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Author: Bettina Hoffmann
Publisher:
ISBN: 9781138240230
Category : Viola da gamba
Languages : en
Pages : 0
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Book Description
Music for division viol -- Technique -- The end of the Golden Age: amateurs and foreigners -- 5.3 France -- From five to six strings -- From 6 to 7 strings -- En famille -- The querelle -- The high school of the viol -- Playing technique -- Avec la basse? -- En compagnie -- Viol construction -- The decline: the pardessus de viole -- 5.4 The German Empire and the Netherlands -- Germania monstro simile -- The viol consort: "Sonderlich mit Violn de Gamba, In mangelung aber de Bracio -- The viol consort: instruments, tunings and measures -- The solo viol: the shaping of an idiom -- The 18th century -- Musical functions: the repertoire -- Instruments and lutherie after ca 1650 -- The final decades -- 6 The revival -- 6.1 Italy in the second half of the 18th century -- 6.2 The first half of the 19th century -- 6.3 The last decades of the 19th century -- 6.4 The 20th century -- 6.5 Today -- Glossary of technical, terms -- Bibliography -- Index
Author: Bettina Hoffmann
Publisher:
ISBN: 9781138240230
Category : Viola da gamba
Languages : en
Pages : 0
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Book Description
Music for division viol -- Technique -- The end of the Golden Age: amateurs and foreigners -- 5.3 France -- From five to six strings -- From 6 to 7 strings -- En famille -- The querelle -- The high school of the viol -- Playing technique -- Avec la basse? -- En compagnie -- Viol construction -- The decline: the pardessus de viole -- 5.4 The German Empire and the Netherlands -- Germania monstro simile -- The viol consort: "Sonderlich mit Violn de Gamba, In mangelung aber de Bracio -- The viol consort: instruments, tunings and measures -- The solo viol: the shaping of an idiom -- The 18th century -- Musical functions: the repertoire -- Instruments and lutherie after ca 1650 -- The final decades -- 6 The revival -- 6.1 Italy in the second half of the 18th century -- 6.2 The first half of the 19th century -- 6.3 The last decades of the 19th century -- 6.4 The 20th century -- 6.5 Today -- Glossary of technical, terms -- Bibliography -- Index
Author: Julie Elhard
Publisher:
ISBN: 9780985682316
Category :
Languages : en
Pages :
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Book Description
Author: Peter Holman
Publisher: Boydell & Brewer
ISBN: 1843835746
Category : Music
Languages : en
Pages : 434
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Book Description
New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.
Author: Michael O'Loghlin
Publisher: Routledge
ISBN: 1351566563
Category : Music
Languages : en
Pages : 272
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Book Description
After decades of stagnation during the reign of his father, the 'Barracks King', the performing arts began to flourish in Berlin under Frederick the Great. Even before his coronation in 1740, the crown prince commenced recruitment of a group of musician-composers who were to form the basis of a brilliant court ensemble. Several composers, including C.P.E. Bach and the Graun brothers, wrote music for the viola da gamba, an instrument which was already becoming obsolete elsewhere. They were encouraged in this endeavour by the presence in the orchestra from 1741 of Ludwig Christian Hesse, one of the last gamba virtuosi, who was described in 1766 as 'unquestionably the finest gambist in Europe'. This study shows how the unique situation in Berlin produced the last major corpus of music written for the viola da gamba, and how the more virtuosic works were probably the result of close collaboration between Hesse and the Berlin School composers. The reader is also introduced to the more approachable pieces which were written and arranged for amateur viol players, including the king's nephew and ultimate successor, Frederick William II. O'Loghlin argues that the aesthetic circumstances which prevailed in Berlin brought forth a specific style that is reflected not only in the music for viola da gamba. Characteristics of this Berlin style are identified with reference to a broad selection of original written sources, many of which are hardly accessible to English-speaking readers. There is also a discussion of the rather contradictory reception history of the Berlin School and some of its composers. The book concludes with a complete thematic catalogue of the Berlin gamba music, with a listing of original manuscript sources and modern publications. The book will appeal to professional and amateur viola da gamba players as well as to scholars of eighteenth-century German music.
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769257563
Category : Music
Languages : en
Pages : 52
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Book Description
Johann Sebastian Bach's Six Suites for Unaccompanied Cello were probably composed during his service as Kapellmeister in Cöthen, between 1717 and 1723. They are among the most well known and frequently performed solo compositions ever written for cello and have been transcribed for many other instruments over the years.
Author: Alison Crum
Publisher: Clarendon Press
ISBN: 9780198163114
Category : Music
Languages : en
Pages : 185
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Book Description
Play the Viol meets the need for a comprehensive guide to playing technique which provides for the specific requirements of the adult beginner. The book covers the treble, tenor, and bass viol, and assumes no knowledge beyond an ability to read music.
Author: David Dolata
Publisher: Indiana University Press
ISBN: 0253021464
Category : Music
Languages : en
Pages : 314
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Book Description
Written for musicians by a musician, Meantone Temperaments on Lutes and Viols demystifies tuning systems by providing the basic information, historical context, and practical advice necessary to easily achieve more satisfying tuning results on fretted instruments. Despite the overwhelming organological evidence that many of the finest lutenists, vihuelists, and viola da gamba players in the Renaissance and Baroque eras tuned their instruments in one of the meantone temperaments, most modern early instrument players today still tune to equal temperament. In this handbook richly supplemented with figures, diagrams, and music examples, historical performers will discover why temperaments are necessary and how they work, descriptions of a variety of temperaments, and their application on fretted instruments. This technical book provides downloadable audio tracks and other tools for fretted instrument players to achieve more stable consonances, colorful dissonances, and harmonic progressions that vividly propel the music forward.
Author: Paul Furnas
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 700
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Book Description
Author: Jason Paras
Publisher: Indiana University Press
ISBN: 9780253388247
Category : Music
Languages : en
Pages : 256
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Book Description
The term "viola bastarda" refers to both an instrument and a style of playing that is one of the crowning achievements of musical mannerism. The Italian repertory for the solo viola da gamba in the 16th and early 17th centuries was largely music played "alla bastarda," an art of performance in which a polyphonic composition is transformed into a single melodic line derived from the original parts and spanning their ranges. Jason Paras has traced the development of the "viola bastarda" and has assembled and transcribed 46 peices in this genre. The music in his collection is a rich and fascinating repertory that is rarely heard today. This anthology is an invitation to present-day players to recreate the improvisation practice of the 16th and 17th centuries in ways not fully disclosed by ornamentation manuals of that time.
Author: Nathalie Dolmetsch
Publisher: Legare Street Press
ISBN: 9781019369807
Category :
Languages : en
Pages : 0
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Book Description
The viola da gamba is a beautiful and complex instrument that has been a favorite of musicians for centuries. In this comprehensive guide, Nathalie Dolmetsch explores the history of the viola da gamba, its unique playing technique, and its vast musical resources. With detailed diagrams and photographs, as well as a wealth of musical examples, this book is an essential resource for anyone interested in this fascinating instrument. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
