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Author: Meredith Conti
Publisher: University of Wales Press
ISBN: 1786838478
Category : Art
Languages : en
Pages : 319
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Book Description
The ‘macabre’, as a process and product, has been haunting the theatre – and more broadly, performance – for thousands of years. In its embodied meditations on death and dying, its thematic and aesthetic grotesquerie, and its sensory-rich environments, macabre theatre invites artists and audiences to trace the stranger, darker contours of human existence. In this volume, numerous scholars explore the morbid and gruesome onstage, from freak shows to the French Grand Guignol; from Hell Houses to German Trauerspiel; from immersive theatre to dark tourism, stopping along the way to look at phantoms, severed heads, dark rides, haunted mothers and haunting children, dances of death and dismembered bodies. From Japan to Australia to England to the United States, the global macabre is framed and juxtaposed to understand how the theatre brings us face to face with the deathly and the horrific.
Author: Meredith Conti
Publisher: University of Wales Press
ISBN: 1786838478
Category : Art
Languages : en
Pages : 319
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Book Description
The ‘macabre’, as a process and product, has been haunting the theatre – and more broadly, performance – for thousands of years. In its embodied meditations on death and dying, its thematic and aesthetic grotesquerie, and its sensory-rich environments, macabre theatre invites artists and audiences to trace the stranger, darker contours of human existence. In this volume, numerous scholars explore the morbid and gruesome onstage, from freak shows to the French Grand Guignol; from Hell Houses to German Trauerspiel; from immersive theatre to dark tourism, stopping along the way to look at phantoms, severed heads, dark rides, haunted mothers and haunting children, dances of death and dismembered bodies. From Japan to Australia to England to the United States, the global macabre is framed and juxtaposed to understand how the theatre brings us face to face with the deathly and the horrific.
Author: Mel Gordon
Publisher: Feral House
ISBN: 1627310436
Category : Performing Arts
Languages : en
Pages : 326
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Book Description
"Bloodcurdling shrieks, fiendish schemes, deeds of darkness, mayhem and mutilation—we all have a rough idea of what Grand Guignol stands for. But until now it has been hard to find out much more about it than that. According to the American theater historian Mel Gordon, no major history of the theater so much as mentions it, although it is a form of entertainment that held its own on the Paris stage for more than half a century. But Mr. Gordon has made a thorough job of filling the gap."—John Gross, The New York Times Here is the expanded edition of classic outré book, The Grand Guignol, first published in 1988 and now long out of print. Like the original anthology, it includes an illustrated introduction to the theater of Paris and abroad, a breakdown of its stage tricks, a summary of one hundred plots, extensive photo documentation, André de Lord's essay, "Fear in Literature," and two originally produced Grand Guignol scripts. The expanded edition also contains additional graphic and textual material including a color insert of Grand Guignol posters; the 1938 autobiographical account of Maxa, the company's leading female performer entitled "I Am the Maddest Woman in the World"; and the controversial playscript Orgy in the Lighthouse.
Author: Prof. Richard J. Hand
Publisher: University of Exeter Press
ISBN: 1905816367
Category : Drama
Languages : en
Pages : 403
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Book Description
A companion to UEP’s Grand-Guignol: The French Theatre of Horror (now in its third reprint). A genre that has left more of a mark on British and American culture than we may imagine” (Gothic Studies). London’s Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy. On its side were some of the finest actors on the English stage, in the shape of Sybil Thorndike and Lewis Casson, and a team of extremely able writers, including Noël Coward. London's Grand Guignol and the Theatre of Horror considers the importance and influence of the English Grand Guignol within its social, cultural and historical contexts. It also presents a selection of ten remakarble English-language Grand Guignol plays, some of which were banned by the Lord Chamberlain, the censor of the day, and have never been published or publicly performed. Among the plays in the book is a previously unpublished work by Noël Coward, The Better Half, first performed at the Little Theatre in 1922. The reviewer in the journal Gothic Studies wrote, of the authors’ previous book: “having recently taught a module on Grand Guignol with third year drama students, it is also worth noting that this book captured their imaginations in a way that few other set texts seem to manage.”
Author: Simon Bacon
Publisher: Rowman & Littlefield
ISBN: 1793643407
Category : Social Science
Languages : en
Pages : 341
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Book Description
The Evolution of Horror in the Twenty-First Century examines the intimate connections between the horror genre and its audience’s experience of being in the world at a particular historical and cultural moment. This book not only provides frameworks with which to understand contemporary horror, but it also speaks to the changes wrought by technological development in creation, production, and distribution, as well as the ways in which those who are traditionally underrepresented positively within the genre- women, LGBTQ+, indigenous, and BAME communities - are finally being seen and finding space to speak.
Author: Janis Londraville
Publisher: U of Nebraska Press
ISBN: 9780803229693
Category : Biography & Autobiography
Languages : en
Pages : 322
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Book Description
When Andy Warhol cast Paul Swan (1883?1972) in three films in the mid-1960s, he knew that the octogenarian had once been internationally hailed as ?the most beautiful man in the world? and as ?Nijinsky?s successor.? Arthur Hammerstein had advertised Swan as ?a reincarnated Greek God,? and George and Ira Gershwin had celebrated his beauty in their musical Funny Face. What Warhol didn?t know was that Swan had also been called ?America?s Leonardo,? portrait artist of the famous and the infamous, including writer Willa Cather, aviator Charles Lindbergh, British Prime Minister James Ramsay MacDonald, and dictator Benito Mussolini. This book is the first to tell Swan?s story, from his days as a world-famous dancer and artist, through his film career?which ran from silent pictures, including De Mille?s Ten Commandments (1923), to Warhol?s Camp, Paul Swan, and Paul Swan I-IV (1965)?to his portrait painting late in life when Nelson Rockefeller?s children, Malachy McCourt, and Pope Paul VI were among his subjects. With unprecedented access to Swan?s scrapbooks, letters, diaries, and an unpublished memoir that tells the story of a bisexual man trying to build a public life in perilous times, Janis and Richard Londraville reconstruct the intriguing life of this uniquely interesting figure, whose story, although widely glossed in the press, was until now never fully known.
Author: Robert Blumenfeld
Publisher: Hal Leonard Corporation
ISBN: 0879103728
Category : Performing Arts
Languages : en
Pages : 419
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Book Description
Have you heard of the first American musical, "The Black Crook", which opened in 1866 and had fifteen revivals? Its chorus of ladies in pink tights was a sensation! Do you know Oscar Straus' hilarious parody of Wagner's Ring cycle, "Die lustigen Nibelungen" ("The Merry Nibelungs")? Do you know who the Ricci brothers, the Piccinni family, Edmond Audran, David Braham, or Francois-Joseph Gossec were? Look them up in this remarkable, thoroughly researched, lively book. Packed with nuggets of useful and fascinating information, with nearly 1,800 entries, this is a must-have research tool and handy reference for the theater and music lover, student, teacher, professional singer, director, and producer. Meant as a supplement and companion to Blumenfeld's "Dictionary of Acting and Show Business" (Limelight, 2009), this unique dictionary is chock-full of information about all the various genres of musical theater; thumbnail plot summaries of many well-known and some more obscure works; thumbnail biographies of composers and writers; and, dance, theatrical, and music terminology. Historical terms and foreign terms (with pronunciations) are included, along with information on available recordings of many obscure pieces. Convenient lists of the works of Verdi, Puccini, Wagner, Gilbert and Sullivan, Sondheim, Rodgers and Hammerstein, and many others are provided.
Author: Fred Van Lente
Publisher: Dynamite Entertainment
ISBN: 1524108456
Category : Art
Languages : en
Pages : 258
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Book Description
For over FORTY YEARS, Troma Studios has blazed its own bloody, slime-covered trail, making movies their own damn way! From The Toxic Avenger to The Class Of Nuke ‘Em High to Poultrygeist to Tromeo And Juliet, Lloyd Kaufman never compromised, waving his independent freak-flag freely, and helped jumpstart the careers of luminaries such as James Gunn, Trey Parker, Eli Roth, Oliver Stone and countless others! How, you might ask, did a couple of rebels with almost no cash manage to make a library of a THOUSAND films? You’ll have to pick up this incredible collection to find out, featuring never-before-seen film stills, rare posters, candid interviews, and buckets and buckets and BUCKETS of fake blood…
Author: Kevin J. Wetmore, Jr.
Publisher: University of Wales Press
ISBN: 178683846X
Category : Art
Languages : en
Pages : 312
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Book Description
The ‘macabre’, as a process and product, has been haunting the theatre – and more broadly, performance – for thousands of years. In its embodied meditations on death and dying, its thematic and aesthetic grotesquerie, and its sensory-rich environments, macabre theatre invites artists and audiences to trace the stranger, darker contours of human existence. In this volume, numerous scholars explore the morbid and gruesome onstage, from freak shows to the French Grand Guignol; from Hell Houses to German Trauerspiel; from immersive theatre to dark tourism, stopping along the way to look at phantoms, severed heads, dark rides, haunted mothers and haunting children, dances of death and dismembered bodies. From Japan to Australia to England to the United States, the global macabre is framed and juxtaposed to understand how the theatre brings us face to face with the deathly and the horrific.
Author: Magda Romanska
Publisher: Northwestern University Press
ISBN: 0810140268
Category : Performing Arts
Languages : en
Pages : 486
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Book Description
Theatermachine: Tadeusz Kantor in Context is an in-depth, multidisciplinary compendium of essays that examine Kantor’s work through the prism of postmemory and trauma theory and in relation to Polish literature, Jewish culture, and Yiddish theater as well as the Japanese, German, French, Polish, and American avant-garde. Hans-Thies Lehmann’s theory of postdramatic theater and contemporary developments in critical theory—particularly Bill Brown’s thing theory, Bruno Latour’s actor network theory, and posthumanism—provide a previously unavailable vocabulary for discussion of Kantor’s theater.
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Languages : en
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