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Author: Margaret M. McGowan
Publisher: Yale University Press
ISBN: 9780300085358
Category : History
Languages : en
Pages : 490
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Book Description
"The French vision of Rome was initially determined by travel journals, guide books and a rapidly developing trade in antiquities. Against this background, Margaret McGowan examines work by writers such as Du Bellay, Grevin, Montaigne and Garnier, and by architects and artists such as Philibert de L'Orme and Jean Cousin, showing how they drew upon classical ruins and reconstructions not only to re-enact past meanings and achievements but also, more dynamically, to interpret the present. She explains how Renaissance Rome, enhanced by the presence of so many signs of ancient grandeur, provided a fertile source of artistic creativity. Study of the fragments of the past tempted writers to an imaginative reconstruction of whole forms, while the new structures they created in France revealed the artistic potency of the incomplete and the fragmentary.
Author: Margaret M. McGowan
Publisher: Yale University Press
ISBN: 9780300085358
Category : History
Languages : en
Pages : 490
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Book Description
"The French vision of Rome was initially determined by travel journals, guide books and a rapidly developing trade in antiquities. Against this background, Margaret McGowan examines work by writers such as Du Bellay, Grevin, Montaigne and Garnier, and by architects and artists such as Philibert de L'Orme and Jean Cousin, showing how they drew upon classical ruins and reconstructions not only to re-enact past meanings and achievements but also, more dynamically, to interpret the present. She explains how Renaissance Rome, enhanced by the presence of so many signs of ancient grandeur, provided a fertile source of artistic creativity. Study of the fragments of the past tempted writers to an imaginative reconstruction of whole forms, while the new structures they created in France revealed the artistic potency of the incomplete and the fragmentary.
Author: Jonathan Patterson
Publisher:
ISBN: 0198716516
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Why did people talk so much about avarice in late Renaissance France, nearly a century before Moliere's famous comedy, L'Avare? As wars and economic crises ravaged France on the threshold of modernity, avarice was said to be flourishing as never before. Yet by the late sixteenth century, a number of French writers would argue that in some contexts, avaricious behaviour was not straightforwardly sinful or harmful. Considerations of social rank, gender, object pursued, time, and circumstance led some to question age-old beliefs. Traditionally reviled groups (rapacious usurers, greedy lawyers, miserly fathers, covetous women) might still exhibit unmistakable signs of avarice -- but perhaps not invariably, in an age of shifting social, economic and intellectual values. Across a large, diverse corpus of French texts, Jonathan Patterson shows how a range of flexible genres nourished by humanism tended to offset traditional condemnation of avarice and avares with innovative, mitigating perspectives, arising from subjective experience. In such writings, an avaricious disposition could be re-described as something less vicious, excusable, or even expedient. In this word history of avarice, close readings of well-known authors (Marguerite de Navarre, Ronsard, Montaigne), and of their lesser-known contemporaries are connected to broader socio-economic developments of the late French Renaissance (c.1540-1615). The final chapter situates key themes in relation to Moliere's L'Avare. As such, Representing Avarice in Late Renaissance France newly illuminates debates about avarice within broader cultural preoccupations surrounding gender, enrichment and status in early modern France.
Author: Richard Cooper
Publisher: Routledge
ISBN: 1317061861
Category : History
Languages : en
Pages : 539
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Book Description
Making use of new and original material based on firsthand sources, this book interrogates the vogue for collecting, discussing, depicting, and putting to political and cultural use Roman antiquities in the French Renaissance. It surveys a range of activity from the labours of collectors and patrons to royal entries, considers attacks on the craze for the antique, and sets literary instances among a much wider spectrum of artistic endeavour. While Renaissance collecting and antiquarianism have certainly been the object of critical scrutiny, this study brings disparate fields into a single focus; and it examines not only areas of antiquarian expertise and interest (such as statues, coins, and books), but also important individual historical figures. The opening chapters deal with the role played in Rome by French ambassadors, who sent back antiques to collectors at court, who in the person of Jean Du Bellay, undertook excavations, and assembled a major personal collection, which was housed in a new villa in the ruined Baths of Diocletian. The volume includes a valuable appendix, which presents in transcription catalogues of the collections of Cardinal Jean du Bellay.
Author: Christy Anderson
Publisher: OUP Oxford
ISBN: 0191625264
Category : Architecture
Languages : en
Pages : 272
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Book Description
The Renaissance was a diverse phenomenon, marked by innovation and economic expansion, the rise of powerful rulers, religious reforms, and social change. Encompassing the entire continent, Renaissance Architecture examines the rich variety of buildings that emerged during these seminal centuries of European history. Although marked by the rise of powerful individuals, both patrons and architects, the Renaissance was equally a time of growing group identities and communities - and architecture provided the public face to these new identities . Religious reforms in northern Europe, spurred on by Martin Luther, rejected traditional church function and decoration, and proposed new models. Political ambitions required new buildings to satisfy court rituals. Territory, nature, and art intersected to shape new landscapes and building types. Classicism came to be the international language of an educated architect and an ambitious patron, drawing on the legacy of ancient Rome. Yet the richness of the medieval tradition continued to be used throughout Europe, often alongside classical buildings. Examining each of these areas by turn, this book offers a broad cultural history of the period as well as a completely new approach to the history of Renaissance architecture. The work of well-known architects such as Michelangelo and Andrea Palladio is examined alongside lesser known though no less innovative designers such as Juan Guas in Portugal and Benedikt Ried in Prague and Eastern Europe. Drawing on the latest research, it also covers more recent areas of interest such as the story of women as patrons and the emotional effect of Renaissance buildings, as well as the impact of architectural publications and travel on the emerging new architectural culture across Europe. As such, it provides a compelling introduction to the subject for all those interested in the history of architecture, society, and culture in the Renaissance, and European culture in general.
Author: Elisabeth Hodges
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754662068
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
Through a construct she calls urban poetics, Elisabeth Hodges draws out the relationship between the city and the self in early modern French literature and culture, showing the impact of the city in human history and cultural production to be so profound that it cannot be extricated from what we know by the name of subjectivity. Charting a course between cartography, literary studies, and cultural history, this study opens new vistas on some of the period's defining problems.
Author: Hélène Visentin
Publisher: Centre for Reformation and Renaissance Studies
ISBN: 9780772720337
Category : History
Languages : en
Pages : 284
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Book Description
The articles in this volume use a variety of disciplinary approaches to examine texts and archival documents recording sixteenth-century French ceremonial entries. By their very nature, ceremonial entries require such an approach: they bring together a number of artistic media, including music, architecture, and literature, and a range of political concerns, like international diplomacy and the relations between urban and royal power. Few cultural constructs offer such rich and varied terrain to the student of sixteenth-century France. The primary purpose of this collection is, therefore, to reflect upon salient aspects of ceremonial entries that may help us to understand how this ritual performed its complex and multidimensional cultural, intellectual, historical, and political work in order to cast a new light on French society in the early modern period.
Author: Jill Burke
Publisher: Routledge
ISBN: 1351551116
Category : Art
Languages : en
Pages : 403
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Book Description
The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic. Exploring how we can reconceptualize the High Renaissance in a way that reflects how we research and teach today, this volume complicates and deepens our understanding of artistic change. Focusing on Rome, the paradigmatic centre of the High Renaissance narrative, each essay presents a case study of a particular aspect of the culture of the city in the early sixteenth century, including new analyses of Raphael's stanze, Michelangelo's Sistine Ceiling and the architectural designs of Bramante. The contributors question notions of periodization, reconsider the Renaissance relationship with classical antiquity, and ultimately reconfigure our understanding of 'high Renaissance style'.
Author: Nina L. Dubin
Publisher: Getty Publications
ISBN: 1606060236
Category : Art
Languages : en
Pages : 212
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Book Description
In this timely and provocative study, Hubert Robert's paintings of urban ruins are interpreted as manifestations of a new consciousness of time, one shaped by the uncertainties of an economy characterized by the dread-inducing expansion of credit, frenzied speculation on the stock exchange, and bold ventures in real estate. As the favored artist of an enterprising Parisian elite, Robert is a prophetic case study of the intersections between aesthetics and modernity's dawning business culture. At the center of this lively narrative lie Robert's depictions of the ruins of Paris--macabre and spectacular paintings of fires and demolitions created on the eve of the French Revolution. Drawing on a vast range of materials, Futures & Ruins understands these artworks as harbingers of a modern appetite for destruction. The paintings are examined as expressions of the pleasures and perils of a risk economy. This captivating account--lavishly illustrated with rarely reproduced objects--recovers the critical significance of the eighteenth-century cult of ruins and of Robert's art for our times.
Author: Susan Stewart
Publisher: University of Chicago Press
ISBN: 022679220X
Category : Architecture
Languages : en
Pages : 401
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Book Description
"In 'The Ruins Lesson,' the National Book Critics Circle Award-winning poet-critic Susan Stewart explores the West's fascination with ruins in literature, visual art, and architecture, covering a vast chronological and geographical range from the ancient Egyptians to T. S. Eliot. In the multiplication of images of ruins, artists, and writers she surveys, Stewart shows how these thinkers struggled to recover lessons out of the fragility or our cultural remains. She tries to understand the appeal in the West of ruins and ruination, particularly Roman ruins, in the work and thought of Goethe, Piranesi, Blake, and Wordsworth, whom she returns to throughout the book. Her sweeping, deeply felt study encompasses the founding legends of broken covenants and original sin; Christian transformations of the classical past; the myths and rituals of human fertility; images of ruins in Renaissance allegory, eighteenth-century melancholy, and nineteenth-century cataloguing; and new gardens that eventually emerged from ancient sites of disaster"--
Author: Du Bellay
Publisher: Oxford University Press
ISBN: 019266378X
Category : Poetry
Languages : en
Pages : 273
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Book Description
'Live now and listen, do not wait in vain Until tomorrow; pluck life's rose today.' Joachim du Bellay and Pierre de Ronsard are two of the major sixteenth-century French poets and leaders of the extraordinary group known as 'La Pl?iade'. Determined to create a national vernacular literature, the Pl?iade poets profited from an intense study of Greek and Roman models and from a creative use of classical mythology to produce a body of verse that reflects the vigour and variety of European Renaissance culture. Du Bellay broke new ground with the gritty realism and resentment of the Regrets and with his meditation in the Antiquities on the rise and fall of the Roman Empire. In a series of sonnet sequences (Cassandre, Marie, Astr?e, H?l?ne) Ronsard developed the Petrarchan tradition of love poetry with a wider range of situations, a richer imagery, and more robust sensuality. His reputation as France's greatest love-poet should not, however, obscure his excellence in an astonishing variety of forms and genres such as elegies, odes, philosophical hymns, and religious controversy. Anthony Mortimer's verse translations cover this many-faceted achievement in a version that functions as English poetry in its own right without departing from the letter and spirit of the original. The French text is given on facing pages and a useful appendix contains extracts from seminal manifestos by the two poets. A critical introduction, a glossary of names and places, and abundant notes encourage the reader to place the poems in their social and cultural context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
