The Viola da Gamba Society Index of Manuscripts Containing Consort Music PDF Download
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Author: Robert Thompson
Publisher: Routledge
ISBN: 1351144839
Category : Music
Languages : en
Pages : 439
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Book Description
Volume II of The Viola da Gamba Society Index of Manuscripts Containing Consort Music includes manuscripts associated with John Browne (Clerk of the Parliaments), Philip Falle (prebendary at Durham), Sir Gabriel Roberts, John St Barbe of Broadlands, the Withy family of Worcester and Oxford and an anonymous late-seventeenth century scribe. As well as a detailed inventory of every manuscript (with anonymous works identified where possible), the descriptions include information on date, size, binding, paper, rastra, watermarks, collations, scripts, inscriptions and provenance, together with bibliographical references. Brief notes on the owners and copyists are provided. Of particular importance is the inclusion of facsimiles of all hands.
Author: Robert Thompson
Publisher: Routledge
ISBN: 1351144839
Category : Music
Languages : en
Pages : 439
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Book Description
Volume II of The Viola da Gamba Society Index of Manuscripts Containing Consort Music includes manuscripts associated with John Browne (Clerk of the Parliaments), Philip Falle (prebendary at Durham), Sir Gabriel Roberts, John St Barbe of Broadlands, the Withy family of Worcester and Oxford and an anonymous late-seventeenth century scribe. As well as a detailed inventory of every manuscript (with anonymous works identified where possible), the descriptions include information on date, size, binding, paper, rastra, watermarks, collations, scripts, inscriptions and provenance, together with bibliographical references. Brief notes on the owners and copyists are provided. Of particular importance is the inclusion of facsimiles of all hands.
Author:
Publisher:
ISBN: 9780754601302
Category : Chamber music
Languages : en
Pages : 422
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Book Description
Author: Andrew Ashbee
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 432
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Book Description
The Viola da Gamba Society Thematic Index of Music for Viols (ed. Gordon Dodd), 1980-1992 (and continuing), is composer-based. The present volume initiates a companion project to catalogue manuscripts containing consort music. The editors are all highly experienced in the field and have newly examined all sources. Volume 1 features over 50 MSS whose copyists or owners are known: Bing, Hutton, Jenkins, Le Strange, Lilly, Merro, North. As well as a detailed inventory of every work (with anonymous work identified where possible), the descriptions include information on date, size, binding, paper, rastra, watermarks, collations, scripts, inscriptions and provenance, together with bibliographical references. Brief notes on the owners and copyists are provided. Of particular importance is the inclusion of facsimiles of all hands. Also included is a comprehensive study and illustration of watermarks by Robert Thompson (serving for the whole series). With some printed catalogues such as the British Library and Christ Church, Oxford, now nearly 100 years old, this new and comprehensive study will be an invaluable tool for future research.
Author: John Patrick Cunningham
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378
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Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.
Author: Rebecca Herissone
Publisher: Cambridge University Press
ISBN: 1107289556
Category : Composition (Music)
Languages : en
Pages : 568
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Book Description
Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.
Author: Bettina Hoffmann
Publisher:
ISBN: 9781138240230
Category : Viola da gamba
Languages : en
Pages : 0
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Book Description
Music for division viol -- Technique -- The end of the Golden Age: amateurs and foreigners -- 5.3 France -- From five to six strings -- From 6 to 7 strings -- En famille -- The querelle -- The high school of the viol -- Playing technique -- Avec la basse? -- En compagnie -- Viol construction -- The decline: the pardessus de viole -- 5.4 The German Empire and the Netherlands -- Germania monstro simile -- The viol consort: "Sonderlich mit Violn de Gamba, In mangelung aber de Bracio -- The viol consort: instruments, tunings and measures -- The solo viol: the shaping of an idiom -- The 18th century -- Musical functions: the repertoire -- Instruments and lutherie after ca 1650 -- The final decades -- 6 The revival -- 6.1 Italy in the second half of the 18th century -- 6.2 The first half of the 19th century -- 6.3 The last decades of the 19th century -- 6.4 The 20th century -- 6.5 Today -- Glossary of technical, terms -- Bibliography -- Index
Author: Michael Fleming
Publisher: Routledge
ISBN: 1317147154
Category : Music
Languages : en
Pages : 475
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Book Description
Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
Author: Benjamin Wardhaugh
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754668442
Category : Music
Languages : en
Pages : 300
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Book Description
Thomas Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Beneath the unedifying invective employed by Salmon, Locke and their supporters however, serious and novel statements were being made about what constituted musical knowledge and what was the proper way to acquire it. This volume is the first published scholarly edition of Salmon's writings on notation, previously available only in microfilm and online facsimiles.
Author: Christopher D.S. Field
Publisher: Routledge
ISBN: 1351561588
Category : Music
Languages : en
Pages : 342
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Book Description
John Birchensha (c.1605-?1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules'-his most famous composition pupil being Samuel Pepys in 1662. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects (which would have included a definitive summary of his rules of composition), entitled Syntagma music Subscriptions for this book were invited in 1672-3, and it was due to be published by March 1675; but it never appeared, and no final manuscript of it survives. Consequently knowledge about his work has hitherto remained extremely sketchy. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas. Almost none of this material has been previously published. The new items include an autograph treatise of c.1664 ('A Compendious Discourse of the Principles of the Practicall & Mathematicall Partes of Musick') which Birchensha presented to the natural philosopher Robert Boyle, and which covers concisely much of the ground that he intended to cover in Syntagma music a detailed synopsis for Syntagma music hich he prepared for a meeting of the Royal Society in February 1676; and an autograph notebook (now in Brussels) containing his six rules of composition with music examples, presumably written for a pupil. Bringing all this material together in a single volume will allow scholars to see how Birchensha's rules and theories developed over a period of fifteen years, and to gain at least a flavour of the lost Syntagma music
Author: Rebecca Herissone
Publisher: Routledge
ISBN: 131704326X
Category : Music
Languages : en
Pages : 558
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Book Description
The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.
