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Author: Virginia Woolf
Publisher: Independently Published
ISBN: 9781090322920
Category : Fiction
Languages : en
Pages : 398
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Book Description
One of Woolf's most experimental novels, The Waves presents six characters in monologue - from morning until night, from childhood into old age - against a background of the sea. The result is a glorious chorus of voices that exists not to remark on the passing of events but to celebrate the connection between its various individual parts.
Author: Virginia Woolf
Publisher: Independently Published
ISBN: 9781090322920
Category : Fiction
Languages : en
Pages : 398
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Book Description
One of Woolf's most experimental novels, The Waves presents six characters in monologue - from morning until night, from childhood into old age - against a background of the sea. The result is a glorious chorus of voices that exists not to remark on the passing of events but to celebrate the connection between its various individual parts.
Author: Merve Emre
Publisher: Liveright Publishing
ISBN: 1631496778
Category : Fiction
Languages : en
Pages : 320
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Book Description
Virginia Woolf’s groundbreaking novel, in a lushly illustrated hardcover edition with illuminating commentary from a brilliant young Oxford scholar and critic. “Mrs. Dalloway said she would buy the flowers herself.” So begins Virginia Woolf’s much-beloved fourth novel. First published in 1925, Mrs. Dalloway has long been viewed not only as Woolf’s masterpiece, but as a pivotal work of literary modernism and one of the most significant and influential novels of the twentieth century. In this visually powerful annotated edition, acclaimed Oxford don and literary critic Merve Emre gives us an authoritative version of this landmark novel, supporting it with generous commentary that reveals Woolf’s aesthetic and political ambitions—in Mrs. Dalloway and beyond—as never before. Mrs. Dalloway famously takes place over the course of a single day in late June, its plot centering on the upper-class Londoner Clarissa Dalloway, who is preparing to throw a party that evening for the nation’s elite. But the novel is complicated by Woolf’s satire of the English social system, and by her groundbreaking representation of consciousness. The events of the novel flow through the minds and thoughts of Clarissa and her former lover Peter Walsh and others in their circle, but also through shopkeepers and servants, among others. Together Woolf’s characters—each a jumble of memories and perceptions—create a broad portrait of a city and society transformed by the Great War in ways subtle but profound ways. No figure has been more directly shaped by the conflict than the disturbed veteran Septimus Smith, who is plagued by hallucinations of a friend who died in battle, and who becomes the unexpected second hinge of the novel, alongside Clarissa, even though—in one of Woolf’s many radical decisions—the two never meet. Emre’s extensive introduction and annotations follow the evolution of Clarissa Dalloway—based on an apparently conventional but actually quite complex acquaintance of Woolf’s—and Septimus Smith from earlier short stories and drafts of Mrs. Dalloway to their emergence into the distinctive forms devoted readers of the novel know so well. For Clarissa, Septimus, and her other creations, Woolf relied on the skill of “character reading,” her technique for bridging the gap between life and fiction, reality and representation. As Emre writes, Woolf’s “approach to representing character involved burrowing deep into the processes of consciousness, and, so submerged, illuminating the infinite variety of sensation and perception concealed therein. From these depths, she extracted an unlimited capacity for life.” It is in Woolf’s characters, fundamentally unknowable but fundamentally alive, that the enduring achievement of her art is most apparent. For decades, Woolf’s rapturous style and vision of individual consciousness have challenged and inspired readers, novelists, and scholars alike. The Annotated Mrs. Dalloway, featuring 150 illustrations, draws on decades of Woolf scholarship as well as countless primary sources, including Woolf’s private diaries and notes on writing. The result is not only a transporting edition of Mrs. Dalloway, but an essential volume for Woolf devotees and an incomparable gift to all lovers of literature.
Author: Virginia Woolf
Publisher:
ISBN: 9781782125457
Category :
Languages : en
Pages : 0
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Book Description
This is a compendium of the best works by one of the greatest writers of the 20th century.
Author: Virginia Woolf
Publisher: Tale Blazers
ISBN: 9780789153333
Category : Fiction
Languages : en
Pages : 0
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Book Description
Virginia Woolf. The third chapter of Woolf's essay "A Room of One's Own," based on two lectures the author gave to female students at Cambridge in 1928 on the topic of women and fiction. 36 pages. Tale Blazers.
Author: Bright Summaries
Publisher: BrightSummaries.com
ISBN: 2808017766
Category : Study Aids
Languages : en
Pages : 19
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Book Description
Unlock the more straightforward side of The Waves with this concise and insightful summary and analysis! This engaging summary presents an analysis of The Waves by Virginia Woolf, an experimental novel which is considered a key text of the Modernist literary movement. Interspersed with lyrical descriptions of waves breaking against the shoreline, the novel traces the intertwining lives of six friends from childhood to old age, with each character telling their own story in their own words, in the form of extended soliloquies. The novel’s unusual structure, poetic prose and use of the stream of consciousness narrative technique made it groundbreaking for its time, and it is considered a classic of 20th-century English literature. Find out everything you need to know about The Waves in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!
Author: Bonnie Kime Scott
Publisher: University of Virginia Press
ISBN: 0813932629
Category : Literary Criticism
Languages : en
Pages : 452
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Book Description
Examining the writings and life of Virginia Woolf, In the Hollow of the Wave looks at how Woolf treated "nature" as a deliberate discourse that shaped her way of thinking about the self and the environment and her strategies for challenging the imbalances of power in her own culture—all of which remain valuable in the framing of our discourse about nature today. Bonnie Kime Scott explores Woolf’s uses of nature, including her satire of scientific professionals and amateurs, her parodies of the imperial conquest of land, her representations of flora and fauna, her application of post-impressionist and modernist modes, her merging of characters with the environment, and her ventures across the species barrier. In shedding light on this discourse of Woolf and the natural world, Scott brings to our attention a critical, neglected, and contested aspect of modernism itself. She relies on feminist, ecofeminist, and postcolonial theory in the process, drawing also on the relatively recent field of animal studies. By focusing on multiple registers of Woolf’s uses of nature, the author paves the way for more extended research in modernist practices, natural history, garden and landscape studies, and lesbian/queer studies.
Author: Giuseppina Balossi
Publisher:
ISBN: 9789027234070
Category : Cognitive grammar
Languages : en
Pages : 0
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Book Description
This book focusses on computer methodologies as a way of investigating language and character in literary texts. Both theoretical and practical, it surveys investigations into characterization in literary linguistics and personality in social psychology, before carrying out a computational analysis of Virginia Woolf's experimental novel The Waves. Frequencies of grammatical and semantic categories in the language of the six speaking characters are analyzed using Wmatrix software developed by UCREL at Lancaster University. The quantitative analysis is supplemented by a qualitative analysis into recurring patterns of metaphor. The author concludes that these analyses successfully differentiate all six characters, both synchronically and diachronically, and claims that this methodology is also applicable to the study of personality in non-literary language. The book, written in a clear and accessible style, will be of interest to post-graduate students and academics in linguistics, stylistics, literary studies, psychology and also computational approaches.
Author: Virginia Woolf
Publisher: Swedenborg Press
ISBN: 9781447479147
Category : Fiction
Languages : en
Pages : 328
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Book Description
A delightful collection of essays penned by Woolf for what she saw as the common reader. An informal, informative and witty celebration of our literary and social heritage.
Author: Katharina Baron
Publisher: GRIN Verlag
ISBN: 3638562530
Category : Literary Criticism
Languages : en
Pages : 21
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Book Description
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2.3, http://www.uni-jena.de/ (Institut für Anglistik/Amerikanistik), language: English, abstract: The experimental novel The Waves by Virginia Woolf was published in 1931. By describing the search for identity Woolf has the aim to show that identity consists of a variety of selves. For that reason the question “Who am I“ is central to all characters in the novel. Woolf introduces a circle of friends that consists of seven people and describes the lives of the characters from childhood until they are old. Six characters, three men and three women, get voices and express themselves. The seventh, a man called Percival, does not speak, he is introduced by the other characters Susann, Jinny, Rhoda, Neville, Louis, and Bernard. The friends present themselves through their monologues, but they do not talk to each other, they just tell their own thoughts. The reader moves from consciousness to consciousness and only by the inquit formula “said [name of character]“, one can recognize who is speaking. Stylistic similarities of the monologues hint that Virginia Woolf actually intended to present the consciousness of a single person and not of six different individuals. Therefore this stylistic feature serves to illustrate the concept of a multiple self. The focus of this essay will be on Bernard because he is “[...] the primary voice in the novel“. His search for identity will be shown and it will be illustrated how Virginia Woolf’s uses this character to illustrate the concept of an identity that consists of various elements. At the beginning Bernard’s key position in the novel will be considered. Then some aspects of Bernard’s search for identity will be discussed and at the end Bernard’s function for the unity of the novel and of identity will be shown.
Author: Michael Weinman
Publisher:
ISBN: 9780739147122
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Focusing on the importance of formal experimentation for matters of content and meaning, this original interpretation of what Woolf called her "play-poem" argues that with its depiction of a certain social setting--populated by individuals that are often traumatized, hurt, and socially isolated--The Waves must be read both as an attestation to the social estrangement inherent in modern and metropolitan life and as an allegory of the collapse of the classical subject itself, as a model and a phenomenon, both in literature and in ordinary life. This book differs from other approaches to Woolf as a modernist dramatist of modernity; while others highlight the historically contingent features of Woolf's dramatic interpretation of her times, Michael Weinman detects the emergence of an expressly atemporal model from this historical moment. The key mechanism that makes a new insight into Woolf's modernist agenda possible is the discovery of Judith Butler's theory of subjectivity as presenting a thesis that analyzes precisely that which Woolf, in this work of fiction, dramatizes: a figure, argued here to be the protagonist of Woolf's work, called the "conspiratorial intersubjective self." In short, Weinman demonstrates that the historical circumstances of Woolf's "modernist" project in The Waves serve both concrete and allegorical roles, and that thinking about this work together with Judith Butler's "performativity thesis" is the best way to see how.
