The Virginia Text Book; Containing a History of Masonic Grand Lodges, and the Constitution of Masonry ... Together with a Digest of the Laws, Rules, and Regulations of the Grand Lodge of Virginia ... Third Edition PDF Download
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Author: John DOVE (Freemason.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 394
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Author: John DOVE (Freemason.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 394
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 422
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Author: John Dove
Publisher:
ISBN:
Category :
Languages : en
Pages : 442
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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1032
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 744
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Author: Mechal Sobel
Publisher: LSU Press
ISBN: 9780807134016
Category : Art
Languages : en
Pages : 252
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Book Description
Born into slavery on an Alabama plantation in 1853, Bill Traylor worked as a sharecropper for most of his life. But in 1928 he moved to Montgomery and changed his life, becoming a self-taught lyric painter of extraordinary ability and power. From 1936 to 1946, he sat on a street corner—old, ill, and homeless—and created well over 1,200 paintings. Collected and later promoted by Charles Shannon, a young Montgomery artist, his work received star placement in the Corcoran Gallery’s 1982 exhibition “Black Folk Art in America.” From then on, the spare and powerful “radical modernity” of Traylor’s work helped place him among the rising stars of twentieth-century American artists. Most critics and art historians who analyze Traylor’s paintings emphasize his extraordinary form and evaluate the content as either simple or enigmatic narratives of black life. In Painting a Hidden Life, historian Mechal Sobel’s trenchant analysis reveals a previously unrecognized central core of meaning in Traylor’s near-hidden symbolism—a call for retribution in response to acts of lynching and other violence toward blacks. Drawing on historical records and oral histories, Sobel carefully explores the relationship between Traylor’s life and his paintings and arrives at new interpretations of his art. From an interview with Traylor’s great-granddaughter, Sobel learned that Traylor believed the Birmingham policemen who killed his son in 1929 in fact lynched him—a story that neither Traylor nor his family had previously disclosed. The trauma of this event, Sobel explains, propelled Traylor to find a way to voice his rage and spurred the creation of his powerful, mysterious visual language. Traylor’s encoded paintings tell a vibrant, multilayered story of conjure power, sexual rivalry, and violence. Revealing an extraordinarily diverse visual universe, the symbols in Traylor’s paintings reflect the worlds he lived in between 1853 and 1949: the plantation conjure milieu into which he was born, the blues culture in which he matured, the world of Jim Crow he learned to secretly violate, and the Catholic values he adopted in his final years. From his African heritage, Traylor drew symbols not readily understood by whites. He mixed traditional African images with conjure signs, with symbols of black Baptists and Freemasons, and with images central to the hidden black protest movement—the cross and the lynching tree. In this groundbreaking examination of an extraordinary artist, Sobel uncovers the internalized pain of several generations and traces the paths African Americans blazed long before the march down the Selma–Montgomery highway.
Author: Murat R. Şiviloğlu
Publisher: Cambridge University Press
ISBN: 1108126049
Category : History
Languages : en
Pages : 333
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Nineteenth-century Ottoman politics was filled with casual references to public opinion. Having been popularised as a term in the 1860s, the following decades witnessed a deluge of issues being brought into 'the tribune of public opinion'. Murat R. Şiviloğlu explains how this concept emerged, and how such an abstract phenomenon embedded itself so deeply into the political discourse that even sultans had to consider its power. Through looking at the bureaucratic and educational institutions of the time, this book offers an analysis of the society and culture of the Ottomans, as well as providing an interesting application of theoretical ideas concerning common political identity and public opinion. The result is a more balanced and nuanced understanding of public opinion as a whole.
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 610
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Author:
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ISBN:
Category : Bibliography, National
Languages : en
Pages : 712
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