Theatergeschichte Europas: Von der Aufklärung zur Romantik PDF Download
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Author: Heinz Kindermann
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 934
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Book Description
Author: Heinz Kindermann
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 934
Get Book Here
Book Description
Author: Heinz Kindermann
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 832
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Book Description
Author: Michael J. Sosulski
Publisher: Routledge
ISBN: 1351880152
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
In 1767, more than a century before Germany was incorporated as a modern nation-state, the city of Hamburg chartered the first Deutsches Nationaltheater. What can it have meant for a German playhouse to have been a national theater, and what did that imply about the way these theaters operated? Michael Sosulski contends that the idea of German nationhood not only existed prior to the Napoleonic Wars but was decisive in shaping cultural production in the last third of the eighteenth century, operating not on the level of popular consciousness but instead within representational practices and institutions. Grounding his study in a Foucauldian understanding of emergent technologies of the self, Sosulski connects the increasing performance of body discipline by professional actors, soldiers, and schoolchildren to the growing interest in German national identity. The idea of a German cultural nation gradually emerged as a conceptual force through the work of an influential series of literary intellectuals and advocates of a national theater, including G. E. Lessing and Friedrich Schiller. Sosulski combines fresh readings of canonical and lesser-known dramas, with analysis of eighteenth-century theories of nationhood and evolving acting theories, to show that the very lack of a strong national consciousness in the late eighteenth century actually spurred the emergence of the German Nationaltheater, which were conceived in the spirit of the Enlightenment as educational institutions. Since for Germans, nationality was a performed identity, theater emerged as an ideal space in which to imagine that nation.
Author: Thomas Bauman
Publisher: Cambridge University Press
ISBN: 9780521260275
Category : Music
Languages : en
Pages : 464
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Book Description
This book is the first study of the development of German opera in northern Germany from the first comic operas of Johann Adam Hiller at Leipzig in 1766 to the end of the century. Intellectually and historically, the period witnessed the flowering of the German stage and German letters. German opera was an inseparable part of the new aspirations of the German stage during the Enlightenment. Thomas Bauman stresses the vital role of the mixed repertories of German companies in effecting changes in the genre. North German opera began as a basically literary genre. It then changed dramatically in response to two major trends: first, the contact with the serious elements and styles of tragedy and secondly, the triumph on German stages of Italian, French, and Viennese comic operas. The book is generously illustrated with music examples. There is also a complete catalogue of texts of North German opera: those composed for performance and unset published librettos both cross-indexed under the librettists' names.
Author: Paul Bishop
Publisher: Routledge
ISBN: 1351196774
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
"The two-hundred-and-fiftieth anniversary of the birth of Johann Wolfgang von Goethe was celebrated in Scotland by a colloquium held under the auspices of the University of Glasgow's Centre for Intercultural Germanistics in April 1999. Its aim was to reflect both Goethe's own commitment to Weltliteratur and the pressing need in our global village at the turn of the millennium for cultural exchange between scholars of different nations. For if, as Goethe said, 'wer fremde Sprachen nicht kennt, weis nichts von seiner eigenen', then it is also true that 'wer fremde Kulturen nicht kennt; weis nichts von seiner eigenen'.Discussing different themes, different texts, and working with different methodological presuppositions, the papers in this collection nevertheless share the conviction that the significance of Goethe for the new millennium can best be shown by setting his works in an intercultural context. The volume also includes John Michael Krois' Inaugural Ernst Cassirer Lecture in Intercultural Relations, held in the University of Glasgow in April 2000, entitled 'Ernst Cassirer and the Renaissance of Cultural Theory'."
Author: Francien Markx
Publisher: BRILL
ISBN: 9004309578
Category : Literary Criticism
Languages : en
Pages : 496
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Book Description
In this first monograph on E. T. A. Hoffmann and opera, Francien Markx examines Hoffmann’s writings on opera and the challenges they pose to established narratives of aesthetic autonomy, the search for a national opera, and Hoffmann’s biography. Markx discusses Hoffmann’s lifelong fascination with opera against the backdrop of eighteenth-century theater reform, the creation of national identity, contemporary performance practices and musical and aesthetic discourses as voiced by C. M. von Weber, A. W. Schlegel, Heine, and Wagner, among others. The book reconsiders the traditional view that German opera followed a deterministic trajectory toward Wagner’s Gesamtkunstwerk and reveals a cosmopolitan spirit in Hoffmann’s operatic vision, most notably exemplified by his controversial advocacy for Spontini in Berlin.
Author:
Publisher: BRILL
ISBN: 9004362215
Category : Literary Criticism
Languages : en
Pages : 430
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Book Description
This volume investigates the impact of the Radical Enlightenment on German culture during the eighteenth century, taking recent work by Jonathan Israel as its point of departure. The collection documents the cultural dimension of the debate on the Radical Enlightenment. In a series of readings of known and lesser-known fictional and essayistic texts, individual contributors show that these can be read not only as articulating a conflict between Enlightenment and Counter-Enlightenment, but also as documents of a debate about the precise nature of Enlightenment. At stake is the question whether the Enlightenment should aim to be an atheist, materialist, and political movement that wants to change society, or, in spite of its belief in rationality, should respect monarchy, aristocracy, and established religion. Contributors are: Mary Helen Dupree, Sean Franzel, Peter Höyng, John A. McCarthy, Monika Nenon, Carl Niekerk, Daniel Purdy, William Rasch, Ann Schmiesing, Paul S. Spalding, Gabriela Stoicea, Birgit Tautz, Andrew Weeks, Chunjie Zhang
Author: Katherine R. Goodman
Publisher: State University of New York Press
ISBN: 143840445X
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
This anthology represents the first sustained feminist examination of eighteenth-and nineteenth-century German women writers in English. These essays highlight the literature produced by German women in the period 1790-1810, framing the discussions with a comparative orientation. The book analyzes in culturally specific detail how these authors came to constitute the first generation of writing women in Germany at a time when Goethe set the standard for literary production. Each essay focuses on the ambivalence of the author(s) toward literary and social models. The authors treated include Rahel Varnhagen, Charlotte von Stein, Friederike Helene Unger, Bettine von Arnim, Caroline Schlegel-Schelling, Sophie Albrecht, Therese Huber, Sophie Mereau, Sophie von La Roche, Henriette Frolich, and Benedikte Naubert.
Author: Margaret Eleanor Menninger
Publisher: BRILL
ISBN: 9004507809
Category : History
Languages : en
Pages : 396
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Book Description
We tend to accept that German cities and states run their own cultural institutions (concert halls, theatres, museums). This book shows how this now “self-evident” fact became a reality in the course of the long nineteenth century.
Author:
Publisher: BRILL
ISBN: 9004490787
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
The essays assembled in this volume grew out of a conference held at Cornell University in November 2001. The goal of the conference was to examine the claim that the city-state of Hamburg had a unique status in the cultural landscape of eighteenth and nineteenth-century Germany, a status based upon the city’s republican political constitution. Hamburg’s independence and its tolerant and cosmopolitan political traditions made it a focal point for progressive cultural developments during the period of the Enlightenment and after. The contributions collected here transcend traditional disciplinary boundaries by giving equal attention to literature, music, and theater, as well as to architecture and city planning. Key essays address the role that figures as diverse as C.P.E. Bach, Lessing, Klopstock, Heine, Brahms, and Thomas Mann played in shaping Hamburg’s exceptional quality as a center of culture. This volume will be of interest not only to scholars doing research on Hamburg, but also to anyone with an interest in the cultural history of eighteenth, nineteenth, and early twentieth-century Germany.
