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Author: Susan Lewis Hammond
Publisher: Routledge
ISBN: 1135017255
Category : Music
Languages : en
Pages : 664
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Book Description
Music in the Baroque World: History, Culture, Performance offers an interdisciplinary study of the music of Europe and the Americas in the seventeenth and first half of the eighteenth centuries. It answers calls for an approach that balances culture, history, and musical analysis, with an emphasis on performance considerations such as notation, instruments, and performance techniques. It situates musical events in their intellectual, social, religious, and political contexts and enables in-depth discussion and critical analysis. The companion web site provide links to scores and audio/visual performances, making this a complete course for the study of Baroque music. Features An interdisciplinary approach that balances detailed analysis of specific pieces of music and broader historical overview and relevance A selection of historical documents at the end of each chapter that position musical works and events in their cultural context Extensive musical examples that show the melodic, textural, harmonic, or structural features of baroque music and enhance the utility of the textbook for undergraduate and graduate music majors A global perspective with a chapter on Music in the Americas A companion score anthology and website with links to audio/video content of key performances and research and writing guides Music in the Baroque World: History, Culture, Performance tells stories of local traditions, cultural exchange, performance trends, and artistic mixing. It illuminates representative works through the lens of politics, visual arts, theology, print culture, gender, domesticity, commerce, and cultural influence and exchange.
Author: Susan Lewis Hammond
Publisher: Routledge
ISBN: 1135017255
Category : Music
Languages : en
Pages : 664
Get Book Here
Book Description
Music in the Baroque World: History, Culture, Performance offers an interdisciplinary study of the music of Europe and the Americas in the seventeenth and first half of the eighteenth centuries. It answers calls for an approach that balances culture, history, and musical analysis, with an emphasis on performance considerations such as notation, instruments, and performance techniques. It situates musical events in their intellectual, social, religious, and political contexts and enables in-depth discussion and critical analysis. The companion web site provide links to scores and audio/visual performances, making this a complete course for the study of Baroque music. Features An interdisciplinary approach that balances detailed analysis of specific pieces of music and broader historical overview and relevance A selection of historical documents at the end of each chapter that position musical works and events in their cultural context Extensive musical examples that show the melodic, textural, harmonic, or structural features of baroque music and enhance the utility of the textbook for undergraduate and graduate music majors A global perspective with a chapter on Music in the Americas A companion score anthology and website with links to audio/video content of key performances and research and writing guides Music in the Baroque World: History, Culture, Performance tells stories of local traditions, cultural exchange, performance trends, and artistic mixing. It illuminates representative works through the lens of politics, visual arts, theology, print culture, gender, domesticity, commerce, and cultural influence and exchange.
Author: Jeremy Montagu
Publisher:
ISBN: 9780715375938
Category : History
Languages : en
Pages : 0
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Book Description
The author, one of the first British conductors to perform Baroque and classical music in the authentic styles of the period, has written this survey of the musical instruments known to and used by the great composers of those periods, such as Monteverdi, Dowland, Purcell, Bach, Handel, Mozart, Haydn, and the young Beethoven. The first section describes the instruments which survived from the high Renaissance into the early Baroque. The second details the changes which took place in many instruments as the Baroque reached its summit with the music of Bach and Handel, and describes all the instruments used by those masters and their contemporaries. The third section describes the enormous changes in all instruments as the new classical style of Mozart, Haydn and their contemporaries developed, and culminates with the orchestra known to Beethoven at the beginning of his career, the orchestra that became our symphony orchestra. Every important instrument mentioned in the book is illustrated. There are over one hundred illustrations, many in colour, of instruments from collections all over Europe and America.
Author: Murray Campbell
Publisher: Oxford University Press, USA
ISBN: 9780198165040
Category : Music
Languages : en
Pages : 532
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Book Description
A reference guide to musical instruments.
Author: Tim Blanning
Publisher: Penguin UK
ISBN: 0141976454
Category : Music
Languages : en
Pages : 401
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Book Description
Once musicians such as Mozart were little more than court servants; now they are multimillionaire superstars wielding more power than politicians. How did this extraordinary change come about? Tim Blanning's brilliantly enjoyable book examines how everything from the cult of the romantic to technology and travel all fed the inexorable rise of music in the West, making it the most dominant and ubiquitous of the art forms. Encompassing balladeers, the great composers, jazz legends and rock gods, this is an enthralling story of power, patronage, creativity and genius.
Author: William Littler
Publisher: Dundurn
ISBN: 1459718763
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
Roy Thomson Hall commemorates its 30th anniversary with this lavishly illustrated book tracing its history from Arthur Erickson's iconic design, to the artists, audiences, volunteers, and staff who have enriched and enlivened the hall since its opening in 1982.
Author: Curt Sachs
Publisher: Courier Corporation
ISBN: 0486171515
Category : Music
Languages : en
Pages : 562
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Book Description
Written by a distinguished musicologist, this comprehensive history of musical instruments traces their evolution from prehistoric times in a fusion of music, anthropology, and fine arts. Includes 24 plates and 167 illustrations.
Author: Hector Berlioz
Publisher:
ISBN:
Category : Conducting
Languages : en
Pages : 290
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Book Description
Author: Bruce Haynes
Publisher: Scarecrow Press
ISBN: 0810841851
Category : History
Languages : en
Pages : 628
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Book Description
Haynes (U. of Montreal) traces the history of musical pitch standards over the last four centuries, linking frequency values to pitch names and telling where, when, and why various pitch levels have been used. With a focus on Italy, France, Germany, the Netherlands and the Hapsburg lands, he covers the pitches of about 1,400 historical instruments and how the design and function influenced and were influenced by changes in pitch. In addition, he studies the effect of pitch differences on musical notation and choice of key. The author has also written a book on the oboe, the instrument that plays the "A" to which a symphony orchestra tunes. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Julie Anne Sadie
Publisher: Univ of California Press
ISBN: 9780520214149
Category : Music
Languages : en
Pages : 596
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Book Description
The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era. The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era.
Author: Jeremy Montagu
Publisher: Overlook Books
ISBN:
Category : Music
Languages : en
Pages : 146
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Book Description
