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Author: Ernst Lothar
Publisher: Penguin
ISBN: 1609452828
Category : Fiction
Languages : en
Pages : 500
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Book Description
All Vienna knows that the inhabitant of number 10 Seilerstatte is none other than Christopher Alt, piano maker, the best in Vienna, probably in all of Austria, and possiblly the world over. His piano keys have given life to melodies by Mozart, Haydn, Beethoven, and many more. On his deathbed, moved by the wish to keep his children united, he leaves a will specifying that his descendants, if they are to get their inheritance, must live together in the family home. Over successive generations of the Alt family, history itself passes through the doors, down the halls, and into the private rooms of the Alt’s building. There is intrigue at the court of Franz-Josef: an heir to the throne has fallen in love with Henrietta Alt, who will have to carry the guilt for his eventual suicide. There are betrayals, beloved illegitimate children, and despised legitimate offspring. There are seething passions and icy relations, a world war and the rise of Nazism to contend with. There are duals, ambitions, hopes, affairs of the heart and affairs of state. Three generations of Alts live and die at number 10 Silerstatte and each member of the family, in his or or her own way, is a privileged witness to the winds of change and a Europe at the height of both its splendor and decadence
Author: Ernst Lothar
Publisher: Penguin
ISBN: 1609452828
Category : Fiction
Languages : en
Pages : 500
Get Book Here
Book Description
All Vienna knows that the inhabitant of number 10 Seilerstatte is none other than Christopher Alt, piano maker, the best in Vienna, probably in all of Austria, and possiblly the world over. His piano keys have given life to melodies by Mozart, Haydn, Beethoven, and many more. On his deathbed, moved by the wish to keep his children united, he leaves a will specifying that his descendants, if they are to get their inheritance, must live together in the family home. Over successive generations of the Alt family, history itself passes through the doors, down the halls, and into the private rooms of the Alt’s building. There is intrigue at the court of Franz-Josef: an heir to the throne has fallen in love with Henrietta Alt, who will have to carry the guilt for his eventual suicide. There are betrayals, beloved illegitimate children, and despised legitimate offspring. There are seething passions and icy relations, a world war and the rise of Nazism to contend with. There are duals, ambitions, hopes, affairs of the heart and affairs of state. Three generations of Alts live and die at number 10 Silerstatte and each member of the family, in his or or her own way, is a privileged witness to the winds of change and a Europe at the height of both its splendor and decadence
Author: Ernst Lothar
Publisher: Europa Editions UK
ISBN: 1787700623
Category : Fiction
Languages : en
Pages : 524
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Book Description
Everyone in Vienna knows that the inhabitant of number 10 Seilerstätte is none other than Christopher Alt, piano maker, the best in Vienna, probably in all of Austria, and possibly the world over. His piano keys have given life to melodies by Mozart, Haydn, Beethoven, and many more. On his deathbed, moved by the wish to keep his children united, he leaves a will specifying that his descendants, if they are to get their inheritance, must live together in the family home. Over successive generations of the Alt family, history itself passes through the doors, down the halls, and into the private rooms of the Alt's building. There is intrigue at the court of Franz-Josef: an heir to the throne has fallen in love with Henrietta Alt, who will have to carry the guilt for his eventual suicide. There are betrayals, beloved illegitimate children, and despised legitimate offspring. There are seething passions and icy relations, a world war and the rise of Nazism to contend with. There are duals, ambitions, hopes, affairs of the heart and affairs of state. Three generations of Alts live and die at number 10 Seilerstätte and each, in his or her own way, is a privileged witness to the winds of change and a Europe at the height of both its splendor and decadence.
Author: Stephen Costanza
Publisher: Createspace Independent Publishing Platform
ISBN: 9781979771283
Category :
Languages : en
Pages : 40
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Book Description
An imaginative story about Mozart's many inspirations, now in paperback! Wolfgang Mozart must compose a new piano concerto to perform at the famous Burgtheatre in Vienna. But Mozart can't think of a note to write. When he hears his hungry pet starling sing out melodiously, his creativity begins to flow. Before he can put notes to paper, however, his muse escapes through the window, and Mozart is off on a frantic search to bring her back. Will Mozart find both his friend and song in time? Based on a true story about the famous composer and his beloved pet starling, this enchanting tale celebrates inspiration in any form it takes.
Author: Harold B. Segel
Publisher: Purdue University Press
ISBN: 9781557530332
Category : Literary Collections
Languages : en
Pages : 424
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Book Description
Segel's extensive introduction provides a wealth of information concerning the social, political, and cultural background of turn-of-the-century Vienna. The eight artists assembled here are concerned with their world, Austria and particularly Vienna. They exchange ideas, argue, gossip, tell stories, read each other's works and even write in the coffeehouse.
Author: Michael Steinberg
Publisher: Oxford University Press
ISBN: 0195370201
Category : Music
Languages : en
Pages : 266
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Book Description
Articulate and impassioned, sophisticated but never esoteric, Steinberg and Rothe offer invigorating reflections on music that will delight both the beginning and the seasoned listener.
Author: Erica Buurman
Publisher: Cambridge University Press
ISBN: 1108495850
Category : Music
Languages : en
Pages : 209
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Book Description
Reveals how the culture and repertoire of the early Viennese ballroom permeated and intersected with other areas of musical life.
Author: Emil Francis Saverio
Publisher:
ISBN:
Category : Folk drama
Languages : en
Pages : 100
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Book Description
"Music and Song form an essential part in the daily life of the Viennese. Italian music, which was introduced in Vienna as early as the sixteenth century by the Austrian Court, by wandering minstrels, or by theatrical troupes, was welcomed everywhere and by everyone for its strong emotional force and beauty of melody. While at the Vienna Hofoper Italian operatic music prevailed by preference, the Italian songs of the commedia dell'arte were received enthusiastically by the populace of the gay capital. Such was the popularity of the songs of the commedia dell'arte that they became an important factor in the development of the Viennese Volksstück. At first one finds the musical element used sparingly in the course of this development, but, internal evidence in the texts of later plays shows a rapid increase in the use of music in the Volksstück. The present study necessarily involves a discussion of the questions, what are the functions of the musical element in the dramatic works of Viennese playwrights, and wherein lies the artistic worth of music to the play? ... The present abridged translation of the author's fuller study endeavors, therefore, to give, in a brief introductory form, the underlying factors which in a certain measure account for the particularly favorable conditions, which existed in Vienna, to encourage musical tradition, and, at the same time, to cause its application to the drama. Further, it endeavors to show that the musical element was not regarded by the playwrights of the Viennese Volksstück after Stranitzky) as an occasional and altogether unmotivated filler of their plays, but as an element with a specific dramatic purpose, e. g. to characterize, to interpret a certain action, to take the place of "asides," and the like. It concludes by attempting to estimate in what respect Grillparzer follows the general custom of his contemporary Viennese playrights in his use of the musical element, and wherein consists his contribution to artistic progress in the technique of the drama"--Introduction
![Music around the World [3 volumes] PDF](https://books.google.com/books/content/images/frontcover/RxnOEAAAQBAJ?fife=w80-h100)
Author: Andrew R. Martin
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 1385
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Book Description
With entries on topics ranging from non-Western instruments to distinctive rhythms of music from various countries, this one-stop resource on global music also promotes appreciation of other countries and cultural groups. A perfect resource for students and music enthusiasts alike, this expansive three-volume set provides readers with multidisciplinary perspectives on the music of countries and ethnic groups from around the globe. Students will find Music around the World: A Global Encyclopedia accessible and useful in their research, not only for music history and music appreciation classes but also for geography, social studies, language studies, and anthropology. Additionally, general readers will find the books appealing and an invaluable general reference on world music. The volumes cover all world regions, including the Americas, Europe, Africa and the Middle East, and Asia and the Pacific, promoting a geographic understanding and appreciation of global music. Entries are arranged alphabetically. A preface explains the scope of the set as well as how to use the encyclopedia, followed by a brief history of traditional music and important current influences of music in each particular world region.
Author: Ewa Mazierska
Publisher: Routledge
ISBN: 1351862618
Category : Music
Languages : en
Pages : 382
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Book Description
The author presents a cultural history of popular Viennese electronic music from 1990 to 2015, from the perspectives of production, scene and national and international reception. To illustrate this history in depth, a number of case studies of the most successful and distinguished musicians are explored, such as Kruder and Dorfmeister, Patrick Pulsinger, Tosca, Electric Indigo and Sofa Surfers. The author draws on research about electronic music, the relationship between music and the urban environment, the history of Austria and Vienna, music scenes and fandom, the digital shift , stardom in popular music (especially electronic music), as well as theories of postmodernism. Chapters 4 and 8 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author: Lorraine Gorrell
Publisher: Bloomsbury Publishing USA
ISBN: 0313095787
Category : Music
Languages : en
Pages : 326
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Book Description
Esteemed by many of his most distinguished contemporaries, including Arnold Schoenberg , Alexander Zemlinsky (1871-1942) was a protégé of Brahms and Mahler. Despite this, he was overshadowed by the composers of the second Viennese school, and for many years after his death was remembered merely as the brother-in-law of Schoenberg. But with centenary celebrations of Zemlinsky's birth, scholars began a careful examination of his works and realized they had discovered a forgotten master. Zemlinsky's wonderful melodic gift was manifested in operas, choral works, chamber music, and symphonic pieces, but was realized most fully in his more than one hundred songs. In this important new study—the first such work in English—Lorraine Gorrell focuses on these songs, revealing the ways in which they represented a bridge between the 19th-century romantic lied and the 20th-century avant-garde. Of interest to scholars studying both the German art song and the development of the second Viennese school, Gorrell's work uses Zemlinsky's songs as a lens through which to examine an important, highly influential musical figure.
