Author: Robert Wallace
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 200
Book Description
A selection of the works of Leonardo the artist, the scientist and anticipator of the modern age of technology and invention is accompanied by a text which presents and analyzes the stages of Leonardo's life and growth, including numerous quotations from his own notes and writings.
The World of Leonardo, 1452-1519
Author: Robert Wallace
Publisher:
ISBN:
Category : Art, Renaissance
Languages : en
Pages : 192
Book Description
Publisher:
ISBN:
Category : Art, Renaissance
Languages : en
Pages : 192
Book Description
The World of Leonardo, 1452-1519
Author: Robert Wallace
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 200
Book Description
A selection of the works of Leonardo the artist, the scientist and anticipator of the modern age of technology and invention is accompanied by a text which presents and analyzes the stages of Leonardo's life and growth, including numerous quotations from his own notes and writings.
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 200
Book Description
A selection of the works of Leonardo the artist, the scientist and anticipator of the modern age of technology and invention is accompanied by a text which presents and analyzes the stages of Leonardo's life and growth, including numerous quotations from his own notes and writings.
Leonardo Da Vinci, 1452-1519
Author: Frank Zöllner
Publisher: Taschen
ISBN: 9783822859797
Category : Art
Languages : en
Pages : 104
Book Description
Life and work of the renowned painter, scientist, and philosopher of the Renaissance period.
Publisher: Taschen
ISBN: 9783822859797
Category : Art
Languages : en
Pages : 104
Book Description
Life and work of the renowned painter, scientist, and philosopher of the Renaissance period.
The World of Leonardo
Author: R. Wallace
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
Book Description
Leonardo's Universe
Author: Bülent Atalay
Publisher: National Geographic Books
ISBN: 9781426202858
Category : Art
Languages : en
Pages : 260
Book Description
"When the seeds of modern thought were planted in 15th-century Italy, no one sowed more of them than Leonardo da Vinci. For the millions of readers today who ponder the mysteries behind his sketch-filled notebooks and enigmatic paintings, National Geographic presents Leonardo's Universe. This richly visual reference reveals the spellbinding Renaissance world like no other, painting a vivid picture of the historic backdrop of this astounding period that revolutionized art, science, philosophy, and politics."--BOOK JACKET.
Publisher: National Geographic Books
ISBN: 9781426202858
Category : Art
Languages : en
Pages : 260
Book Description
"When the seeds of modern thought were planted in 15th-century Italy, no one sowed more of them than Leonardo da Vinci. For the millions of readers today who ponder the mysteries behind his sketch-filled notebooks and enigmatic paintings, National Geographic presents Leonardo's Universe. This richly visual reference reveals the spellbinding Renaissance world like no other, painting a vivid picture of the historic backdrop of this astounding period that revolutionized art, science, philosophy, and politics."--BOOK JACKET.
The Notebooks of Leonardo Da Vinci (Complete)
Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
The World of Leonardo, 1452-1519
Author: Robert Wallace
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192
Book Description
Infinite Days
Author: Rebecca Maizel
Publisher: St. Martin's Griffin
ISBN: 1429991690
Category : Young Adult Fiction
Languages : en
Pages : 341
Book Description
The first in the delicious new Vampire Queen YA series, a tale that rewrites the rules of blood-sucking eternity "I never expected to be sixteen again...then again, I never expected my past to come back and haunt me . . ." After centuries of terrorizing Europe as the world's most powerful vampire queen, Lenah is finally able to realize the dream all vampires have -- to be human again. After performing a dangerous ritual to restore her humanity, Lenah entered a century-long hibernation, leaving behind the wicked coven she ruled over and the eternal love, Rhode, who sacrificed himself in the ritual to grant her deepest wish. But when Lenah draws her first natural breath in centuries at Wickham Boarding School in Lover's Bay, Massachusetts, she rediscovers a human life that bears little resemblance to the one she had known. As if suddenly waking up a teenager isn't hard enough, she has to dress herself appropriately, go to class, and be gawked at as the beautiful new girl, all while learning her new human senses and weaknesses -- and trying not to fall in love with Justin, the most popular guy in school. And right when she thinks she has the hang of it, the worst happens: Her old life collides violently with her new one, making Lenah realize how attached she's become to her humanity. How can she choose between protecting her new friends and honoring her past? “Infinite Days is a wonderfully sexy, dark novel full of lush prose. Rebecca Maizel is a marvel, writing more than just a story, she creates myth with every page.” —Carrie Jones, author of New York Times bestselling series, NEED
Publisher: St. Martin's Griffin
ISBN: 1429991690
Category : Young Adult Fiction
Languages : en
Pages : 341
Book Description
The first in the delicious new Vampire Queen YA series, a tale that rewrites the rules of blood-sucking eternity "I never expected to be sixteen again...then again, I never expected my past to come back and haunt me . . ." After centuries of terrorizing Europe as the world's most powerful vampire queen, Lenah is finally able to realize the dream all vampires have -- to be human again. After performing a dangerous ritual to restore her humanity, Lenah entered a century-long hibernation, leaving behind the wicked coven she ruled over and the eternal love, Rhode, who sacrificed himself in the ritual to grant her deepest wish. But when Lenah draws her first natural breath in centuries at Wickham Boarding School in Lover's Bay, Massachusetts, she rediscovers a human life that bears little resemblance to the one she had known. As if suddenly waking up a teenager isn't hard enough, she has to dress herself appropriately, go to class, and be gawked at as the beautiful new girl, all while learning her new human senses and weaknesses -- and trying not to fall in love with Justin, the most popular guy in school. And right when she thinks she has the hang of it, the worst happens: Her old life collides violently with her new one, making Lenah realize how attached she's become to her humanity. How can she choose between protecting her new friends and honoring her past? “Infinite Days is a wonderfully sexy, dark novel full of lush prose. Rebecca Maizel is a marvel, writing more than just a story, she creates myth with every page.” —Carrie Jones, author of New York Times bestselling series, NEED
Becoming Leonardo
Author: Mike Lankford
Publisher: Melville House
ISBN: 1612197159
Category : Biography & Autobiography
Languages : en
Pages : 321
Book Description
A Wall Street Journal Book of the Year A Spectator Book of the Year “A truly intimate portrait of one of the greatest creators in human history,” this biography of Leonardo Da Vinci “has the pace, elegance, and authorial omnipresence of a novel,” bringing both artist and Renaissance Italy to life (Noah Charney, author of The Art of Forgery) Why did Leonardo Da Vinci leave so many of his major works uncompleted? Why did this resolute pacifist build war machines for the notorious Borgias? Why did he carry the Mona Lisa with him everywhere he went for decades, yet never quite finish it? Why did he write backwards, and was he really at war with Michelangelo? And was he gay? In a book unlike anything ever written about the Renaissance genius, Mike Lankford explodes every cliché about Da Vinci and then reconstructs him based on a rich trove of available evidence—bringing to life for the modern reader the man who has been studied by scholars for centuries—yet has remained as mysterious as ever. Seeking to envision Da Vinci without the obscuring residue of historical varnish, the sights, sounds, smells, and feel of Renaissance Italy—usually missing in other biographies—are all here, transporting readers back to a world of war and plague and court intrigue, of viciously competitive famous artists, of murderous tyrants with exquisite tastes in art . . . Lankford brilliantly captures Da Vinci’s life as the compelling and dangerous adventure it seems to have actually been—fleeing from one sanctuary to the next, somehow surviving in war zones beside his friend Machiavelli, struggling to make art his way or no way at all . . . and often paying dearly for those decisions. It is a thrilling and absorbing journey into the life of a ferociously dedicated loner, whose artwork in one way or another represents his noble rebellion, providing inspiration that is timeless.
Publisher: Melville House
ISBN: 1612197159
Category : Biography & Autobiography
Languages : en
Pages : 321
Book Description
A Wall Street Journal Book of the Year A Spectator Book of the Year “A truly intimate portrait of one of the greatest creators in human history,” this biography of Leonardo Da Vinci “has the pace, elegance, and authorial omnipresence of a novel,” bringing both artist and Renaissance Italy to life (Noah Charney, author of The Art of Forgery) Why did Leonardo Da Vinci leave so many of his major works uncompleted? Why did this resolute pacifist build war machines for the notorious Borgias? Why did he carry the Mona Lisa with him everywhere he went for decades, yet never quite finish it? Why did he write backwards, and was he really at war with Michelangelo? And was he gay? In a book unlike anything ever written about the Renaissance genius, Mike Lankford explodes every cliché about Da Vinci and then reconstructs him based on a rich trove of available evidence—bringing to life for the modern reader the man who has been studied by scholars for centuries—yet has remained as mysterious as ever. Seeking to envision Da Vinci without the obscuring residue of historical varnish, the sights, sounds, smells, and feel of Renaissance Italy—usually missing in other biographies—are all here, transporting readers back to a world of war and plague and court intrigue, of viciously competitive famous artists, of murderous tyrants with exquisite tastes in art . . . Lankford brilliantly captures Da Vinci’s life as the compelling and dangerous adventure it seems to have actually been—fleeing from one sanctuary to the next, somehow surviving in war zones beside his friend Machiavelli, struggling to make art his way or no way at all . . . and often paying dearly for those decisions. It is a thrilling and absorbing journey into the life of a ferociously dedicated loner, whose artwork in one way or another represents his noble rebellion, providing inspiration that is timeless.
Leonardo Da Vinci Master Draftsman
Author: Leonardo (da Vinci)
Publisher: Metropolitan Museum of Art
ISBN: 1588390330
Category : Drawing, Italian
Languages : en
Pages : 802
Book Description
This handsome book offers a unified and fascinating portrait of Leonardo as draftsman, integrating his roles as artist, scientist, inventor, theorist, and teacher. 250 illustrations.
Publisher: Metropolitan Museum of Art
ISBN: 1588390330
Category : Drawing, Italian
Languages : en
Pages : 802
Book Description
This handsome book offers a unified and fascinating portrait of Leonardo as draftsman, integrating his roles as artist, scientist, inventor, theorist, and teacher. 250 illustrations.