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Author: Daniel Meyer-Dinkgräfe
Publisher: Rodopi
ISBN: 9401209294
Category :
Languages : en
Pages : 236
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Book Description
The study of consciousness has developed considerably over the past ten years, with an emphasis on seeking to explain subjective experience. Our understanding of key questions relating to the performing arts, in theory and practice, benefits from the insights of consciousness studies. Theatre, Opera and Consciousness discusses selected concerns of theatre history from a consciousness studies perspective, develops a new perspective on ethical implications of theatre practice, reassesses the concept of the guru, and offers a new approach to the actor’s cool-down. The book expands the framework from theatre to opera, and presents a new consideration of the spiritual aspects of singing in opera, conducting for opera, and the opera experience for singers and spectators alike.
Author: Daniel Meyer-Dinkgräfe
Publisher: Rodopi
ISBN: 9401209294
Category :
Languages : en
Pages : 236
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Book Description
The study of consciousness has developed considerably over the past ten years, with an emphasis on seeking to explain subjective experience. Our understanding of key questions relating to the performing arts, in theory and practice, benefits from the insights of consciousness studies. Theatre, Opera and Consciousness discusses selected concerns of theatre history from a consciousness studies perspective, develops a new perspective on ethical implications of theatre practice, reassesses the concept of the guru, and offers a new approach to the actor’s cool-down. The book expands the framework from theatre to opera, and presents a new consideration of the spiritual aspects of singing in opera, conducting for opera, and the opera experience for singers and spectators alike.
Author: Daniel Meyer-Dinkgräfe
Publisher: Cambridge Scholars Publishing
ISBN: 1527516903
Category : Performing Arts
Languages : en
Pages : 423
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Book Description
Against the background of personal, institutional and cultural trajectories, this book considers dance, opera, theatre and practice as research from a consciousness studies perspective. Highlights include a conversation with Barbara Sellers-Young on the nature of dance; an assessment of the work of International Opera Theater; a new perspective on liveness and livecasts; a reassessment, with Anita S. Hammer, of the concept of a universal language of the theatre; a discussion of two productions of new plays; the development of a new concept of theatre of the heart; a comparison of Western and Thai positions on the concept of beauty; and an examination of the role of conflict for theatre. The final chapter of the book is taken up by the author’s first novel, which launches the new genre of spiritual romance.
Author: William W. Demastes
Publisher: University of Michigan Press
ISBN: 9780472112029
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
How theater has challenged the mind/body dualism that underpins much of Western thought
Author: Daniel Meyer-Dinkgräfe
Publisher: Intellect (UK)
ISBN:
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
The book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background.
Author: Daniel Meyer-Dinkgräfe
Publisher: Rodopi
ISBN: 9401210292
Category : Law
Languages : en
Pages : 229
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Book Description
Daniel Meyer-Dinkgräfe and co-authors take the exploration of the subjective dimension of theatre, its spiritual context, its relation to consciousness and natural law, further than ever before, thanks to the context provided by the thinking of German geobiologist Hans Binder. We present relevant aspects of Binder’s approach as precisely as possible, then take Binder’s approach for granted to tease out the implications of that approach to the issues of theatre, including nostalgia, intercultural theatre, theatre criticism, dealing with demanding roles, the canon, theatre and philosophy, digital performance, practice as research, and applied theatre. Overall, the book proposes an overarching emphasis on the importance of living in the present and the concomitant need to abandon obsolete but still powerful patterns of the past. In this context, theatre, according to Binder, has a global responsibility for the new world in which humans are liberated from the scourge of the past. Theatre has the power and thus the responsibility to be path-breaking for a new “fiction”, to show to people, in a playful and creative manner, the direction in which the new consciousness can move. Daniel Meyer-Dinkgräfe is Professor of Drama at the Lincoln School of Performing Arts, University of Lincoln. He has numerous publications on the topic of ‘Theatre and Consciousness’ to his credit, and is founding editor of the peer-reviewed web-journal Consciousness, Literature and the Arts and the book series of the same title with Rodopi.
Author: Daniel Meyer-Dinkgräfe
Publisher:
ISBN: 9781299776944
Category :
Languages : en
Pages :
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Book Description
Author: Daniel Meyer-Dinkgräfe
Publisher: Cambridge Scholars Publishing
ISBN: 144384876X
Category : Performing Arts
Languages : en
Pages : 325
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Book Description
This book brings together essays based on papers presented at the 6th International Conference on Consciousness, Theatre, Literature and the Arts (CTLA), held from June 10 to 12, 2015, at St Francis College, Brooklyn Heights, New York. The conference was attended by seventy delegates from twenty countries across the world – the twenty-three essays collected here come from delegates from twelve of those countries. The range of contributions reflects the variety of material presented and discussed at the conference, across the fields of philosophy, literature, fine arts, music, dance, performance and theatre. The book, the sixth in the series, will appeal to the growing international community of researchers active and interested in the study of literature, theatre and the arts from a consciousness studies perspective.
Author: Per Brask
Publisher: Cambridge Scholars Publishing
ISBN: 1443819972
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
Since its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has regularly published essays on the intersection of theatre and consciousness. Often these essays have seen theatre as a spiritual practice that for both the performer and her audience can bring about experiences that help heal the world, a shift in consciousness. This practice, though spiritual, is not ethereal but is rooted in doing, in actions, in breathing. That is, theatre is seen as an art form understood as part of a whole, as taking place in total Consciousness as well as expressing consciousness(es), making both breathing a source of meaning and shamanic journeying part of the creative process that brings into “being” imaginative resources for the actor that undermines traditional understandings of character/self/ego. All the pieces collected here, then, reveal a concern with consciousness and the theatre, the ways that performance can be a spiritual practice, a means a reaching higher levels of consciousness, as well as the ways the theatre may have healing effects on audiences by engaging them in wider and deeper levels of imagination, the levels where dualities disappear.
Author: F. Kersten
Publisher: Springer Science & Business Media
ISBN: 9401589313
Category : Philosophy
Languages : en
Pages : 410
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Book Description
Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished products or examining their genesis, or `common ground', or `parallel' ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence' (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness.
Author: Daniel Meyer-Dinkgrafe
Publisher: Routledge
ISBN: 1134428499
Category : Fiction
Languages : en
Pages : 154
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Book Description
This is volume 1, part 4 of the Performing Arts International forum. This collection of essays covers a breadth of topics on the theme of consciousness; addressing the trend of studies trying to put human experience into more concrete, cogent, less poetic and metaphorical terms. Major issues raised by the essays are summarised, and a hypothesis serving as a stimulus for further research and debate is suggested by the volume's conclusion.
