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Author: Linda Ben-Zvi
Publisher: University of Michigan Press
ISBN: 9780472106073
Category : Drama
Languages : en
Pages : 488
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Book Description
The first book-length investigation of theater and drama in Israel
Author: Linda Ben-Zvi
Publisher: University of Michigan Press
ISBN: 9780472106073
Category : Drama
Languages : en
Pages : 488
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Book Description
The first book-length investigation of theater and drama in Israel
Author: Dan Urian
Publisher: Routledge
ISBN: 1134425902
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
Theatre has, since the time of the Jewish Enlightenment, served the secular community in its conflict with the religious. This book surveys the secular-religious rift and then describes the enhanced concern of the secular community in Israel for its own Jewishness and its expression in the theatre - especially following the 1967 War. It then moves on to a specific study of the play Bruira and finally reviews the phenomenon of the return to Orthodox Judaism by secular individuals.
Author: Mendel Kohansky
Publisher: Jerusalem : Israel Universities Press
ISBN:
Category : Theater
Languages : en
Pages : 330
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Book Description
Author: Dan Urian
Publisher: Taylor & Francis
ISBN: 9789057021312
Category : Arab-Israeli conflict
Languages : en
Pages : 200
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Book Description
The Author uses of extensive examples, showing how theatre, politics and personal perceptions intertwine, presenting us with a model for further discussion and study of similar social and artistic phenomena in other cultures.
Author: Jesaja Weinberg
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 4
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Book Description
Author: Rachel Rojanski
Publisher: Indiana University Press
ISBN: 0253045185
Category : History
Languages : en
Pages : 338
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Book Description
Yiddish in Israel: A History challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew. Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents.
Author: International Theatre Institute. Israeli Centre
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 62
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Book Description
Author: Zara Shakow
Publisher: New York : Herzl Press
ISBN:
Category : Theater
Languages : en
Pages : 156
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Book Description
(A Seven star book).
Author: Naphtaly Shem-Tov
Publisher: Routledge
ISBN: 1351009060
Category : Art
Languages : en
Pages : 304
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Book Description
This book conceptualizes Mizrahi (Middle Eastern Jewish) theatre, unfolding its performances in the field of Israeli theatre with a critical gaze. It covers the conceptualization and typology, not along a chronological axis, but rather through seven theatrical forms. The author suggests a defi nition of Mizrahi theatre that has fl uid boundaries and it can encompass various possibilities for self-representation onstage. Although Mizrahi theatre began to develop in the 1970s, the years since the turn of the millennium have seen an intense flowering of theatrical works by second- and third-generation artists dealing with issues of identity and narrative in a diverse array of forms. Mizrahi theatre is a cultural locus of self-representation, generally created by Mizrahi artists who deal with content, social experiences, cultural, religious, and traditional foundations, and artistic languages derived from the history and social reality of Mizrahi Jews in both Israel and their Middle Eastern countries of origin. Critically surveying Mizrahi theatre in Israel, the book is a key resource for students and academics interested in theatre and performance studies, and Jewish and Israeli studies.
Author: Ruthie Abeliovich
Publisher: State University of New York Press
ISBN: 1438474458
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
Analyzes audio recordings of interwar Hebrew plays, providing a new model for the use of sound in theater studies. Possessed Voices tells the intriguing story of a largely unknown collection of audio recordings, which preserve performances of modernist interwar Hebrew plays. Ruthie Abeliovich focuses on four recordings: a 1931 recording of The Eternal Jew (1919/1923), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). Abeliovich traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. The book shows how these recorded performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, Abeliovich develops a critical framework for the study of sound as a discipline in its own right in theater scholarship. Ruthie Abeliovich is Lecturer in the Theatre Department at Haifa University, Israel.
