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Author: Christopher Murray
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773586156
Category : Biography & Autobiography
Languages : en
Pages : 639
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Book Description
Se?O'Casey was the quintessential Dublin playwright. In critical works that include his Dublin Trilogy - The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars - he portrayed the traumatic birth of a nation and delved into the Irish national character. Christopher Murray's Se?O'Casey: Writer at Work takes a fresh look at the last of the great writers of the Irish literary revival.
Author: Christopher Murray
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773586156
Category : Biography & Autobiography
Languages : en
Pages : 639
Get Book Here
Book Description
Se?O'Casey was the quintessential Dublin playwright. In critical works that include his Dublin Trilogy - The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars - he portrayed the traumatic birth of a nation and delved into the Irish national character. Christopher Murray's Se?O'Casey: Writer at Work takes a fresh look at the last of the great writers of the Irish literary revival.
Author: Shaun Richards
Publisher: Cambridge University Press
ISBN: 1139826581
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
The essays in this collection cover the whole range of Irish drama from the late nineteenth-century melodramas which anticipated the rise of the Abbey Theatre to the contemporary Dublin of theatre festivals. A team of international experts from Ireland, the UK, the USA and Europe provide individual studies of internationally known playwrights of the period of the Literary Revival - Yeats, Synge, Lady Gregory, Shaw, Wilde, O'Casey - and contemporary playwrights Brian Friel, Tom Murphy, Frank McGuiness and Sebastian Barry, in addition to emerging playwrights such as Martin McDonagh and Marina Carr. Further to studies of individual playwrights the collection also includes examination of the relationship between the theatre and its political context as this is inflected through its ideology, staging and programming. With a full chronology and bibliography, this collection is an indispensable introduction to one of the world's most vibrant theatre cultures.
Author: Joan FitzPatrick Dean
Publisher: Syracuse University Press
ISBN: 0815652844
Category : History
Languages : en
Pages : 360
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Book Description
In the early twentieth century, publicly staged productions of significant historical, political, and religious events became increasingly popular—and increasingly grand—in Ireland. These public pageants, a sort of precursor to today’s opening ceremonies at the Olympic games, mobilized huge numbers of citizens to present elaborately staged versions of Irish identity based on both history and myth. Complete with marching bands, costumes, fireworks, and mock battles, these spectacles were suffused with political and national significance. Dean explores the historical significance of these pageants, explaining how their popularity correlated to political or religious imperatives in twentieth-century Ireland. She uncovers unpublished archival findings to present scripts, programs, and articles covering these events. The book also includes over thirty photographs of pageants, program covers, and detailed designs for costumes to convey the grandeur of the historical pageants at the beginning of the century and their decline in production standards in the 1970s and 1980s. Tracing the Irish historical pageant phenomenon through the twentieth century, Dean presents a nation contending with the violence and political upheaval of the present by reimagining the past.
Author: International Association for the Study of Anglo-Irish Literature. Conference
Publisher: Peter Lang
ISBN: 9781904505259
Category : Drama
Languages : en
Pages : 224
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Book Description
Essays on contemporary Irish theatre
Author: John Brannigan
Publisher: Edinburgh University Press
ISBN: 0748640959
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
This book sets out to expose through a combination of literary, cultural and historical analysis the fictive nature of Irish monoculturalism and to probe figurations of racial identity, racial difference, and foreignness in Irish culture.
Author: Ondřej Pilný
Publisher: Springer Nature
ISBN: 3030575624
Category : British literature
Languages : en
Pages : 258
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Book Description
Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
Author: Fabio Luppi
Publisher: Universal-Publishers
ISBN: 162734697X
Category : Drama
Languages : en
Pages : 245
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Book Description
Fathers and Sons at the Abbey Theatre demonstrates how the literary archetype of the clash between fathers and sons and the subsequent depiction of anti-oedipal figures become a major concern for the playwrights writing in a specific and crucial moment of Irish history (1904-1938). The father can be conceived both as a historical / political metaphor as well as a real father in a specific historical and social context. The classical models employed as theoretical tools to nuance the argument--Laius and Oedipus, Ulysses and Telemachus, Aeneas and Anchises, Priam and Hector, Hector and Astyanax--are challenged by the Christian example of Abraham and Isaac, subversively adjusted by Yeats to provide a tragic reading of post-colonial Ireland. All of these pairings provide archetypes for the understanding of complex personal and familial dynamics. The book takes into consideration not only the most famous figures of the Irish National Theatre--as W.B. Yeats, J.M. Synge, Augusta Gregory, and Sean O?Casey?but also overlooked authors such as T.C. Murray, Padraic Colum, Paul Vincent Carroll, Lennox Robinson, Denis Johnston, George Shiels, St. John Ervine, Teresa Deevy. Many commentators have written about the playwrights of the Abbey Theatre, mainly focusing on politics, social classes, Irish identity, cultural issues, and linguistic aspects: no thorough analysis of the clash between generations has been published so far. Those who have tackled the issue have devoted their attention to a single author, or to a single aspect; this study aims to demonstrate that the repeated occurrence of anti-oedipal figures and of the archetype of the clash between fathers and sons?a clear manifestation of the need of emancipation from oppressive authorities and of change in Irish society?must be read as a common phenomenon and as a shared concern. The book is written for people interested in Irish studies, post-colonial studies, and theatre studies.
Author: Albert J. DeGiacomo
Publisher: Syracuse University Press
ISBN: 9780815629450
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
Drawing on the archives of libraries in Dublin, New York City, and Boston, Albert J. DeGiacomo assesses T. C. Murray's contribution to the Irish dramatic movement. One of "the Cork realists" of the Abbey Theatre, Murray wrote seventeen plays in one, two, or three acts. A prominent National Teacher and a seemingly apolitical playwright in the Irish Literary Revival, Murray expressed nationalistic aspirations in his peasant tragedies. His characters' drive for self-determination and their religious consciousness mark Murray's dramatic landscape.
Author: Joan Fitzpatrick Dean
Publisher: Univ of Wisconsin Press
ISBN: 029919664X
Category : History
Languages : en
Pages : 280
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Book Description
Under the strict rule of twentieth century Irish censorship, creators of novels, films, and most periodicals found no option but to submit and conform to standards. Stage productions, however, escaped official censorship. The theater became a "public space"—a place to air cultural confrontations between Church and State, individual and community, and "freedom of the theatre" versus the audience’s right to disagree. Joan FitzPatrick Dean’s Riot and Great Anger suggests that while there was no state censorship in early-twentieth-century Ireland, the theater often evoked heated responses from theatergoers, sometimes resulting in riots and the public denunciation of playwrights and artists. Dean examines the plays that provoked these controversies, the degree to which they were "censored" by the audience or actors, and the range of responses from both the press and the courts. She addresses familiar pieces such as those of William Butler Yeats, John Millington Synge, and Sean O’Casey, as well as the works of less known playwrights such as George Birmingham. Dean’s original research meticulously analyzes Ireland’s great theatrical tradition, both on the stage and off, concluding that the public responses to these controversial productions reveal a country that, at century’s end as at its beginning, was pluralistic, heterogeneous, and complex.
Author: Jane Davison
Publisher: Syracuse University Press
ISBN: 0815654138
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
One of the most important Irish novelists of the twentieth century, Kate O’Brien (1897–1974) was also a pioneer of women’s writing. In a career that spanned almost fifty years, nine novels, nine plays, two travelogues, and copious criticism, O’Brien rebelled against the narrow nationalism and restrictive Catholicism prevalent in independent Ireland. In this highly original approach to O’Brien’s work, Davison traces the influence of three leading Spanish writers—Jacinto Benavente, Miguel de Cervantes, and Teresa of Avila. O’Brien’s lifelong fascination with Spanish literature and culture offered an oblique way of resisting the Catholic and conservative imperatives of the Irish Free State. In a series of close comparative readings, Davison identifies the origin of O’Brien’s creative disinhibition and ultimately situates her within a tradition of dissident Irish women writers.
