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Author: Ruth Scodel
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 288
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Book Description
Examines the wide scope of classical drama
Author: Ruth Scodel
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 288
Get Book Here
Book Description
Examines the wide scope of classical drama
Author: Gail McMurray Gibson
Publisher: University of Chicago Press
ISBN: 9780226291024
Category : Drama
Languages : en
Pages : 276
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Book Description
In this interdisciplinary study of drama, arts, and spirituality, Gail Gibson provides a provocative reappraisal of fifteenth-century English theater through a detailed portrait of the flourishing cultures of Suffolk and Norfolk. By emphasizing the importance of the Incarnation of Christ as a model and justification for late medieval drama and art, Gibson challenges currently held views of the secularization of late medieval culture.
Author: William J. Slater
Publisher: University of Michigan Press
ISBN: 9780472107216
Category : History
Languages : en
Pages : 214
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Book Description
A thought-provoking and timeless volume, presenting Roman theater as the voice of the common citizen
Author: J. R. Green
Publisher: Routledge
ISBN: 1134968809
Category : History
Languages : en
Pages : 262
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Book Description
In Theatre in Ancient Greek Society the author examines the social setting and function of ancient Greek theatre through the thousand years of its performance history. Instead of using written sources, which were intended only for a small, educated section of the population, he draws most of his evidence from a wide range of archaeological material - from cheap, mass-produced vases and figurines to elegant silverware produced for the dining tables of the wealthy. This is the first study examining the function and impact of the theatre in ancient Greek society by employing an archaeological approach.
Author: E. Anthony Swift
Publisher: Univ of California Press
ISBN: 0520925874
Category : Performing Arts
Languages : en
Pages : 367
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Book Description
This is the most comprehensive study available of the popular theater that developed during the last decades of tsarist Russia. Swift examines the origins and significance of the new "people's theaters" that were created for the lower classes in St. Petersburg and Moscow between 1861 and 1917. His extensively researched study, full of anecdotes from the theater world of the day, shows how these people's theaters became a major arena in which the cultural contests of late imperial Russia were played out and how they contributed to the emergence of an urban consumer culture during this period of rapid social and political change. Swift illuminates many aspects of the story of these popular theaters—the cultural politics and aesthetic ambitions of theater directors and actors, state censorship politics and their role in shaping the theatrical repertoire, and the theater as a vehicle for social and political reform. He looks at roots of the theaters, discusses specific theaters and performances, and explores in particular how popular audiences responded to the plays.
Author: David Kawalko Roselli
Publisher: University of Texas Press
ISBN: 0292744773
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
Greek drama has been subject to ongoing textual and historical interpretation, but surprisingly little scholarship has examined the people who composed the theater audiences in Athens. Typically, scholars have presupposed an audience of Athenian male citizens viewing dramas created exclusively for themselves—a model that reduces theater to little more than a medium for propaganda. Women's theater attendance remains controversial, and little attention has been paid to the social class and ethnicity of the spectators. Whose theater was it? Producing the first book-length work on the subject, David Kawalko Roselli draws on archaeological and epigraphic evidence, economic and social history, performance studies, and ancient stories about the theater to offer a wide-ranging study that addresses the contested authority of audiences and their historical constitution. Space, money, the rise of the theater industry, and broader social forces emerge as key factors in this analysis. In repopulating audiences with foreigners, slaves, women, and the poor, this book challenges the basis of orthodox interpretations of Greek drama and places the politically and socially marginal at the heart of the theater. Featuring an analysis of the audiences of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, Theater of the People brings to life perhaps the most powerful influence on the most prominent dramatic poets of their day.
Author: S. E. Wilmer
Publisher: Cambridge University Press
ISBN: 1139435663
Category : Drama
Languages : en
Pages : 291
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Book Description
Theatre has often served as a touchstone for moments of political change or national definition and as a way of exploring cultural and ethnic identity. In this book Steve Wilmer selects key historical moments in American history and examines how the theatre, in formal and informal settings, responded to these events. The book moves from the Colonial fight for independence, through Native American struggles, the Socialist Worker play, the Civil Rights Movement, and up to works of the last decade, including Tony Kushner's Angels in America. In addition to examining theatrical events and play texts, Wilmer also considers audience reception and critical response.
Author: John Richard Green
Publisher: Psychology Press
ISBN: 9780415143592
Category : History
Languages : en
Pages : 262
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Book Description
An examination of the social setting and function of ancient Greek theatre through the thousand years of its performance history, drawing evidence from a wide range of archaeological material.
Author: Jeffrey K. Coleman
Publisher: Northwestern University Press
ISBN: 0810141876
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage demonstrates how theatrical production in Spain since the early 1990s has reflected national anxieties about immigration and race. Jeffrey K. Coleman argues that Spain has developed a “necropolitical theater” that casts the non-European immigrant as fictionalized enemy—one whose nonwhiteness is incompatible with Spanish national identity and therefore poses a threat to the very Europeanness of Spain. The fate of the immigrant in the necropolitical theater is death, either physical or metaphysical, which preserves the status quo and provides catharsis for the spectator faced with the notion of racial diversity. Marginalization, forced assimilation, and physical death are outcomes suffered by Latin American, North African, and sub-Saharan African characters, respectively, and in these differential outcomes determined by skin color Coleman identifies an inherent racial hierarchy informed by the legacies of colonization and religious intolerance. Drawing on theatrical texts, performances, legal documents, interviews, and critical reviews, this book challenges Spanish theater to develop a new theatrical space. Jeffrey K. Coleman proposes a “convivial theater” that portrays immigrants as contributors to the Spanish state and better represents the multicultural reality of the nation today.
Author: Richard Christiansen
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 346
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Book Description
Who produced the first stage adaptation of "The Wizard of Oz" in 1902-nearly forty years before the movie classic?
