The Viola Da Gamba in the Sixteenth and Seventeenth Centuries PDF Download
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Author: Jason Paras
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 228
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Book Description
Author: Jason Paras
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 228
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Book Description
Author: Ruth Solomon Markowitz
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 172
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Book Description
Author: Bettina Hoffmann
Publisher: Routledge
ISBN: 9780367443757
Category :
Languages : en
Pages : 0
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Book Description
The viola da gamba was a central instrument in European music from the late fifteenth century well into the late eighteenth. Bettina Hoffmann offers an introduction to the instrument-its construction, technique and history-for the non-specialist with a wealth of original archival scholarship that experts will relish.
Author: Viola da Gamba Society of America
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 298
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Book Description
Author: Jason Paras
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 572
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Book Description
Author: Alfred Einstein
Publisher:
ISBN:
Category : Music, German
Languages : en
Pages : 174
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Book Description
Author: Jason Paras
Publisher: Indiana University Press
ISBN: 9780253388247
Category : Music
Languages : en
Pages : 256
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Book Description
The term "viola bastarda" refers to both an instrument and a style of playing that is one of the crowning achievements of musical mannerism. The Italian repertory for the solo viola da gamba in the 16th and early 17th centuries was largely music played "alla bastarda," an art of performance in which a polyphonic composition is transformed into a single melodic line derived from the original parts and spanning their ranges. Jason Paras has traced the development of the "viola bastarda" and has assembled and transcribed 46 peices in this genre. The music in his collection is a rich and fascinating repertory that is rarely heard today. This anthology is an invitation to present-day players to recreate the improvisation practice of the 16th and 17th centuries in ways not fully disclosed by ornamentation manuals of that time.
Author: Peter Holman
Publisher: Boydell & Brewer
ISBN: 1843835746
Category : Music
Languages : en
Pages : 434
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Book Description
New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.
Author: Stewart Carter
Publisher: Indiana University Press
ISBN: 0253005280
Category : Music
Languages : en
Pages : 558
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Book Description
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
Author: Bettina Hoffmann
Publisher: Routledge
ISBN: 1315284235
Category : Music
Languages : en
Pages : 355
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Book Description
The viola da gamba was a central instrument in European music from the late 15th century well into the late 18th. In this comprehensive study, Bettina Hoffmann offers both an introduction to the instrument -- its construction, technique and history -- for the non-specialist, interweaving this information with a wealth of original archival scholarship that experts will relish. The book begins with a description of the instrument, and here Hoffmann grapples with the complexity of various names applied to this and related instruments. Following two chapters on the instrument's construction and ancestry, the core of the book is given to a historical and geographical survey of the instrument from its origins into the classical period. The book closes with a look at the revival of interest in the 19th and 20th centuries.
