The Vocabulary of Intrigue in Roman Comedy PDF Download
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Author: Blanche Elisabeth Mae Brotherton
Publisher:
ISBN:
Category : Latin drama
Languages : en
Pages : 142
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Book Description
Author: Blanche Elisabeth Mae Brotherton
Publisher:
ISBN:
Category : Latin drama
Languages : en
Pages : 142
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Book Description
Author: Blanche Brotherton Cox
Publisher:
ISBN:
Category : Comedy
Languages : en
Pages : 0
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Book Description
Author: Blanche Brotherton Cox
Publisher: Dissertations-G
ISBN:
Category : Drama
Languages : en
Pages : 278
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Book Description
Author: Blanche Brotherton
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Evangelos Karakasis
Publisher: Cambridge University Press
ISBN: 113944445X
Category : History
Languages : en
Pages : 325
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Book Description
This book offers a comprehensive examination of the language of Roman comedy in general and that of Terence in particular. The study explores Terence's use of language to differentiate his characters and his language in relation to the language of the comic fragments of the palliata, the togata and the atellana. Linguistic categories in the Terentian corpus explored include colloquialisms, archaisms, hellenisms and idiolectal features. Terence is shown to give his old men an old-fashioned and verbose tone, while low characters are represented as using colloquial diction. An examination of Eunuchus' language shows it to be closer to the Plautine linguistic tradition. The book also provides a thorough linguistic/stylistic commentary on all the fragments of the palliata, the togata and the atellana. It shows that Terence, except in the case of his Eunuchus, consciously distances himself from the linguistic/stylistic tradition of Plautus followed by all other comic poets.
Author: Martin T. Dinter
Publisher: Cambridge University Press
ISBN: 1107002109
Category : Drama
Languages : en
Pages : 449
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Book Description
Provides a comprehensive critical engagement with Roman comedy and its reception presented by leading international scholars in accessible and up-to-date chapters.
Author: Alison Sharrock
Publisher: Cambridge University Press
ISBN: 1139482645
Category : History
Languages : en
Pages : 334
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Book Description
For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.
Author: George Melville Bolling
Publisher:
ISBN:
Category : Comparative linguistics
Languages : en
Pages : 314
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Book Description
Author: Myles McDonnell
Publisher: Cambridge University Press
ISBN: 0521827884
Category : History
Languages : en
Pages : 504
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Author: Matthew Leigh
Publisher: Oxford University Press, USA
ISBN: 019926676X
Category : Drama
Languages : en
Pages : 254
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Book Description
Comedy and the Rise of Rome invites the reader to consider Roman comedy in the light of history and Roman history in the light of comedy. Plautus and Terence base their dramas on the New Comedy of fourth- and third-century BC Greece. Yet many of the themes with which they engage are peculiarly alive in the Rome of the Hannibalic war, and the conquest of Macedon. This study takes issues as diverse as the legal status of the prisoner of war, the ethics of ambush, fatherhoodand command, and the clash of maritime and agrarian economies, and examines responses to them both on the comic stage and in the world at large. This is a substantially new departure in ways of thinking about Roman comedy and one that opens it up to a far wider public than has previously been thecase.
