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Author: Ayesha Ramachandran
Publisher: University of Chicago Press
ISBN: 022628882X
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
In this beautifully conceived book, Ayesha Ramachandran reconstructs the imaginative struggles of early modern artists, philosophers, and writers to make sense of something that we take for granted: the world, imagined as a whole. Once a new, exciting, and frightening concept, “the world” was transformed in the sixteenth and seventeenth centuries. But how could one envision something that no one had ever seen in its totality? The Worldmakers moves beyond histories of globalization to explore how “the world” itself—variously understood as an object of inquiry, a comprehensive category, and a system of order—was self-consciously shaped by human agents. Gathering an international cast of characters, from Dutch cartographers and French philosophers to Portuguese and English poets, Ramachandran describes a history of firsts: the first world atlas, the first global epic, the first modern attempt to develop a systematic natural philosophy—all part of an effort by early modern thinkers to capture “the world” on the page.
Author: Ayesha Ramachandran
Publisher: University of Chicago Press
ISBN: 022628882X
Category : Literary Criticism
Languages : en
Pages : 299
Get Book Here
Book Description
In this beautifully conceived book, Ayesha Ramachandran reconstructs the imaginative struggles of early modern artists, philosophers, and writers to make sense of something that we take for granted: the world, imagined as a whole. Once a new, exciting, and frightening concept, “the world” was transformed in the sixteenth and seventeenth centuries. But how could one envision something that no one had ever seen in its totality? The Worldmakers moves beyond histories of globalization to explore how “the world” itself—variously understood as an object of inquiry, a comprehensive category, and a system of order—was self-consciously shaped by human agents. Gathering an international cast of characters, from Dutch cartographers and French philosophers to Portuguese and English poets, Ramachandran describes a history of firsts: the first world atlas, the first global epic, the first modern attempt to develop a systematic natural philosophy—all part of an effort by early modern thinkers to capture “the world” on the page.
Author: Ayesha Ramachandran
Publisher: University of Chicago Press
ISBN: 022628879X
Category : History
Languages : en
Pages : 299
Get Book Here
Book Description
Ayesha Ramachandran reconstructs the imaginative struggles of early modern artists, philosophers, and writers to make sense of something that we take for granted: the world, imagined as a whole. 'The Worldmakers' moves beyond histories of globalisation to explore how 'the world' itself - variously understood as an object of inquiry, a comprehensive category, and a system of order - was self-consciously shaped by human agents.
Author: Stephanie Elsky
Publisher:
ISBN: 0198861435
Category : Law
Languages : en
Pages : 241
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Book Description
The Law and Literature series publishes work that connects legal ideas to literary and cultural history, texts, and arte facts. The series encompasses a wide range of historical periods, literary genres, legal fields and theories, and transnational subjects, focusing on interdisciplinary books that engage with legal and literary forms, methods, concepts, dispositions, and media. It seeks innovative studies of every kind, including but not limited to work that examines race, ethnicity, gender, national-identity, criminal and civil law, legal institutions and actors, digital media, intellectual property, economic markets, and corporate power, while also foregrounding current interpretive methods in the humanities, using these methods as dynamic tools that are themselves subject to scrutiny. Book jacket.
Author: Ursula K. Le Guin
Publisher: Simon and Schuster
ISBN: 1481451413
Category : Fiction
Languages : en
Pages : 762
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Book Description
Every novella by Ursula K. Le Guin, an icon in American literature, collected for the first time in one breathtaking volume. Ursula K. Le Guin has won multiple prizes and accolades from the Medal for Distinguished Contribution to American Letters to the Newbery Honor, the Nebula, Hugo, World Fantasy, and PEN/Malamud Awards. She has had her work collected over the years, but never as a complete retrospective of her longer works as represented in the wonderful The Found and the Lost. Includes: -Vaster Than Empires and More Slow -Buffalo Gals, Won't You Come Out Tonight -Hernes -The Matter of Seggri -Another Story or a Fisherman of the Inland Sea -Forgiveness Day -A Man of the People -A Woman's Liberation -Old Music and the Slave Women -The Finder -On the High Marsh -Dragonfly -Paradises Lost This collection is a literary treasure chest that belongs in every home library.
Author: Lydia Barnett
Publisher: Johns Hopkins University Press
ISBN: 1421429519
Category : Science
Languages : en
Pages : 265
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Book Description
How the story of Noah's Flood was central to the development of a global environmental consciousness in early modern Europe. Winner, Morris D. Forkosch Prize, Journal of the History of Ideas Many centuries before the emergence of the scientific consensus on climate change, people began to imagine the existence of a global environment: a natural system capable of changing humans and of being changed by them. In After the Flood, Lydia Barnett traces the history of this idea back to the early modern period, when the Scientific Revolution, the Reformations, the Little Ice Age, and the overseas expansion of European empire, religion, and commerce gave rise to new ideas about nature, humanity, and their intersecting histories. Recovering a forgotten episode in the history of environmental thought, Barnett brings to light the crucial role of religious faith and conflict in the emergence of a global environmental consciousness. Following Noah's Flood as a popular topic of debate through long-distance networks of knowledge from the late sixteenth through the early eighteenth centuries, Barnett reveals how early modern earth and environmental sciences were shaped by gender, evangelism, empire, race, and nation.
Author: Matthias Middell
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110643006
Category : History
Languages : en
Pages : 400
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Book Description
Contributions to this volume summarize and discuss the theoretical foundations of the Collaborative Research Centre at Leipzig University which address the relationship between processes of (re-)spatialization on the one hand and the establishment and characteristics of spatial formats on the other hand. Under the global condition spatial formats are products of collective negotiations on the most effective and widely acceptable balance between the claim for sovereignty and the need for interconnectedness.
Author: Wendy Beth Hyman
Publisher: Oxford University Press
ISBN: 0192574418
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Impossible Desire and the Limits of Knowledge in Renaissance Poetry examines the limits of embodiment, knowledge, and representation at a disregarded nexus: the erotic carpe diem poem in early modern England. These macabre seductions offer no compliments or promises, but instead focus on the lovers' anticipated decline, and--quite stunningly given the Reformation context--humanity's relegation not to a Christian afterlife but to a Marvellian 'desert of vast Eternity.' In this way, a poetic trope whose classical form was an expression of pragmatic Epicureanism became, during the religious upheaval of the Reformation, an unlikely but effective vehicle for articulating religious doubt. Its ambitions were thus largely philosophical, and came to incorporate investigations into the nature of matter, time, and poetic representation. Renaissance seduction poets invited their auditors to participate in a dangerous intellectual game, one whose primary interest was expanding the limits of knowledge. The book theorizes how Renaissance lyric's own fragile relationship to materiality and time, and its self-conscious relationship to making, positioned it to grapple with these 'impossible' metaphysical and representational problems. Although attentive to poetics, the book also challenges the commonplace view that the erotic invitation is exclusively a lyrical mode. Carpe diem's revival in post-Reformation Europe portends its radicalization, as debates between man and maid are dramatized in disputes between abstractions like chastity and material facts like death. Offered here is thus a theoretical reconsideration of the generic parameters and aspirations of the carpe diem trope, wherein questions about embodiment and knowledge are also investigations into the potentialities of literary form.
Author: Sarah Mallory
Publisher: BRILL
ISBN: 9004714103
Category : Art
Languages : en
Pages : 503
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Book Description
Expanding on a major public program of April 2021, this volume presents wide-ranging perspectives on the legacies of the Dutch Atlantic slave trade within and beyond museum walls. Contributions by curators, academics, activists, artists, and poets consider this history as reflected in the arts of Europe, the Americas, Africa, and the Black diaspora more broadly, together illuminating how art museums may function as liberatory spaces working against systemic injustice.
Author: Laura Kolb
Publisher:
ISBN: 0198859694
Category : Drama
Languages : en
Pages : 241
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Book Description
Fictions of Credit in the Age of Shakespeare argues that practical texts and plays are "equipment for living" practical texts offer strategies for navigating England's culture of credit, and plays explore credit's dangers and possibilities. Dramatic texts show what it feels like to live in credit culture: to live inside a fiction.
Author: Ashley L. Cohen
Publisher: Yale University Press
ISBN: 0300255691
Category : History
Languages : en
Pages : 320
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Book Description
A study of British imperialism’s imaginative geography, exploring the pairing of India and the Atlantic world from literature to colonial policyIn this lively book, Ashley Cohen weaves a complex portrait of the imaginative geography of British imperialism. Contrary to most current scholarship, eighteenth-century Britons saw the empire not as separate Atlantic and Indian spheres but as an interconnected whole: the Indies. Crisscrossing the hemispheres, Cohen traces global histories of race, slavery, and class, from Boston to Bengal. She also reveals the empire to be pervasively present at home, in metropolitan scenes of fashionable sociability. Close-reading a mixed archive of plays, poems, travel narratives, parliamentary speeches, political pamphlets, visual satires, paintings, memoirs, manuscript letters, and diaries, Cohen reveals how the pairing of the two Indies in discourse helped produce colonial policies that linked them in practice. Combining the methods of literary studies and new imperial history, Cohen demonstrates how the imaginative geography of the Indies shaped the culture of British imperialism, which in turn changed the shape of the world.
