The Way We Listen Now and Other Writings on Music PDF Download
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Author: Bayan Northcott
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 248
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Book Description
Selection from the musical writing of Bayan Northcott, one of the foremost musical critics of our time.
Author: Bayan Northcott
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 248
Get Book Here
Book Description
Selection from the musical writing of Bayan Northcott, one of the foremost musical critics of our time.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429977612
Category : Music
Languages : en
Pages : 384
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Book Description
One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.
Author: Aaron Copland
Publisher: Penguin
ISBN: 1101513144
Category : Music
Languages : en
Pages : 305
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Book Description
Now in trade paperback: “The definitive guide to musical enjoyment” (Forum). In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms.
Author: Elliott Schwartz
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 570
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Book Description
"Music: Ways of Listening" is intended for use in introductory college courses for students with little or no prior background in music, and is focused upon the development of perceptive listening skills and a broad survey of the Western concert literature. -- From preface.
Author: Ben Ratliff
Publisher: Farrar, Straus and Giroux
ISBN: 1429953594
Category : Music
Languages : en
Pages : 273
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Book Description
What is music in the age of the cloud? Today, we can listen to nearly anything, at any time. It is possible to flit instantly across genres and generations, from 1980s Detroit techno to 1890s Viennese neo-romanticism. This new age of listening brings with it astonishing new possibilities--as well as dangers. In Every Song Ever, the veteran New York Times music critic Ben Ratliff reimagines the very idea of music appreciation for our times. In the age of the cloud, the genre of the recording and the intention of the composer matter less and less. Instead, we can savor our own listening experience more directly, taking stock of qualities like repetition, speed, density, or loudness. The result is a new mode of listening that can lead to unexpected connections. When we listen for slowness, we may detect surprising affinities between the drone metal of Sunn O))), the mixtape manipulations of DJ Screw, and the final works of Shostakovich. And if we listen for more elusive qualities like closeness, we might notice how the tight harmonies of bluegrass vocals illuminate the virtuosic synchrony of John Coltrane's quartet. Encompassing the sounds of five continents and several centuries, Ratliff's book is a definitive field guide to our musical habitat, and a foundation for the new aesthetics our age demands.
Author: Hans Keller
Publisher: Plumbago Books and Arts
ISBN: 0954012364
Category : Music
Languages : en
Pages : 138
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Book Description
Between 1946 and 1959, the most outspoken voice in British film music was that of the Austrian emigre Hans Keller. This work is a collection of writings on film music by the celebrated critic.
Author: Marguerite Boland
Publisher: Cambridge University Press
ISBN: 0521113628
Category : Biography & Autobiography
Languages : en
Pages : 365
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Book Description
An international team of scholars presents historic, philosophic, philological and theoretical perspectives on Carter's extensive musical repertoire.
Author: Pierre Schaeffer
Publisher: Univ of California Press
ISBN: 0520265742
Category : Music
Languages : en
Pages : 244
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Book Description
Suitable for those interested in contemporary musicology or media history, this title offers a translation of the author's pioneering work - at once a journal of his experiments in sound composition and a treatise on the raison d'etre of concrete music.
Author: Hugh Wood
Publisher: Plumbago Books
ISBN:
Category : Music
Languages : en
Pages : 242
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Book Description
A selection of the writings of Hugh Wood - composer, teacher and writer - with eight illustrations by William Scott. Ever since his early days, Hugh Wood has pursued a triple career as composer, teacher and writer: he has added to the repertory of orchestral, chamber and vocal music, he has lectured at the Universities of Glasgow, Liverpool andCambridge, and he has been involved in an endless round of articles, reviews and broadcasts. What these activities have in common is a keen interest in the highways and byways of European culture, a fastidious style, and a determination to scotch pretence wherever it appears. But behind all this lies another concern, an insatiable quest for knowledge of the territory composers stake out for themselves. This selection of writings is in three parts andshows three aspects to the quest. The first addresses his own experience; the second maps out the historical and cultural context for a number of orchestral and chamber works in a set of concert essays; and the third draws together several composer-vignettes from his recent reviews for the Times Literary Supplement. The book marks his seventy-fifth birthday and includes eight works by the British artist, William Scott.
