the development of a new concept of theatre of the heart; a comparison of Western and Thai positions on the concept of beauty; and an examination of the role of conflict for theatre. The final chapter of the book is taken up by the author’s first novel, which launches the new genre of spiritual romance.
Author: David W. Lovell
Publisher: Cambridge Scholars Publishing
ISBN: 1443862266
Category : Performing Arts
Languages : en
Pages : 174
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Book Description
In March 2014, the University of Delaware’s Resident Ensemble Players staged the first Part of Goethe’s Faust, adapted and directed by Heinz-Uwe Haus, which forms the centrepiece and raison d’être of this book. This book tracks the creative process of Haus’s adaptation of the play and his attempts to elicit responses from his international networks to his question: how is Goethe’s Faust relevant today? It brings together comments from stage and costume designers as they brought their own creativity and understanding of the audience to bear on the play, and presents a brief record of the production itself, through stage directions and the photography of Bill Browning. The book then explores the reactions the production has elicited amongst some of its audience.
Author: Sir Charles Waldstein
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 498
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Book Description
![The British Drama: Comedy of The conscious lovers, by Sir Richard Steele. Comedy of The tender husband; or, The accomplished fools, by Sir Richard Steele. The comedy of Love for love, by William Congreve. The comedy of The miser, by Henry Fielding.-v. 6. Comedy of Rule a wife and have a wife, by [Francis] Beaumont and [John] Fletcher. Comedy of The way to keep him, by Arthur Murphy. The comedy of The provok'd husband; or, A journey to London, by Sir John Canbrugh and C. Cibber. -v. 7. Comedy of The gamesters, as altered from [James] Shirley or C. Johnson, by David Garrick. Comedy of The wonder, a woman keeps a secret, by Mrs [Susanna] Centlivre. The comedy of The west Indian, by Richard Cumberland. Comedy of The jealous wife, by George Colman PDF](https://books.google.com/books/content/images/frontcover/hz68iOTTFB4C?fife=w80-h100)
Author: Richard Cumberland
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 416
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Book Description
Author: Kirsten E. Shepherd-Barr
Publisher: Cambridge University Press
ISBN: 1108759076
Category : Drama
Languages : en
Pages : 237
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Book Description
Theatre has engaged with science since its beginnings in Ancient Greece. The intersection of the two disciplines has been the focus of increasing interest to scholars and students. The Cambridge Companion to Theatre and Science gives readers a sense of this dynamic field, using detailed analyses of plays and performances covering a wide range of areas including climate change and the environment, technology, animal studies, disease and contagion, mental health, and performance and cognition. Identifying historical tendencies that have dominated theatre's relationship with science, the volume traces many periods of theatre history across a wide geographical range. It follows a simple and clear structure of pairs and triads of chapters that cluster around a given theme so that readers get a clear sense of the current debates and perspectives.
Author: David T Evans
Publisher: Routledge
ISBN: 0429757689
Category : Music
Languages : en
Pages : 341
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Book Description
First published in 1999, this original and entertaining sociological study takes a comprehensive and critical view of opera as unique cultural artefact as loss making ‘industry’, as institution with a ‘museum’ culture, and as consumed commodity of rare distinction and elaborate ritual. Specific chapters deal with opera within the contexts of musicological analysis, auratic art and fetishized taste: opera as business and as ‘museum’: singers’ opera: producers’ opera and audiences’ opera. There is also a chapter on ‘opera’: popular, commercialised fragments of opera outside the opera house, consumed by and through all manner of reproduced means: CD, video, Three Tenors concerts: film and TV soundtracks: advertising jingles etc. Despite the supposed popularisation and successful commercial exploitation of ‘opera’ during the past decade or so, this study concludes that opera remains an art-form, institution and ritual of relative inaccessibility and exclusiveness. The commercial interest in and profitability of ‘opera’ do not translate into new ‘popular’ audiences in the opera house. The increased dependency of opera companies on corporate funding in the face of retreating government subsidies may have brought a new ‘elite’ audience into the expensive seats, pandered to by the introduction of surtitles etc., but the traditional ‘elite’ has succeeded in closing down entry to opera in other select venues where opera continues to confirm and maintain their select identity and prestige of their life-style.
Author: R. Kerry White
Publisher: Edwin Mellen Press
ISBN: 9780773488731
Category : Dictionaries
Languages : en
Pages : 270
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Book Description
Author: Peter Thomson
Publisher: Cambridge University Press
ISBN: 9780521424851
Category : Drama
Languages : en
Pages : 338
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Book Description
This updated edition properly retains much that was in the original Companion, but also introduces new voices and themes. It brings together the contrasting views of major critics and active practitioners and contains new essays on Brecht's early experience of cabaret, his significance in the development of film theory and his unique approach to dramaturgy. A detailed calendar of Brecht's life and work and a selective bibliography of English criticism complete this thorough overview of a writer who constantly aimed to provoke. Book jacket.
