Author: United States. Congress. Senate. Committee on Foreign Relations. Subcommittee on International Operations and Organizations, Human Rights, Democracy, and Global Women's Issues
Publisher:
ISBN:
Category : International broadcasting
Languages : en
Pages : 52
Book Description
Orwell, the War Broadcasts
Author: George Orwell
Publisher: London : Duckworth : British Broadcasting Corporation
ISBN:
Category : Literary Collections
Languages : en
Pages : 328
Book Description
Publisher: London : Duckworth : British Broadcasting Corporation
ISBN:
Category : Literary Collections
Languages : en
Pages : 328
Book Description
Cold War Broadcasting
Author: A. Ross Johnson
Publisher: Central European University Press
ISBN: 9639776807
Category : Performing Arts
Languages : en
Pages : 612
Book Description
"It was not a matter of propaganda ... black and white ideological broadcasts ... What made [Radio Free Europe] important were its impartiality, independence, and objectivity."---Vaclav Havel "Radio Free Europe and Radio Liberty were critically important weapons in the free world's competition with Soviet totalitarianism---and without them the Soviet bloc might even have not disintegrated ... The account in this book of their activities is therefore not only informative, but critical to understanding recent history."---Zbigniew Brzezinski "The studies and translated Soviet bloc documents published in this book demonstrate the enormous impact of Radio Free Europe, Radio Liberty, and Voice of America during the Cold War. By promoting democratic values and undermining the monopoly of information on which Communist regimes relied, the Radios contributed greatly to the end of the Cold War."---George P. Shultz "I know of no other mass media organization that has done more than RFE/RL to help create the Europe in which we live today---a Europe not divided into two opposing camps."---Elena Bonner Examines the role of Western broadcasting to the Soviet Union and Eastern Europe during the Cold War, with a focus on Radio Free Europe and Radio Liberty. It includes chapters by radio veterans and by scholars who have conducted research on the subject in once-secret Soviet bloc archives and in Western records. It also contains a selection of translated documents from formerly secret Soviet and East European archives, most of them published here for the first time.
Publisher: Central European University Press
ISBN: 9639776807
Category : Performing Arts
Languages : en
Pages : 612
Book Description
"It was not a matter of propaganda ... black and white ideological broadcasts ... What made [Radio Free Europe] important were its impartiality, independence, and objectivity."---Vaclav Havel "Radio Free Europe and Radio Liberty were critically important weapons in the free world's competition with Soviet totalitarianism---and without them the Soviet bloc might even have not disintegrated ... The account in this book of their activities is therefore not only informative, but critical to understanding recent history."---Zbigniew Brzezinski "The studies and translated Soviet bloc documents published in this book demonstrate the enormous impact of Radio Free Europe, Radio Liberty, and Voice of America during the Cold War. By promoting democratic values and undermining the monopoly of information on which Communist regimes relied, the Radios contributed greatly to the end of the Cold War."---George P. Shultz "I know of no other mass media organization that has done more than RFE/RL to help create the Europe in which we live today---a Europe not divided into two opposing camps."---Elena Bonner Examines the role of Western broadcasting to the Soviet Union and Eastern Europe during the Cold War, with a focus on Radio Free Europe and Radio Liberty. It includes chapters by radio veterans and by scholars who have conducted research on the subject in once-secret Soviet bloc archives and in Western records. It also contains a selection of translated documents from formerly secret Soviet and East European archives, most of them published here for the first time.
Broadcast Hysteria
Author: A. Brad Schwartz
Publisher: Hill and Wang
ISBN: 0809031639
Category : History
Languages : en
Pages : 351
Book Description
On the evening of October 30, 1938, radio listeners across the United States heard a startling report of a meteor strike in the New Jersey countryside. With sirens blaring in the background, announcers in the field described mysterious creatures, terrifying war machines, and thick clouds of poison gas moving toward New York City. As the invading force approached Manhattan, some listeners sat transfixed, while others ran to alert neighbors or to call the police. Some even fled their homes. But the hair-raising broadcast was not a real news bulletin-it was Orson Welles's adaptation of the H. G. Wells classic The War of the Worlds. In Broadcast Hysteria, A. Brad Schwartz boldly retells the story of Welles's famed radio play and its impact. Did it really spawn a "wave of mass hysteria," as The New York Times reported? Schwartz is the first to examine the hundreds of letters sent to Orson Welles himself in the days after the broadcast, and his findings challenge the conventional wisdom. Few listeners believed an actual attack was under way. But even so, Schwartz shows that Welles's broadcast became a major scandal, prompting a different kind of mass panic as Americans debated the bewitching power of the radio and the country's vulnerability in a time of crisis. When the debate was over, American broadcasting had changed for good, but not for the better. As Schwartz tells this story, we observe how an atmosphere of natural disaster and impending war permitted broadcasters to create shared live national experiences for the first time. We follow Orson Welles's rise to fame and watch his manic energy and artistic genius at work in the play's hurried yet innovative production. And we trace the present-day popularity of "fake news" back to its source in Welles's show and its many imitators. Schwartz's original research, gifted storytelling, and thoughtful analysis make Broadcast Hysteria a groundbreaking new look at a crucial but little-understood episode in American history.
Publisher: Hill and Wang
ISBN: 0809031639
Category : History
Languages : en
Pages : 351
Book Description
On the evening of October 30, 1938, radio listeners across the United States heard a startling report of a meteor strike in the New Jersey countryside. With sirens blaring in the background, announcers in the field described mysterious creatures, terrifying war machines, and thick clouds of poison gas moving toward New York City. As the invading force approached Manhattan, some listeners sat transfixed, while others ran to alert neighbors or to call the police. Some even fled their homes. But the hair-raising broadcast was not a real news bulletin-it was Orson Welles's adaptation of the H. G. Wells classic The War of the Worlds. In Broadcast Hysteria, A. Brad Schwartz boldly retells the story of Welles's famed radio play and its impact. Did it really spawn a "wave of mass hysteria," as The New York Times reported? Schwartz is the first to examine the hundreds of letters sent to Orson Welles himself in the days after the broadcast, and his findings challenge the conventional wisdom. Few listeners believed an actual attack was under way. But even so, Schwartz shows that Welles's broadcast became a major scandal, prompting a different kind of mass panic as Americans debated the bewitching power of the radio and the country's vulnerability in a time of crisis. When the debate was over, American broadcasting had changed for good, but not for the better. As Schwartz tells this story, we observe how an atmosphere of natural disaster and impending war permitted broadcasters to create shared live national experiences for the first time. We follow Orson Welles's rise to fame and watch his manic energy and artistic genius at work in the play's hurried yet innovative production. And we trace the present-day popularity of "fake news" back to its source in Welles's show and its many imitators. Schwartz's original research, gifted storytelling, and thoughtful analysis make Broadcast Hysteria a groundbreaking new look at a crucial but little-understood episode in American history.
Broadcasting Freedom
Author: Barbara Dianne Savage
Publisher: UNC Press Books
ISBN: 9780807848043
Category : Social Science
Languages : en
Pages : 412
Book Description
Tells how Blacks used radio
Publisher: UNC Press Books
ISBN: 9780807848043
Category : Social Science
Languages : en
Pages : 412
Book Description
Tells how Blacks used radio
Spooked!
Author: Gail Jarrow
Publisher: Boyds Mills Press
ISBN: 1684371430
Category : Juvenile Nonfiction
Languages : en
Pages : 145
Book Description
A Washington Post Best Children's Book This book for young readers explores in riveting detail the false panic created by the famous War of the Worlds radio broadcast from 1938—as well as the repercussions of "fake news" today. On the night of October 30, 1938, thousands of Americans panicked when they believed that Martians had invaded Earth. What appeared to be breaking news about an alien invasion was in fact a radio drama based on H. G. Wells's War of the Worlds, performed by Orson Welles and his Mercury Theatre players. Some listeners became angry once they realized they had been tricked, and the reaction to the broadcast sparked a national discussion about fake news, propaganda, and the role of radio. In this compelling nonfiction chapter book, Gail Jarrow explores the production of the broadcast, the aftermath, and the concept of "fake news" in the media.
Publisher: Boyds Mills Press
ISBN: 1684371430
Category : Juvenile Nonfiction
Languages : en
Pages : 145
Book Description
A Washington Post Best Children's Book This book for young readers explores in riveting detail the false panic created by the famous War of the Worlds radio broadcast from 1938—as well as the repercussions of "fake news" today. On the night of October 30, 1938, thousands of Americans panicked when they believed that Martians had invaded Earth. What appeared to be breaking news about an alien invasion was in fact a radio drama based on H. G. Wells's War of the Worlds, performed by Orson Welles and his Mercury Theatre players. Some listeners became angry once they realized they had been tricked, and the reaction to the broadcast sparked a national discussion about fake news, propaganda, and the role of radio. In this compelling nonfiction chapter book, Gail Jarrow explores the production of the broadcast, the aftermath, and the concept of "fake news" in the media.
Broadcasting Freedom
Author: Arch Puddington
Publisher: University Press of Kentucky
ISBN: 9780813171241
Category : History
Languages : en
Pages : 422
Book Description
Among America's most unusual and successful weapons during the Cold War were Radio Free Europe and Radio Liberty. RFE-RL had its origins in a post-war America brimming with confidence and secure in its power. Unlike the Voice of America, which conveyed a distinctly American perspective on global events, RFE-RL served as surrogate home radio services and a vital alternative to the controlled, party-dominated domestic press in Eastern Europe. Over twenty stations featured programming tailored to individual countries. They reached millions of listeners ranging from industrial workers to dissident leaders such as Lech Walesa and Vaclav Havel. Broadcasting Freedom draws on rare archival material and offers a penetrating insider history of the radios that helped change the face of Europe. Arch Puddington reveals new information about the connections between RFE-RL and the CIA, which provided covert funding for the stations during the critical start-up years in the early 1950s. He relates in detail the efforts of Soviet and Eastern Bloc officials to thwart the stations; their tactics ranged from jamming attempts, assassinations of radio journalists, the infiltration of spies onto the radios' staffs, and the bombing of the radios' headquarters. Puddington addresses the controversies that engulfed the stations throughout the Cold War, most notably RFE broadcasts during the Hungarian Revolution that were described as inflammatory and irresponsible. He shows how RFE prevented the Communist authorities from establishing a monopoly on the dissemination of information in Poland and describes the crucial roles played by the stations as the Berlin Wall came down and the Soviet Union broke apart. Broadcasting Freedom is also a portrait of the Cold War in America. Puddington offers insights into the strategic thinking of the RFE-RL leadership and those in the highest circles of American government, including CIA directors, secretaries of state, and even presidents.
Publisher: University Press of Kentucky
ISBN: 9780813171241
Category : History
Languages : en
Pages : 422
Book Description
Among America's most unusual and successful weapons during the Cold War were Radio Free Europe and Radio Liberty. RFE-RL had its origins in a post-war America brimming with confidence and secure in its power. Unlike the Voice of America, which conveyed a distinctly American perspective on global events, RFE-RL served as surrogate home radio services and a vital alternative to the controlled, party-dominated domestic press in Eastern Europe. Over twenty stations featured programming tailored to individual countries. They reached millions of listeners ranging from industrial workers to dissident leaders such as Lech Walesa and Vaclav Havel. Broadcasting Freedom draws on rare archival material and offers a penetrating insider history of the radios that helped change the face of Europe. Arch Puddington reveals new information about the connections between RFE-RL and the CIA, which provided covert funding for the stations during the critical start-up years in the early 1950s. He relates in detail the efforts of Soviet and Eastern Bloc officials to thwart the stations; their tactics ranged from jamming attempts, assassinations of radio journalists, the infiltration of spies onto the radios' staffs, and the bombing of the radios' headquarters. Puddington addresses the controversies that engulfed the stations throughout the Cold War, most notably RFE broadcasts during the Hungarian Revolution that were described as inflammatory and irresponsible. He shows how RFE prevented the Communist authorities from establishing a monopoly on the dissemination of information in Poland and describes the crucial roles played by the stations as the Berlin Wall came down and the Soviet Union broke apart. Broadcasting Freedom is also a portrait of the Cold War in America. Puddington offers insights into the strategic thinking of the RFE-RL leadership and those in the highest circles of American government, including CIA directors, secretaries of state, and even presidents.
Aliens are Coming!
Author: Meghan McCarthy
Publisher: Dragonfly Books
ISBN: 0385736789
Category : Juvenile Nonfiction
Languages : en
Pages : 41
Book Description
A picture-book account of one of the most famous pieces of radio history! * “Sandwiched between a look at Depression-era radios and a set of fanciful period advertisements, McCarthy delivers a semi-serious account of the 1938 War of the Worlds broadcast, illustrating both passages from the script and briefly told descriptions of widespread panic with smudgy cartoon scenes featuring bug-eyed monsters and equally bug-eyed people. The author closes with a substantial note that analyzes the broadcast’ immediate and long-term effects, points out that the announcers repeatedly admitted that they were presenting a drama during the broadcast, mentions several later revivals here and internationally and notes the response of H.G. Wells himself to the original production. She has also set up an invitingly designed Web site with an array of relevant links.” —Kirkus Reviews, Starred An ALA–ALSC Notable Children’s Book A School Library Journal Best Book of the Year An IRA–CBC Children’s Choice A Kirkus Reviews Editor’s Choice A 2006 New York Public Library 100 Titles for Reading and Sharing
Publisher: Dragonfly Books
ISBN: 0385736789
Category : Juvenile Nonfiction
Languages : en
Pages : 41
Book Description
A picture-book account of one of the most famous pieces of radio history! * “Sandwiched between a look at Depression-era radios and a set of fanciful period advertisements, McCarthy delivers a semi-serious account of the 1938 War of the Worlds broadcast, illustrating both passages from the script and briefly told descriptions of widespread panic with smudgy cartoon scenes featuring bug-eyed monsters and equally bug-eyed people. The author closes with a substantial note that analyzes the broadcast’ immediate and long-term effects, points out that the announcers repeatedly admitted that they were presenting a drama during the broadcast, mentions several later revivals here and internationally and notes the response of H.G. Wells himself to the original production. She has also set up an invitingly designed Web site with an array of relevant links.” —Kirkus Reviews, Starred An ALA–ALSC Notable Children’s Book A School Library Journal Best Book of the Year An IRA–CBC Children’s Choice A Kirkus Reviews Editor’s Choice A 2006 New York Public Library 100 Titles for Reading and Sharing
Words at War
Author: Howard Blue
Publisher: Studies and Documentation in the History of Popular Entertainment
ISBN: 9780810844131
Category : History
Languages : en
Pages : 0
Book Description
Words at War describes how 17 radio dramatists and their actors fought a war of words against fascism abroad and injustice at home. Beginning in the late 1930s, the commercial networks, private agencies, and the government cooperated with radio dramatists to produce plays to alert Americans to the Nazi threat. They also used radio to stimulate morale. They showed how Americans could support the fight against fascism even if it meant just having a "victory garden." Simultaneously as they worked on the war effort, many radio writers and actors advanced a progressive agenda to fight the enemy within: racism, poverty, and other social ills. When the war ended, many of these people paid for their idealism by suffering blacklisting. Veterans' groups, the FBI, right-wing politicians, and other reactionaries mounted an assault on them to drive them out of their professions. This book discusses that partly successful effort and the response of the radio personalities involved. This book discusses commercial drama series such as The Man Behind the Gun, network sustained shows such as those of Norman Corwin, and government-produced programs such as the Uncle Sam series. The book is largely based on the author's interviews with Norman Corwin, Arthur Miller, Pete Seeger, Arthur Laurents, Art Carney and dozens of others associated with radio during its Golden Age. It also discusses public reaction to these broadcasts and the issue of blacklisting. Words at War weaves together materials from FBI files and materials from archives around the country, including the Academy of Motion Picture Arts and Sciences, the National Archives and a dozen university special collection libraries, to tell how the nation used a unique broadcast genre in a time of national crisis. Readers in the era of the current World Trade Center terrorism crisis will be particularly interested to read about censorship, scapegoating, and the government's role in disseminating propaganda and other issues that have once again
Publisher: Studies and Documentation in the History of Popular Entertainment
ISBN: 9780810844131
Category : History
Languages : en
Pages : 0
Book Description
Words at War describes how 17 radio dramatists and their actors fought a war of words against fascism abroad and injustice at home. Beginning in the late 1930s, the commercial networks, private agencies, and the government cooperated with radio dramatists to produce plays to alert Americans to the Nazi threat. They also used radio to stimulate morale. They showed how Americans could support the fight against fascism even if it meant just having a "victory garden." Simultaneously as they worked on the war effort, many radio writers and actors advanced a progressive agenda to fight the enemy within: racism, poverty, and other social ills. When the war ended, many of these people paid for their idealism by suffering blacklisting. Veterans' groups, the FBI, right-wing politicians, and other reactionaries mounted an assault on them to drive them out of their professions. This book discusses that partly successful effort and the response of the radio personalities involved. This book discusses commercial drama series such as The Man Behind the Gun, network sustained shows such as those of Norman Corwin, and government-produced programs such as the Uncle Sam series. The book is largely based on the author's interviews with Norman Corwin, Arthur Miller, Pete Seeger, Arthur Laurents, Art Carney and dozens of others associated with radio during its Golden Age. It also discusses public reaction to these broadcasts and the issue of blacklisting. Words at War weaves together materials from FBI files and materials from archives around the country, including the Academy of Motion Picture Arts and Sciences, the National Archives and a dozen university special collection libraries, to tell how the nation used a unique broadcast genre in a time of national crisis. Readers in the era of the current World Trade Center terrorism crisis will be particularly interested to read about censorship, scapegoating, and the government's role in disseminating propaganda and other issues that have once again
C.S. Lewis in a Time of War
Author: Justin Phillips
Publisher:
ISBN:
Category : Broadcast talks (Radio program)
Languages : en
Pages : 324
Book Description
BBC journalist Justin Phillips explores the fascinating story of the radio broadcasts that evolved into Lewis's seminal work, Mere Christianity, and the enthusiastic response they evoked in London during World War II as German bombs fell on the city.
Publisher:
ISBN:
Category : Broadcast talks (Radio program)
Languages : en
Pages : 324
Book Description
BBC journalist Justin Phillips explores the fascinating story of the radio broadcasts that evolved into Lewis's seminal work, Mere Christianity, and the enthusiastic response they evoked in London during World War II as German bombs fell on the city.
We Interrupt this Broadcast
Author: Joe Garner
Publisher:
ISBN: 9781570713286
Category : Disasters
Languages : en
Pages : 154
Book Description
Publisher:
ISBN: 9781570713286
Category : Disasters
Languages : en
Pages : 154
Book Description