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Author: Thomas Heywood
Publisher: Taylor & Francis
ISBN: 9780878301690
Category : Art
Languages : en
Pages : 168
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Thomas Heywood
Publisher: Taylor & Francis
ISBN: 9780878301690
Category : Art
Languages : en
Pages : 168
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Shokhan Rasool Ahmed
Publisher: Author House
ISBN: 1496992806
Category : Drama
Languages : en
Pages : 129
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Book Description
The Staging of Witchcraft and a "Spectacle of Strangeness": Witchcraft at Court and the Globe presents a new interest in Continental texts on witchcraft coincided with technological advances in the English stage, which made a variety of dramatic effects possible in the private playhouses, such as flying witches, and the appearance of spirits and deities in Elizabethan plays. This book also evaluates how the technology of the Blackfriars playhouse facilitated the appearance of spirits, devils, witches, magicians, deities and dragons on stage. The study investigates the visual spectacle of witchcraft scenes which intersect with the genre of the plays, and it also presents to what extent changing theatrical tastes affect the way that supernatural characters are shown on stage.
Author: Tabitha Stanmore
Publisher: Cambridge University Press
ISBN: 1009286706
Category : History
Languages : en
Pages : 323
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Book Description
A ground-breaking book which introduces the concept of 'service magic' while re-evaluating magic in medieval and early modern English society.
Author: Sarah Lewis
Publisher: Cambridge University Press
ISBN: 1108901697
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
This book analyses the cultural and theatrical intersections of early modern temporal concepts and gendered identities. Through close readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, across the genres of domestic comedy, city comedy and revenge tragedy, Sarah Lewis shows how temporal tropes are used to delineate masculinity and femininity on the early modern stage, and vice versa. She sets out the ways in which the temporal constructs of patience, prodigality and revenge, as well as the dramatic identities that are built from those constructs, and the experience of playgoing itself, negotiate a fraught opposition between action in the moment and delay in the duration. This book argues that looking at time through the lens of gender, and gender through the lens of time, is crucial if we are to develop our understanding of the early modern cultural construction of both.
Author: Lucy Munro
Publisher: Bloomsbury Publishing
ISBN: 1408140187
Category : Drama
Languages : en
Pages : 321
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Book Description
On 19 April 1621, a woman named Elizabeth Sawyer was hanged at Tyburn. Her story was on the bookstalls within days and within weeks was adapted for the stage as The Witch of Edmonton. The devil stalks Edmonton in the shape of a large black dog and, just as Elizabeth Sawyer makes her demonic pact, the newlywed Frank Thorney enters into his own dark bargain in the shape of a second, bigamous marriage. Torn between sympathy for Sawyer and Thorney and a clear-eyed assessment of their crimes, the play was the finest and most nuanced treatment of witchcraft that the stage would see for centuries. Lucy Munro's introduction provides students and scholars with a detailed understanding of this complex play.
Author: Hugh Craig
Publisher: Cambridge University Press
ISBN: 1108127312
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
Hugh Craig and Brett Greatley-Hirsch extend the computational analysis introduced in Shakespeare, Computers, and the Mystery of Authorship (edited by Hugh Craig and Arthur F. Kinney; Cambridge, 2009) beyond problems of authorship attribution to address broader issues of literary history. Using new methods to answer long-standing questions and challenge traditional assumptions about the underlying patterns and contrasts in the plays of Shakespeare and his contemporaries, Style, Computers, and Early Modern Drama sheds light on, for example, different linguistic usages between plays written in verse and prose, company styles and different character types. As a shift from a canonical survey to a corpus-based literary history founded on a statistical analysis of language, this book represents a fundamentally new approach to the study of English Renaissance literature and proposes a new model and rationale for future computational scholarship in early modern literary studies.
Author: Cary M. Mazer
Publisher: A&C Black
ISBN: 1472539508
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
All four figures in this volume have been canonized as central to 'stage-centred' Shakespearean scholarship and stage practice. From William Poel's reproductions of early modern stages in the late nineteenth century to Sam Wanamaker's reconstruction of the Globe on London's South Bank, they all viewed Shakespeare's plays as being enmeshed in the social and historical dynamics of theatremaking and theatregoing. The volume considers how their attempts to recapture early modern performance conditions can be considered progressive.
Author: Yvonne Oram
Publisher: Anthem Press
ISBN: 0857282158
Category : Literary Criticism
Languages : en
Pages : 108
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Book Description
Old women in Early Modern plays are stereotypically presented as ugly, randy, mouthy, mad. So Shakespeare is rare among dramatists of the day for his lively and empowering depictions of ageing ladies. This well-researched, accessible book looks at the way his old women subvert the stereotypes. There is particular focus on Paulina in The Winter’s Tale as a uniquely powerful old woman.
Author: Aidan Norrie
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513745
Category : Drama
Languages : en
Pages : 283
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Book Description
This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.
Author: Jenni Nuttall
Publisher: Penguin
ISBN: 0593299574
Category : Language Arts & Disciplines
Languages : en
Pages : 305
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Book Description
“A fascinating look at how we talk about women. . . . Dense with information and anecdotes, Mother Tongue touches on the hilarious and the devastating, with ample dashes of an ingredient so painfully absent from most discussions of sex and gender: humor.” ―Lisa Selin Davis, The Washington Post “[Nuttall] examines the origins of words used over many centuries to describe women’s bodies, desires, pregnancies, work lives, sexual victimhood, and stages of life. . . . Her research is comprehensive enough that even longtime word enthusiasts will find plenty of new trivia.” ―The New Yorker An enlightening linguistic journey through a thousand years of feminist language—and what we can learn from the vivid vocabulary that English once had for women’s bodies, experiences, and sexuality So many of the words that we use to chronicle women’s lives feel awkward or alien. Medical terms are scrupulously accurate but antiseptic. Slang and obscenities have shock value, yet they perpetuate taboos. Where are the plain, honest words for women’s daily lives? Mother Tongue is a historical investigation of feminist language and thought, from the dawn of Old English to the present day. Dr. Jenni Nuttall guides readers through the evolution of words that we have used to describe female bodies, menstruation, women’s sexuality, the consequences of male violence, childbirth, women’s paid and unpaid work, and gender. Along the way, she challenges our modern language’s ability to insightfully articulate women’s shared experiences by examining the long-forgotten words once used in English for female sexual and reproductive organs. Nuttall also tells the story of words like womb and breast, whose meanings have changed over time, as well as how anatomical words such as hysteria and hysterical came to have such loaded legacies. Inspired by today’s heated debates about words like womxn and menstruators—and by more personal conversations with her teenage daughter—Nuttall describes the profound transformations of the English language. In the process, she unearths some surprisingly progressive thinking that challenges our assumptions about the past—and, in some cases, puts our twenty-first-century society to shame. Mother Tongue is a rich, provocative book for anyone who loves language—and for feminists who want to look to the past in order to move forward.
