The whiteness of black protagonists in Quentin Tarantino’s "Django Unchained" PDF Download
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Author: Axel Kolbeinsson
Publisher: GRIN Verlag
ISBN: 334663079X
Category : Literary Collections
Languages : en
Pages : 16
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Book Description
Seminar paper from the year 2021 in the subject American Studies - Culture and Applied Geography, grade: 1, University of Linz, language: English, abstract: White privilege was and still is an issue in past and present societies. This paper aims to determine how white privilege and power resulting from it are granted to a black protagonist in a fictional historical setting. In order to shed light on this matter, John French and Bertram Raven's (1959) theory of five (six) `Bases of Social Power' as well as the findings from the analysis of the history of whiteness were applied to Quentin Tarantino's (2012) movie "Django Unchained". Several scenes showing power relationships between the main character Django and others were analysed. Some forms of power, including legitimate, expert, informational and coercive power regarding the theory, could be detected in various relations with Django throughout the movie. Furthermore, it was found out that forms of power do not appear on their own and that, despite the fact that both parties hold at least one form of power, one side trumps the other. Although Django is granted power through white privilege, he is still not considered equal and owes his status to his expertise or knowledge by superior white men.
Author: Axel Kolbeinsson
Publisher: GRIN Verlag
ISBN: 334663079X
Category : Literary Collections
Languages : en
Pages : 16
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Book Description
Seminar paper from the year 2021 in the subject American Studies - Culture and Applied Geography, grade: 1, University of Linz, language: English, abstract: White privilege was and still is an issue in past and present societies. This paper aims to determine how white privilege and power resulting from it are granted to a black protagonist in a fictional historical setting. In order to shed light on this matter, John French and Bertram Raven's (1959) theory of five (six) `Bases of Social Power' as well as the findings from the analysis of the history of whiteness were applied to Quentin Tarantino's (2012) movie "Django Unchained". Several scenes showing power relationships between the main character Django and others were analysed. Some forms of power, including legitimate, expert, informational and coercive power regarding the theory, could be detected in various relations with Django throughout the movie. Furthermore, it was found out that forms of power do not appear on their own and that, despite the fact that both parties hold at least one form of power, one side trumps the other. Although Django is granted power through white privilege, he is still not considered equal and owes his status to his expertise or knowledge by superior white men.
Author: Oliver C. Speck
Publisher: Bloomsbury Publishing USA
ISBN: 1623567807
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
Django Unchained is certainly Quentin Tarantino's most commercially-successful film and is arguably also his most controversial. Fellow director Spike Lee has denounced the representation of race and slavery in the film, while many African American writers have defended the white auteur. The use of extremely graphic violence in the film, even by Tarantino's standards, at a time when gun control is being hotly debated, has sparked further controversy and has led to angry outbursts by the director himself. Moreover, Django Unchained has become a popular culture phenomenon, with t-shirts, highly contentious action figures, posters, and strong DVD/BluRay sales. The topic (slavery and revenge), the setting (a few years before the Civil War), the intentionally provocative generic roots (Spaghetti Western and Blaxploitation) and the many intertexts and references (to German and French culture) demand a thorough examination. Befitting such a complex film, the essays collected here represent a diverse group of scholars who examine Django Unchained from many perspectives.
Author: Roy Horniman
Publisher: Faber & Faber
ISBN: 0571315453
Category : Fiction
Languages : en
Pages : 333
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Book Description
'There is an old saying, 'Murder will out.' I am really unable to see why this should be so...' Israel Rank: The Autobiography of a Criminal (1907) inspired the classic Ealing film Kind Hearts and Coronets. But though both works are comedies about a serial murderer, they are different creatures. The eponymous narrator of Roy Horniman's novel, son of a Jewish commercial traveller, offers his memoirs from the condemned cell , having murdered six people who stood between him and an earldom he hoped to inherit. Through Israel's story Horniman explores and parodies the anti-Semitic attitudes of Edwardian England. 'A superb thriller, but also a disturbing study in human nature. The narrative pace never slackens, thanks to the spareness and elegance of Horniman's prose... it is a book of its time, quite faithful to it, and (despite its 400 pages) over all too quickly.' Simon Heffer, in his Preface
Author: Justin Russell Greene
Publisher: Rowman & Littlefield
ISBN: 1793636346
Category : Performing Arts
Languages : en
Pages : 163
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Book Description
In this book, Justin Russell Greene argues that Quentin Tarantino’s versions of masculinity represented throughout his filmography replicates the limitations gender binaries place on men and women. Scholars of film studies, gender studies, and popular culture will find this book of particular interest.
Author: Quentin Tarantino
Publisher: Dynamite
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 35
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Book Description
Featuring a story by Oscar Award-Winning Writer/Director, and Django creator Quentin Tarantino, and award-winning writer/artist/creator Matt Wagner! The official sequel to Django Unchained in the first-ever comic book sequel ever done of a Tarantino film! Set several years after the events of Django Unchained, Django/Zorro #1 finds Django again pursuing the evil that men do in his role as a bounty hunter. Since there's a warrant on his head back east, he's mainly been plying his trade in the western states. After safely settling his wife, Broomhilda, near Chicago, he's again taken to the road, sending her funds whenever he completes a job. It's by sheer chance that he encounters the aged and sophisticated Diego de la Vega - the famed Zorro - and soon finds himself fascinated by this unusual character, the first wealthy white man he's ever met who seems totally unconcerned with the color of Django's skin... and who can hold his own in a fight. He hires on as Diego's "bodyguard" for one adventure and is soon drawn into a fight to free the local indigenous people from a brutal servitude, discovering that slavery isn't exclusive to black folks. In the course of this adventure, he learns much from the older man (much like King Schultz) and, on several occasions, even dons the mask and the whip... of The Fox!
Author: Carl Van Vechten
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 304
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Book Description
Author: Minna Salami
Publisher: Zed Books Ltd.
ISBN: 178699528X
Category : Social Science
Languages : en
Pages : 192
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Book Description
In Sensuous Knowledge, Minna Salami draws on Africa-centric, feminist-first and artistic traditions to help us rediscover inclusive and invigorating ways of experiencing the world afresh. Combining the playfulness of a storyteller with the insight of a social critic, the book pries apart the systems of power and privilege that have dominated ways of thinking for centuries – and which have led to so much division, prejudice and damage. And it puts forward a new, sensuous, approach to knowledge: one grounded in a host of global perspectives – from Black Feminism to personal narrative, pop culture to high art, Western philosophy to African mythology – together comprising a vision of hope for a fragmented world riven by crisis. Through the prism of this new knowledge, Salami offers fresh insights into the key cultural issues that affect women’s lives. How are we to view Sisterhood, Motherhood or even Womanhood itself? What is Power and why do we conceive of Beauty? How does one achieve Liberation? She asks women to break free of the prison made by ingrained male-centric biases, and build a house themselves – a home that can nurture us all. Sensuous Knowledge confirms Minna Salami as one the most important spokespeople of today, and the arrival of a blistering new literary voice.
Author: Adilifu Nama
Publisher: University of Texas Press
ISBN: 029277236X
Category : Performing Arts
Languages : en
Pages : 182
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Book Description
Known for their violence and prolific profanity, including free use of the n-word, the films of Quentin Tarantino, like the director himself, chronically blurt out in polite company what is extremely problematic even when deliberated in private. Consequently, there is an uncomfortable and often awkward frankness associated with virtually all of Tarantino's films, particularly when it comes to race and blackness. Yet beyond the debate over whether Tarantino is or is not racist is the fact that his films effectively articulate racial anxieties circulating in American society as they engage longstanding racial discourses and hint at emerging trends. This radical racial politics—always present in Tarantino's films but kept very much on the quiet—is the subject of Race on the QT. Adilifu Nama concisely deconstructs and reassembles the racial dynamics woven into Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, Kill Bill: Vol. 1, Kill Bill: Vol. 2, Death Proof, Inglourious Basterds, and Django Unchained, as they relate to historical and current racial issues in America. Nama's eclectic fusion of cultural criticism and film analysis looks beyond the director's personal racial attitudes and focuses on what Tarantino's filmic body of work has said and is saying about race in America symbolically, metaphorically, literally, impolitely, cynically, sarcastically, crudely, controversially, and brilliantly.
Author: Oliver C. Speck
Publisher: Bloomsbury Publishing USA
ISBN: 1628928395
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
Django Unchained is certainly Quentin Tarantino's most commercially-successful film and is arguably also his most controversial. Fellow director Spike Lee has denounced the representation of race and slavery in the film, while many African American writers have defended the white auteur. The use of extremely graphic violence in the film, even by Tarantino's standards, at a time when gun control is being hotly debated, has sparked further controversy and has led to angry outbursts by the director himself. Moreover, Django Unchained has become a popular culture phenomenon, with t-shirts, highly contentious action figures, posters, and strong DVD/BluRay sales. The topic (slavery and revenge), the setting (a few years before the Civil War), the intentionally provocative generic roots (Spaghetti Western and Blaxploitation) and the many intertexts and references (to German and French culture) demand a thorough examination. Befitting such a complex film, the essays collected here represent a diverse group of scholars who examine Django Unchained from many perspectives.
Author: Daniel O'Brien
Publisher: Springer
ISBN: 1137593237
Category : Social Science
Languages : en
Pages : 224
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Book Description
This book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O’Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues.
