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Author: Kaja Silverman
Publisher: Routledge
ISBN: 1317795970
Category : Psychology
Languages : en
Pages : 272
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Book Description
In The Threshold of the Visible World Kaja Silverman advances a revolutionary new political aesthetic, exploring the possibilities for looking beyond the restrictive mandates of the self, and the normative aspects of the cultural image-repertoire. She provides a detailed account of the social and psychic forces which constrain us to look and identify in normative ways, and the violence which that normativity implies.
Author: Kaja Silverman
Publisher: Routledge
ISBN: 1317795989
Category : Psychology
Languages : en
Pages : 265
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Book Description
In The Threshold of the Visible World Kaja Silverman advances a revolutionary new political aesthetic, exploring the possibilities for looking beyond the restrictive mandates of the self, and the normative aspects of the cultural image-repertoire. She provides a detailed account of the social and psychic forces which constrain us to look and identify in normative ways, and the violence which that normativity implies.
Author: Thijs Weststeijn
Publisher: Amsterdam University Press
ISBN: 9089640274
Category : Art
Languages : en
Pages : 477
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Book Description
How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Diverse aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Taking as its starting point discussions in Rembrandt's studio, this unique study provides an ambitious overview of Dutch artists' ideas on painting.
Author: Mark Slouka
Publisher: Portobello Books
ISBN: 1846272394
Category : Fiction
Languages : en
Pages : 197
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Book Description
'My mother knew a man during the war. Theirs was a love story, and like any good love story, it left blood on the floor and wreckage in its wake.' As a boy growing up in New York, the narrator's parents' memories of their Czech homeland seem to belong to another world, as distant and unreal as the fairy tales his father tells him. It is only as an adult, when he makes his own journey to Prague, that he is finally able to piece together the truth of his parents' past: what they did, whom his mother loved, and why they were never able to forget.
Author: Johann Amos Comenius
Publisher:
ISBN:
Category : Latin language
Languages : la
Pages : 244
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Book Description
Author: Emily Dalgarno
Publisher: Cambridge University Press
ISBN: 9780521033602
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Dalgarno examines Woolf's engagement with notions of the visible.
Author: Marilyn Bowering
Publisher: Harper Collins
ISBN: 1443410926
Category : Fiction
Languages : en
Pages : 254
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Book Description
Gerhard and Albrecht Storr are twins, though they share little in common beyond an eccentric upbringing. Raised by a father devoted to the powers of “Personal Magnetism” and a German-immigrant mother unhappy with life in Winnipeg and obsessed with the ghosts of her past, the two brothers grow further and further apart, eventually fighting on opposite sides of the Second World War. Exhaustion is overwhelming Fika, a young Soviet woman crossing the Polar icecap bound for Canada. It’s midwinter 1960, and she’s lost her companions to a frosty death, can barely carry her own supplies, and must ski for another month to reach civilization. How these two gripping tales on their separate sides of the globe unfold and come together is one of the many accomplishments of this extraordinary story. With Marilyn Bowering’s superb gift for storytelling, finely realized characters, and lyrical language, Visible Worlds resonates with the mystery and mysticism of the worlds we see and those we can only imagine.
Author: Kimberly Elkins
Publisher: Grand Central Publishing
ISBN: 1455528978
Category : Fiction
Languages : en
Pages : 316
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Book Description
A vividly original literary novel based on the astounding true-life story of Laura Bridgman, the first deaf and blind person who learned language and blazed a trail for Helen Keller. At age two, Laura Bridgman lost four of her five senses to scarlet fever. At age seven, she was taken to Perkins Institute in Boston to determine if a child so terribly afflicted could be taught. At age twelve, Charles Dickens declared her his prime interest for visiting America. And by age twenty, she was considered the nineteenth century's second most famous woman, having mastered language and charmed the world with her brilliance. Not since The Diving Bell and the Butterfly has a book proven so profoundly moving in illuminating the challenges of living in a completely unique inner world. With Laura—by turns mischievous, temperamental, and witty—as the book's primary narrator, the fascinating kaleidoscope of characters includes the founder of Perkins Institute, Samuel Gridley Howe, with whom she was in love; his wife, the glamorous Julia Ward Howe, a renowned writer, abolitionist, and suffragist; Laura's beloved teacher, who married a missionary and died insane from syphilis; an Irish orphan with whom Laura had a tumultuous affair; Annie Sullivan; and even the young Helen Keller. Deeply enthralling and rich with lyricism, What is Visible chronicles the breathtaking experiment that Laura Bridgman embodied and its links to the great social, philosophical, theological, and educational changes rocking Victorian America. Given Laura's worldwide fame in the nineteenth century, it is astonishing that she has been virtually erased from history. What is Visible will set the record straight.
Author: June Singer
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 264
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Book Description
Author: Samuel van Hoogstraten
Publisher: Getty Publications
ISBN: 1606066676
Category : Art
Languages : en
Pages : 426
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Book Description
A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands. The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more. Van Hoogstraten’s magnum opus—here available in an English print edition for the first time—brings textual sources into dialogue with the author’s own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.
Author: Johanna Drucker
Publisher: University of Chicago Press
ISBN: 0226165027
Category : Art
Languages : en
Pages : 306
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Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
